I was asked to come up with some gritty microtonal guitar. This is an out-take from that session.
17 Indulgences is a solo guitar piece in 17 edo featuring acoustic feedback, echo and a bluesy sort of point of view but does wander here and…
Japanese Ghost House Boat was my contribution to the ImprovFriday “For Japan” earthquake relief CD release with proceeds donated to the Red Cross. It is in 17 notes per octave. Since its been about a year I thought I could release it now as…
Japanese Ghost House Boat was my contribution to the ImprovFriday “For Japan” earthquake relief CD release with proceeds donated to the Red Cross. It is in 17 notes per octave. Since its been about a year I thought I could release it now as…
an interesting exploration on the audio plane, it's slow dreamlike flow is quite a contrast to the photo shown,, once again,, a very interesting journey
Japanese Ghost House Boat was my contribution to the ImprovFriday “For Japan” earthquake relief CD release with proceeds donated to the Red Cross. It is in 17 notes per octave. Since its been about a year I thought I could release it now as…
Japanese Ghost House Boat was my contribution to the ImprovFriday “For Japan” earthquake relief CD release with proceeds donated to the Red Cross. It is in 17 notes per octave. Since its been about a year I thought I could release it now as…
I was asked to come up with some gritty microtonal guitar. This is an out-take from that session.
17 Indulgences is a solo guitar piece in 17 edo featuring acoustic feedback, echo and a bluesy sort of point of view but does wander here and…
I was asked to come up with some gritty microtonal guitar. This is an out-take from that session.
17 Indulgences is a solo guitar piece in 17 edo featuring acoustic feedback, echo and a bluesy sort of point of view but does wander here and…
I was asked to come up with some gritty microtonal guitar. This is an out-take from that session.
17 Indulgences is a solo guitar piece in 17 edo featuring acoustic feedback, echo and a bluesy sort of point of view but does wander here and…
Quite a lot of this track sounded like you were outdoors and trying to reach the other side of a huge ravine it was echoey and most atmospheric.
I liked it!
I was asked to come up with some gritty microtonal guitar. This is an out-take from that session.
17 Indulgences is a solo guitar piece in 17 edo featuring acoustic feedback, echo and a bluesy sort of point of view but does wander here and…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
Likes this,heavy,spacey,nice one!
Very atmospheric! Giddying sounds.
I love this! That 12 string sounds like it's about 40 ft long
Very clean recording and playing.
Classic. Well done!
it's very interesting
nice cover!
indeed, a cool piece,,, nice to hear your different styles
That's a great vocal you got going there Chris...nice cover
Ebowmania!
an interesting exploration on the audio plane, it's slow dreamlike flow is quite a contrast to the photo shown,, once again,, a very interesting journey
Ah, the good old cotton mills! Those were the days!
You captured the Japanese feel perfectly! I like the use of the guitar simulating the bell tolling followed by the 4 lower notes.
No, I did not mean that comment to be private at all. Sorry! Yes, wonderful vocal indeed and earth shattering guitars too!
Love it! The ebow and reverse stuff hit's me where I live! :) Lovely melody
Crazy good. :)
Yesh! Definitely a candidate for the IF RPM mash album.
Wow, good stuff!
Quite a lot of this track sounded like you were outdoors and trying to reach the other side of a huge ravine it was echoey and most atmospheric. I liked it!
Very interesting sounds Vaisvil....
Comments made by vaisvil
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!
wow every piece I hear is really good! My hat is off to you Lalo Oceja!