A homage to Steve Hackett (who wrote this piece)
http://en.wikipedia.org/wiki/Steve_Hackett
This is played using John O'Sullivan's Blue JI tuning. Pianoteq and Kontakt didn't play nice together so I had add 4.81 cents to all of the flute notes.
With Frank Miller on drums and bass as the band "2" - a rescue of a late 90's song grabbed from 4-track.
No Place
I'm lost, you're lost
Ships at sea
There is no place
We can be
I'm lost, you're lost
In this world
There is no…
A homage to Steve Hackett (who wrote this piece)
http://en.wikipedia.org/wiki/Steve_Hackett
This is played using John O'Sullivan's Blue JI tuning. Pianoteq and Kontakt didn't play nice together so I had add 4.81 cents to all of the flute notes.
With Frank Miller on drums and bass as the band "2" - a rescue of a late 90's song grabbed from 4-track.
No Place
I'm lost, you're lost
Ships at sea
There is no place
We can be
I'm lost, you're lost
In this world
There is no…
http://en.wikipedia.org/wiki/Take_Five
An animated score is below. Ironicly this is scored for a quintet - piano, guitar, bass, sax, and drums. Probably one of the more famous 5/4 time songs.
A homage to Steve Hackett (who wrote this piece)
http://en.wikipedia.org/wiki/Steve_Hackett
This is played using John O'Sullivan's Blue JI tuning. Pianoteq and Kontakt didn't play nice together so I had add 4.81 cents to all of the flute notes.
A homage to Steve Hackett (who wrote this piece)
http://en.wikipedia.org/wiki/Steve_Hackett
This is played using John O'Sullivan's Blue JI tuning. Pianoteq and Kontakt didn't play nice together so I had add 4.81 cents to all of the flute notes.
I can only imagine the relief/disbelief one has when they get out of one of those emergency shaft elevators. This piece is great for that... ascending.
http://en.wikipedia.org/wiki/Take_Five
An animated score is below. Ironicly this is scored for a quintet - piano, guitar, bass, sax, and drums. Probably one of the more famous 5/4 time songs.
A homage to Steve Hackett (who wrote this piece)
http://en.wikipedia.org/wiki/Steve_Hackett
This is played using John O'Sullivan's Blue JI tuning. Pianoteq and Kontakt didn't play nice together so I had add 4.81 cents to all of the flute notes.
http://en.wikipedia.org/wiki/Take_Five
An animated score is below. Ironicly this is scored for a quintet - piano, guitar, bass, sax, and drums. Probably one of the more famous 5/4 time songs.
http://en.wikipedia.org/wiki/Take_Five
An animated score is below. Ironicly this is scored for a quintet - piano, guitar, bass, sax, and drums. Probably one of the more famous 5/4 time songs.
Another one rebuilt after my freak SD card initialization fiasco. The excellent solo work was done by my buddy Gnasty - I love it!
This is the second part of a two part song. I'll get the other part up next hopefully.
Badass Solos: Gnasty…
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
Comments on vaisvil's stuff
Smooth, real smooth.
Wow! This is going on my website. Thanks Chris. http://www.johnsmusic7.com
Wild indeed!
Brilliant!
That was nice!
I like that 'Careful with that axe Eugene' scream at midway. nice!
Ha ha, great! I prefer it to the original and I love the music. I like the way you used instruments for the harmonies.
We had this tune played at my dad's funeral. Nice arrangement Chris, lovely and jazzy! No, hold on .... Wow! it's great!!
Wonderful music to accompany such an emotive photo.
Sounds lovely and timeless! Some pretty!
Wonderful...........
Beautiful........
I can only imagine the relief/disbelief one has when they get out of one of those emergency shaft elevators. This piece is great for that... ascending.
I grew up with this track and thought it was cool then and it's still cool now.
Super fun!
Hearing shades of cello melodies here - lovely composition!
Very soothing but I feel a dark undercurrent. I'm totally captivated.
Class A classic......... careful we'll be addicted.......to A class
A classis indeed.
excellent...........took me on a ride
Comments made by vaisvil
very atmospheric - I like your touch Bruce!
nice trip!
very cool! I've not heard Arabic music a capella before! excellent!
great!!!
thank you for flying united :-)
nice work! I like your voice a lot.
Nice - I like the calm.
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!