I got to play this $3,000 8 string baritone Taylor today. Had I $3,000 at all it would have been mine! It has to be one of the best guitars I've ever played and an ingenious string combination.
This is a one guitar (Fender Mustang) improvisation leveraging my GR-20 into bass guitar, strings, synth wash + strumming and percussion. At 2:58 my low A string breaks and then my left forearm and hand cramps up. But it was fun as it lasted.
Ah Chris, lovely track.
Who cares about the odd note here and there, it shows you played it through.
Crumbs, I wish I could!
Still can't get F or B - small hands!
I take my hat off to you sir!
This is a one guitar (Fender Mustang) improvisation leveraging my GR-20 into bass guitar, strings, synth wash + strumming and percussion. At 2:58 my low A string breaks and then my left forearm and hand cramps up. But it was fun as it lasted.
This is a one guitar (Fender Mustang) improvisation leveraging my GR-20 into bass guitar, strings, synth wash + strumming and percussion. At 2:58 my low A string breaks and then my left forearm and hand cramps up. But it was fun as it lasted.
This is a one guitar (Fender Mustang) improvisation leveraging my GR-20 into bass guitar, strings, synth wash + strumming and percussion. At 2:58 my low A string breaks and then my left forearm and hand cramps up. But it was fun as it lasted.
This is a one guitar (Fender Mustang) improvisation leveraging my GR-20 into bass guitar, strings, synth wash + strumming and percussion. At 2:58 my low A string breaks and then my left forearm and hand cramps up. But it was fun as it lasted.
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Comments on vaisvil's stuff
an intriguing listen - nearly mashed up my speakers but was worth it!
Nice!
Wild tune.
Great Job Chris...loved it
Cool! Always wondered what those things were like. Thanks!
Not too repetitious at all. Very nice!
I forgot to mention I really like this, repetition and all!
A most enjoyable and perfect accompaniment to my solitary breakfast. Ah, that's lovely Chris! What coins are these then? Aztec?
I pressed the wrong button again. Oh I'm so rubbish! Try again Bee! I said, Cool improvisation here. Gutsy and string snappingly good.
I most certainly think it was worth sharing.
Ah Chris, lovely track. Who cares about the odd note here and there, it shows you played it through. Crumbs, I wish I could! Still can't get F or B - small hands! I take my hat off to you sir!
Very enjoyable. Thanks.
I'm a sucker for acoustic. Thanks for sharing.
Dysfuncional goodness
Love it some great sounds as sister says Epic with a capital E.......shame the cramp stopped it....has a taste of E.L.P...great stuff
Very coooool, i hate it when string break.
Haha, let's hear it for the hand cramps! Epic sounds!
Way to work through the pain!
Beautiful. I didn't hear any flubs, either.
It is not. Well, classical, yes. Flubbed, no.
Comments made by vaisvil
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.