Poetry, a Cubist’s View is a “mash” of Benjamin Smith’s Ben.improv.Jul.16.2013 on electric piano and a combination of Paul Mimlitsch’s bass clarinet and soprano clarinet improvisations: “71913bcimpx1?, “71913scimpx1?, and “71913scimpx2?. I added…
Full and exciting Chris. I thought it would be marvellous as a soundtrack for a film of the book Animal Farm. Not what you intended I'm sure! Cheers Bee
Poetry, a Cubist’s View is a “mash” of Benjamin Smith’s Ben.improv.Jul.16.2013 on electric piano and a combination of Paul Mimlitsch’s bass clarinet and soprano clarinet improvisations: “71913bcimpx1?, “71913scimpx1?, and “71913scimpx2?. I added…
Well, I play this in Fokker 7-limit Just Intonation on the piano and I didn't attempt to try to sing as high as Robert. So that makes the vocals hard to nail right there. And I played it over many times the past 3 days and my voice got worn out…
Nobody can follow Plant, especially on this one, so why even try? I ought to dare my local classic rock station to play this version and tell them I'll stop listening if they won't do it. Heh heh. That'll fix 'em, won't it?
I dig the improv at the end; it makes me think that perhaps I should do my own "New Age" style cover of Stairway. Hmmm.
Poetry, a Cubist’s View is a “mash” of Benjamin Smith’s Ben.improv.Jul.16.2013 on electric piano and a combination of Paul Mimlitsch’s bass clarinet and soprano clarinet improvisations: “71913bcimpx1?, “71913scimpx1?, and “71913scimpx2?. I added…
Well, I play this in Fokker 7-limit Just Intonation on the piano and I didn't attempt to try to sing as high as Robert. So that makes the vocals hard to nail right there. And I played it over many times the past 3 days and my voice got worn out…
i wouldn't say murdered maybe a little beaten up though ....i love that piano work this is the first time I've ever heard it on the piano and it sounds great.....
Neither of us realized this is a Van De Graaf Generator song - I received the lyrics through an old friend of mine who passed away a few years ago. His book of poetry by Peter Hammill was one of his favorite possessions and he hand wrote out the…
Neither of us realized this is a Van De Graaf Generator song - I received the lyrics through an old friend of mine who passed away a few years ago. His book of poetry by Peter Hammill was one of his favorite possessions and he hand wrote out the…
Certainly is stirring stuff, unnerving and thought provoking. I really love your music Chris it's like it's stalking, ready to pounce - like a cat. Cheers Bee
Neither of us realized this is a Van De Graaf Generator song - I received the lyrics through an old friend of mine who passed away a few years ago. His book of poetry by Peter Hammill was one of his favorite possessions and he hand wrote out the…
Poem by Francis Duggan
Poem selected and recited by Bethan Mathis
Music composed by Chris Vaisvil
Selected for the ANDREAS N°15 – 14?-?18 First World War – FRACTION STUDIO COMPILATION
details / poem
http://chrisvaisvil.com/along-the-war-avenue…
In nuclear physics, a magic number is a number of nucleons (either protons or neutrons) such that they are arranged into complete shells within the atomic nucleus. The seven most widely recognised magic numbers as of 2007 are 2, 8, 20, 28, 50…
Poem by Francis Duggan
Poem selected and recited by Bethan Mathis
Music composed by Chris Vaisvil
Selected for the ANDREAS N°15 – 14?-?18 First World War – FRACTION STUDIO COMPILATION
details / poem
http://chrisvaisvil.com/along-the-war-avenue…
You have interpreted the poem perfectly Chris. The poignant strings, military drum rolls and booming explosions set the scene most sympathetically. It's rather haunting! Lovely job indeed.
@Kavin, ha ha, it's the accent! Bethan
Poem by Francis Duggan
Poem selected and recited by Bethan Mathis
Music composed by Chris Vaisvil
Selected for the ANDREAS N°15 – 14?-?18 First World War – FRACTION STUDIO COMPILATION
details / poem
http://chrisvaisvil.com/along-the-war-avenue…
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Comments on vaisvil's stuff
Beautiful
and these types of music, can resolve sometimes easier then at first thought, well done here.
Good one.
Awe, that's lovely Chris! Good title! Bethan
Woo!! brave man taking this on with just acoustic and vocal. Hats off to you, sir. Nice one, like it.
I like your vocal Chris don't be so hard on yourself....ienjoyed.....
Full and exciting Chris. I thought it would be marvellous as a soundtrack for a film of the book Animal Farm. Not what you intended I'm sure! Cheers Bee
I heard this on the radio just the other day. ;) Sorry, I jest. Nice piano tone. Is it a real Rhodes or synthesized?
Nobody can follow Plant, especially on this one, so why even try? I ought to dare my local classic rock station to play this version and tell them I'll stop listening if they won't do it. Heh heh. That'll fix 'em, won't it? I dig the improv at the end; it makes me think that perhaps I should do my own "New Age" style cover of Stairway. Hmmm.
that's rather nice vais, a bubble & squeak of free jazz
i wouldn't say murdered maybe a little beaten up though ....i love that piano work this is the first time I've ever heard it on the piano and it sounds great.....
Excellent!!
Interesting piece
Certainly is stirring stuff, unnerving and thought provoking. I really love your music Chris it's like it's stalking, ready to pounce - like a cat. Cheers Bee
well done..
Good stuff
Compelling interpretation of a powerful poem. Great job, guys! Tess
Great track, Vaisvil. Strong sounds, well constructed... evocative without having to do too much.
You have interpreted the poem perfectly Chris. The poignant strings, military drum rolls and booming explosions set the scene most sympathetically. It's rather haunting! Lovely job indeed. @Kavin, ha ha, it's the accent! Bethan
Brilliant, yawl. I swear I could be happy listening to B read a phone book.
Comments made by vaisvil
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.