Well, I have been dying to hear this one!
Sounds cosmic to say the least! Nice modern sounding approach with a very sexy rhythm. It's great Chris! Love it!
Aaron Krister Johnson is the founder of Untwelve and a virtuoso pianist. I was honored to have Aaron perform my piece
“Prelude for Prelude for Centaur Tuned Piano”
at an intimate Untwelve gathering last year on his piano which is tuned to Kraig…
Aaron Krister Johnson is the founder of Untwelve and a virtuoso pianist. I was honored to have Aaron perform my piece
“Prelude for Prelude for Centaur Tuned Piano”
at an intimate Untwelve gathering last year on his piano which is tuned to Kraig…
This is a microtonal Jazz-ish piece produced with some newly developed techniques.
Norm Harris provides the excellent percussion. I probably could have made it easier on myself by not being so chromatic… but there it is.
The piano, bass…
This is a microtonal Jazz-ish piece produced with some newly developed techniques.
Norm Harris provides the excellent percussion. I probably could have made it easier on myself by not being so chromatic… but there it is.
The piano, bass…
Remastered from 4 track circa 1987. The backing track was shoved into one track (drum machine, casio CZ-101 synthesizer bass, rythmn guitar) - the vocals are buried because I wrote a song that was way way too high for my range. The backwards-ness…
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
An experiment with quarter tone tuning.
I tuned my guitar: low E (normal tuning)
A (quarter step up)
D (normal tuning)
G (quarter step down)
B (normal tuning)
high E (tuned D then quarter step down)
This time I tried something else. It's definitely more jazzy than anything before. I think its a direction in which I'd like to keep going.
I hope you like it!
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Comments on vaisvil's stuff
Well, I have been dying to hear this one! Sounds cosmic to say the least! Nice modern sounding approach with a very sexy rhythm. It's great Chris! Love it!
A lovely rich sounding, string based track. Wonderful deep last note, finished it off nicely.
Wow, has it already been a year?? Are you attending the gathering this year?
sweet, subtle. nice playing. the fxs are just right for the feel
Wow! A gorgeous piece and a superb pianist! Yeah, "Play it again, Sam!"
Got to agree with movement ...missed this one ...a hell of a collab gents
Wow....i love when i find amazing music i missed...that is some really cool fretless jammin...
It begins, ah, Nice! I was sorry when that ended. Well played! A very attractive composition!
Pretty sweet and sweeping.
Love these nylon excursions. Brimming with melodic ideas.
A stunning piece Chris. Builds with tension making anticipation. Love the glass marimba sounds. What a gloriously peaceful photo. Ah bliss!
based on the premise if we build it they will sec-come...The sounds speak of construction and excess in go-rash glass and steel
Golly, what a concrete jungle that photo shows! This is a very strong piece with sudden splashes of volume which are very effective.
Very good, I think because 17EDO has good fourths and fifths, and the usual CV touch makes it even better, John.
8:13 IN.....i am loving this.......
hey, i think "white boy with no rhythm" is a good enough excuse. ;)
I missed this one Chris. A really great rock song. The backing is punchy, solid and I think, right up there.
Quite the adventure - great tension!
Really cool sounds, nice one
Nice was that!
Comments made by vaisvil
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!
nice groove!
Are these clips of Pelosi or Phyllis Schlafly? Excellent tune!
great voice and lyrics!
I like this - makes me want to give this technique a try.
I like it - very gentle.
ambient game music ?
nice ambient!!