Oh Baby its just not the same,
I can hear it when you call my name,
When you call my name,
Oh baby its just not the same,
I can feel it when you don't come home,
When you don't come home,
Oh Baby its just not the same,
I did feel…
Oh Baby its just not the same,
I can hear it when you call my name,
When you call my name,
Oh baby its just not the same,
I can feel it when you don't come home,
When you don't come home,
Oh Baby its just not the same,
I did feel…
Ok, at time this becomes out of sync leading to polytempic moments, but don't be fooled. I just can't play with a metronome. However, it truly is loopy in several dimensions. Lyrics written by OpenAI Chatbot and edited by me.
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
Genres:
Urban/Hip-Hop: Rhythm and Blues
Urban/Hip-Hop: Soul
Album:
Its About Soul
Artist's description:
a collaboration
Contributors:
thetworegs vocals
Norm percussion and didgeridoo
Chris guitars n stuff.
Graphic by William Newbold
Genre:
Electronica: Ambient
Year: 2009
Album:
Tritium Crystals
Artist's description:
William Newbold's performance modified by Chris Vaisvil
Scored for amplified prepared piano and choir ensemble…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
What a trip!
I like the 🔔 🛎 bells 🔔 so cool 😎 Is this a sample or actually using instruments like the bells. Mmmm with effects? Wow just perfect,.
Nice 👍🙂 I think the left right bounce is great I like the way that sounds... ,👌🤔♾️🔆🌝🌞🌀☄️🪐🌠🌌🚀🛸🗿🔌🖥️🪑📈🆙⚛️🗽
Very well-done!
Cool it's really good 😊👍🍽️🦛🦛🦛🦛🦛🥩🥩🥓🥓🥙🧆🌮🫔🍔🌭🚫🚫🚫❗❕❗‼️❓📵🚷🚱❔
Interesting Track!!..I like it!!
Cool! Are you editing the row offset on the Linnstrument for the tuning or doing it outboard?
really nice ---
omg fantastic --- the second listen was even better so I will do the third listen (a rare thing not often used by me)
whatever regs said.....
Now Desirea although you sing with such a beautiful voice you know I’m not being enticed back ….. I’m not… really …. I’m not
You are a metronome. Who needs them? Nice song. Happy to see your still here doing your thing.
Pretty awesome! The tabla like percussion hits in beginning are really defining with the voice and mix. Grows cool!
wow Gregor :)
minute 5 -- omg wow ... this is a great sound entering here.
serve them up - :)
Another from way back you two certainly brought me out of my shell
This one took me back
the Neutron is a great instrument --- I like all the behringer instruments --
all names that begin with the letter G
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!