There's nothing like a good cup of coffee,and a song climbing through the blooming trees and raising on up beyond the sky,tipping it's hat to say good-by.
this is actually in a microtonal tuning - but a very mild difference from the usual
Vallotti & Young scale (Vallotti version)
12
!
94.135
196.090
298.045
392.180
501.955
592.180
698.045
796.090
894.135
1000.000
1090.225
2
A picture of Chicago’s near north side I took on a recent trip. Note the scaffolding for the church steeple.
17 edo electric guitar solo with ebow, whammy bar, and delay is a microtonal ambient minimalist piece.
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
A homage to Steve Hackett (who wrote this piece)
http://en.wikipedia.org/wiki/Steve_Hackett
This is played using John O'Sullivan's Blue JI tuning. Pianoteq and Kontakt didn't play nice together so I had add 4.81 cents to all of the flute notes.
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
this is a collaboration with my old guitarist chris vaisvil with whom we are celebrating being in our first band 40 yrs ago.
chris does the 12 string guitar and the lead guitar at the end. i am doing the bass, keys, drums and vox. i wrote the…
An exercise in dissecting a well known song to see what makes it tick. Drums are looped, bass is not in tune, guitar is not quite right, but I'm slowly getting there. Will update this later. Somewhen...
I was passing by a darkened church this evening, as the wind danced through the trees, looking though the a window, i noticed a single candle lit, flickering on the alter step, casting a shadow within.. as i pressed an ear to the dusty glass…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal)
The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
A shorter, stripped down version of a drone piece I submitted for the ongoing Fukushima Drones project, which you will find here:
http://auralfilms.bandcamp.com/album/fukushima-drones
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
What with all the great Zep covers posted by Tworegs and Chris Vaisvil, here's mine, I enlisted the vocal of the man himself, thanks Reg! Also note my new fretless strat as second guitar here.
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
Comments on vaisvil's stuff
There's nothing like a good cup of coffee,and a song climbing through the blooming trees and raising on up beyond the sky,tipping it's hat to say good-by.
Beautiful. It's as if the experience of flying is at hand.
Best I am the Walrus cover I've ever heard :)
Nice one well done.
and the Walrus was Paul. Good fun.
More bullhorn!
Totaly dig the Harpsichord! Cool version of this classic tune...Well done!
Enjoyed this Chris....Bravo...
this is actually in a microtonal tuning - but a very mild difference from the usual Vallotti & Young scale (Vallotti version) 12 ! 94.135 196.090 298.045 392.180 501.955 592.180 698.045 796.090 894.135 1000.000 1090.225 2
Nice build, I have no idea how this cool pad is built. I was playing along on electric guitar . Huge open sounds! Ilove this one. Steve
every body polka.
One of your oriental flavoured pieces Chris. Well played, it must be difficult. I like the way it boings at the end!
Nice playing Chris..........
Just wait until Pepé Le Pew gets a load of her!!
Purrrrfectly performed!
Great feel! Great playing! (Can't read much info about this track as the link seems to be broken.)
I love this!
Lovely! Well played Chris!
parts of this remind me of something from Michael Hedges' taproot album.... nice track!
Ooo, well played!
Comments made by vaisvil
Thanks Brett - I'm just being a session man here - Frank is seriously rocking this out!
nicely done - you should get Reg to sing on your version.
Hi Richard, not a webcam - that was Stonehedge at winter solstice. Nice piece here!
Nice, though the mix gets a bit muddy for the effects flying all over. +100 for covering this.
Now to return the favor - thanks for listening and commenting.
Hi - the poem is here http://chrisvaisvil.com/i-live-by-the-cemetery-ambient-in-17-edo-harmonic-series-polytuned/
gosh this is like music from the other side of the veil of the multi-universe!
I'm up for a collaboration. Perhaps I can play my long string harp which you can manipulate and videoize.
True, but doing that is hard without practicing in the new key a bit. This was more for the fun of it.
Can I make a request - The Wizard by Sabbath?
nice job on this!
Lovely orchestral piece!
This is a beautiful piece!!
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal) The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
a very intense drone - I like the solo guitar work a lot.
and I love this song!
thanks for the comment.
Awesome! I love your fretless work!
love the sound of your synth here - reminds me lot of the old CS-10 I once had a very long time ago. http://www.vintagesynth.com/yamaha/cs10.php
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!