I'm shipping my canon off so it can have a new career without me.
Its such a happy yet sad occasion to see your instrument leave the nest..... ;-[
so I had to spend just a little more time with it.
I'm shipping my canon off so it can have a new career without me.
Its such a happy yet sad occasion to see your instrument leave the nest..... ;-[
so I had to spend just a little more time with it.
I'm shipping my canon off so it can have a new career without me.
Its such a happy yet sad occasion to see your instrument leave the nest..... ;-[
so I had to spend just a little more time with it.
I do have video of Jacob playing the udderbot with the band - but right now I'm still putting together my gear from storage and this was the best I could do with Windows Live movie maker on my laptop.
So for now - enjoy the sound of Jacob jamming…
What a hair raising trip, but the scenery is so beautiful. I can't get over how quiet your roads are.
The music is wonderfully traditional sounding folk.
I'm shipping my canon off so it can have a new career without me.
Its such a happy yet sad occasion to see your instrument leave the nest..... ;-[
so I had to spend just a little more time with it.
The video is the real show here - an excerpt from Xenharmonic Praxis Concert #2
This is Ruckus from the Quiet Zone in 7-limit Just Intonation composed by Ralph Lewis inspired by a trip we made to the Green Bank Radio Telelscope. The quiet zone…
The opening track from the 2nd Xenharmonic Praxis Concert, Madonna, il poco dolce, written by Nicola Vicentino (1511-1572)in (31-tone extended meantone)
composed by Marji Gere
violin Marji Gere
kalimba Dan Sedgwick
vocal Ryan Stickney
fipple pipe Elizabeth Adams
The video below is the "official" video for the July concert from which this performance is taken. The larger August concert video…
This is a composition for Jazz Quartet – Tenor Sax (sorry for the unrealistic stray notes), fretless bass, piano, and drums. All but the drums were preformed on my Fender Mustang + GR-20 retuned on the fly by Fractal Tune Smithy.
The tuning…
composed by Marji Gere
violin Marji Gere
kalimba Dan Sedgwick
vocal Ryan Stickney
fipple pipe Elizabeth Adams
The video below is the "official" video for the July concert from which this performance is taken. The larger August concert video…
This is a video I made that uses heavily modified voice samples from the human lattice at the xenharmonic praxis summer camp and video footage from a cave I visited in Virginia. The piece is in JI since that was the point of forming a human lattice…
Another one rebuilt after my freak SD card initialization fiasco. The excellent solo work was done by my buddy Gnasty - I love it!
This is the second part of a two part song. I'll get the other part up next hopefully.
Badass Solos: Gnasty…
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
Comments on vaisvil's stuff
Honoured to be the first listener to this monumental piece.
Well it went out with a bang. :)
Mournful, beautifully played.
Easy on the catnip, Puss!
O my it's leaving? Well you can make another. Great sound.
What a hair raising trip, but the scenery is so beautiful. I can't get over how quiet your roads are. The music is wonderfully traditional sounding folk.
Yeah, cheerio canon! Well, will you just look at that cat!
oooh!! sweet Irene she sure knows the blues.....
bad into.
The closing round was delightful as was the udderbot in the final song. I should probably make an udderbot...
I love the way the violin takes over from the voice in the run up. Clever! Nice track!
Smack damn, microtonal jazz. Nice Chris. I really like the floating bass in this one. And the Sax of course.
really diggin the blues tune. Shocking photo
Is this the strat you took the frets off sanded down, etc? Sounds great. Crispy.
Is that Zoom H2 battery operated?
Mesmerising!
Glad you're all safe. Digging these bluesy tones. -Tess
Great playing mate. That's one huge storm.
Very cool mix mate great sounds.
I'll take this track as a sign that you survived. nice jam.
Comments made by vaisvil
very atmospheric - I like your touch Bruce!
nice trip!
very cool! I've not heard Arabic music a capella before! excellent!
great!!!
thank you for flying united :-)
nice work! I like your voice a lot.
Nice - I like the calm.
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!