Grenade_Fish_by_Fenrir06 from deviantART
A musical setting in 17 notes per octave of CA Conrad’s reading of his poem “Say it With Green Paint for the Comfort and Healing of Their Wounds†posted on PennSound. Title and concept credit…
This is part of a microtonal tuning survey. for those of a stout constitution all of the options follow:
These are playable online here:
http://notonlymusic.com/board/viewtopic.php?f=23&t=749&start=0
Here is the original harpsichord…
Electronic Dream #1 was made for the Internet Movie Project in 2002 that fell apart as I remember. All but the initial bright sweep which comes from the CZ-101 is from the Korg MS2000 analog modeling synthesizer. Excepting the Casio sample this…
Mozart's famous "Alla Turca" Sonata #11 in A major with period tuning and period pianoforte and period diapason of A4 = 415 Hz. Details http://chrisvaisvil.com/?p=1837
Mozart's famous "Alla Turca" Sonata #11 in A major with period tuning and period pianoforte and period diapason of A4 = 415 Hz. Details http://chrisvaisvil.com/?p=1837
Oh Chris! Beautiousness indeed.
Just getting ready for bed and enjoying every note!
Night night! Thanks very much. I'd pay to go and listen to this.
Ooo, I'm come over all breathless!
The 11th Corridor of Tritave is an ambient piece performed originally on an M-Audio 88es with pianoteq in 11 edt, edited slightly and then ported over to four 11 edt instances of Z3TA+ 2.1 in Sonar X1.
This is a captured and then edited live performance using the Sonar Matrix view using various samples - some of which were paul stretched.
I'm liking this - if only they had the possibility to change the pitch live it would be like sticking…
Wow :) Very dark and mysterious... 2:35 is GORGEOUS. Very effective. 4:30 is a delicious modal mellowness. It's like the music got sleepy. The synth really ties this piece together though! I feel like I wanted the music to go somewhere more "wide open" if you know what I mean, especially with the thinning out at 3:40 and the more distorted guitar after 7:00.
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
This is a remix of an improvised track I did for our first RPM album. For this new mix, I got rid of the vocals & added a most excellent electric guitar part by our good friend, Chris Mitchell. He listened to the track just once and proceeded…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
We were having a little tipple down the cellar last night and we came up with a Christmas song for the festive season...hope you enjoy..........
CHRISTMAS TIME AT THE DRUNK’S HOUSE (Lyrics)
it's Christmas time in the drunks house
and the…
Well Jefferry came down the cellar this evening for a chat and a bit of consoling.................. so we decided to recant his tale of woe........................poor old Jeferry.............
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
Mozart's famous "Alla Turca" Sonata #11 in A major with period tuning and period pianoforte and period diapason of A4 = 415 Hz. Details http://chrisvaisvil.com/?p=1837
Another work in progress down the cellar.............a first cut...........
I KNOW HOW LOVE CAN FEEL(Lyrics)
I know how love can feel
I know that love can heal
i know i kneel before you
i know it can burn you, destroy you
i know how love can…
Thank you for the comments on Sympathy for a Friend. I didn't use a synthesizer. All of the sound is from one take on my 19 note per octave guitar + effects.
Sort of a Tuesday improv...
Built up around a synth texture that I built up with:
Operator->FilterStation->Volcano->Kombinat->Panstation->RP-Delay
(what's the fun in having plugins if you can't abuse them)
Heres a collab with Wildgeas Music a beautiful bit of music hope i did it justice with the vocal............
Tomorrow (Lyrics)
I know the curse of the darkness is coming
those dark nights that will feed upon my soul
with no forward glance of tomorrow…
Comments on vaisvil's stuff
I don't think I'll ever be the same!
Sounds like winters first tentative snowfall. Beautiful
Haunting notes! Will look forward to checking out this EP!
Trippy goodness
Lovely track Chris!
Nice guitar work.
Gorgeous! I love the shrill, crispy, clean bits. Then there is the deeper contrast, nice work!
Ahh, that's lovely! Well played!
Hi Bethan - I have no idea who played it - but they did an excellent job. The midi file I found somewhere in the 90's.
Oh Chris! Beautiousness indeed. Just getting ready for bed and enjoying every note! Night night! Thanks very much. I'd pay to go and listen to this. Ooo, I'm come over all breathless!
Wuh, they don't expect anyone to hear their conversations there, do they? Lovely jingly music, very pretty! Sounds orchestrally seasonal!
Damn- this is intense. Nice piece of work!
Agree with Solo, some parts very floydesk enjoyed every bit of it
Wow :) Very dark and mysterious... 2:35 is GORGEOUS. Very effective. 4:30 is a delicious modal mellowness. It's like the music got sleepy. The synth really ties this piece together though! I feel like I wanted the music to go somewhere more "wide open" if you know what I mean, especially with the thinning out at 3:40 and the more distorted guitar after 7:00.
You captured a precious feeling on this one!
Excellent!
Wow, this is so dreamy. Guiding, yet haunting at the same time. Great stuff!
Love the acoustic interplay on this!
Good one.
Nice......
Comments made by vaisvil
Beautiful!!Great work here!
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
I love the floating feel this has.
also - you have an astounding memory!
Ha - this riff is mine? I sure don't remember it - now I feel embarrassed about my comment :-)
excellent! I love the opening guitar riff and cool ending!
Nailed Tom's voice!
Very Tom Waits - love it!
wow your voice sounds so like the Kinks!
love your voice here!
May I invite you to participate at ImprovFriday? You may have some fun! http://improvfriday.com/
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
What do you have in your ambient rig? I am enjoying your work!
Hi Bethan - I have no idea who played it - but they did an excellent job. The midi file I found somewhere in the 90's.
wow - another side totally! I like the string / piano combination.
Thank you for the comments on Sympathy for a Friend. I didn't use a synthesizer. All of the sound is from one take on my 19 note per octave guitar + effects.
I love that metallic sound!
The cello work is especially good.
nicely done!!
excellent - this is a great song perfectly played and sung!!