Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
A homage to Steve Hackett (who wrote this piece)
http://en.wikipedia.org/wiki/Steve_Hackett
This is played using John O'Sullivan's Blue JI tuning. Pianoteq and Kontakt didn't play nice together so I had add 4.81 cents to all of the flute notes.
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
This is a serial improvisational piece (excepting some drum loops) in John O’Sullivan’s Blue JI tuning (which I rather like) – all of the instruments, African log drum, Nigerian log drum, Krin slit drum, Teponaxtli, Toere, Kaekeeke, Kalaau…
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Such an incredible mix of sounds. It felt like a junkyard in space. Then when the music came in I thought it fitted really well, music all in bits like the gramaphones. Ooo, the swaying from one ear to the other at the end is effective too.
The Metaphysical Evaporation of Wells Street is an ambient piece devised by mashing Summer Sky by Paul H. Muller, Sweeping the Clouds by Lydia Busler-Blais, I Half Remember Why I Got the Blues by Steve Layton, Blue Mountain by Diego Monroy…
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
Kinda rough. I'm uploading this mainly to share a guitar technique I've been working on. I'm wearing a slide on my picking hand and using it to alter pitches in single line phrases. There's a lot more can be done with this technique that I've…
I 2nd the request for a video. I'm assuming you are pushing the slide off the bridge toward the neck - correct? I've net ever heard of someone putting the slide on the picking hand before - but it sure sounds great!! Beautiful piece of work here Kirk!!
This rough track uses my Blue Just Tuning system (go to www.johnsmusic7.com for details and a photo of the guitar). This is the same tuning Chris Vaisvil used in his Excluded By Peers piece. I hope to add some lead to the track soon.
This blues piece uses my Blue Just tuning system (1/1, 15/14, 9/8, 6/5, 5/4, 4/3, 7/5, 3/2, 8/5, 5/3, 9/5, 15/8, 2/1). For more on my tuning go to www.johnsmusic7.com
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
Voice & Text(je ne parle): Ivan1984
guitar(looking for a voice): Davy Hamburgers
making sense out of dis'ordre
making sense out of dat'ordre
feeling like a ghost tied
to a railway track
the screaming never stops
i am driven through
with…
Jqscutt had this guitar riff that he sent me and we worked out a song with bass, rhythm, lead and drums over the internet. I posted it for a collab for some key additions. This was added by TiS friends K-Lyd and Coruz. Later, they found Liam…
A slightly destructive children's song... But I suspect that many of you have tried some of the things mentioned.
I have a great idea up in my head
Let's try it out this afternoon
We'll tie the dog up to the sled
Pretend we're launching…
finding meaning in nothing new.
Mon Apr 7, 2008, 1:21 AM
Mood: Lazy
Listening to: "next other" 74:25 min song I wrote
Reading: spacetime bororo of brazil by S. M. Fabian
Watching: tracy like trails into the nite
Playing: Apophysis
Eating: brain…
There are times, moments, sounds, shadow falls that take us to and bring us back to magical times in our lives,,,Something in this piece by Johnny Mercer & Henry Mancini,, can pull me in so many different ways,,, it's always been a favorite…
Comments on vaisvil's stuff
every body polka.
One of your oriental flavoured pieces Chris. Well played, it must be difficult. I like the way it boings at the end!
Nice playing Chris..........
Just wait until Pepé Le Pew gets a load of her!!
Purrrrfectly performed!
Great feel! Great playing! (Can't read much info about this track as the link seems to be broken.)
I love this!
Lovely! Well played Chris!
parts of this remind me of something from Michael Hedges' taproot album.... nice track!
Ooo, well played!
Nice warm groove.
Now that's cool
well Chris, i find this rather interesting,
This has inspired me to get my guitar out :)
Such an incredible mix of sounds. It felt like a junkyard in space. Then when the music came in I thought it fitted really well, music all in bits like the gramaphones. Ooo, the swaying from one ear to the other at the end is effective too.
Such an emotive piece. Beautifully performed. The ending is very different from the main part, almost like a new beginning.
An excitingly mysterious ride, perfectly formed.
Mighty cover!!!
Excellent cover great vocals Reg.
great track!
Comments made by vaisvil
wild story!
excellent! I like the way the congas answer each other.
this is beautiful - I love the slide. Gosh I sound so amateurish compared to you guys (and Kirk, and Bethan, and Tess, and ..... I'm just wow'd .
I 2nd the request for a video. I'm assuming you are pushing the slide off the bridge toward the neck - correct? I've net ever heard of someone putting the slide on the picking hand before - but it sure sounds great!! Beautiful piece of work here Kirk!!
wow - this harkens back to the Beatniks with a motown funk vibe - that is so cool! - I love your voice Reg!!
would either of you have a rpoblem if I added to this?
excellent! The interplay between guitar and percussion is very good.
I notice "voip" - is this what caused SKYPE to crash? excellent!! brutal!
very funky! love the funky keys. what a story!
cool riff!
nice work - I didn't know you were posting pieces here until I saw your link on the JI list.
I *love* this - its excellent!!!
nice introspective piece!
excellent !
indeed very funky!
nice!
this is lovely! What a way to start my day - thank you!!!
if this is a result of that new program I think it is working!!!! :-)
ooooo this is good - a new direction too! I'm really liking this!
such lovely control of your two hands. I wish I could play like you.