Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???
Graphic by William Newbold
Genre:
Electronica: Ambient
Year: 2009
Album:
Tritium Crystals
Artist's description:
William Newbold's performance modified by Chris Vaisvil
Scored for amplified prepared piano and choir ensemble…
Choir and French Horn ensemble using a basic just intonation tuning.
! ji_12.scl
!
Basic JI with 7-limit tritone
12
!
16/15
9/8
6/5
5/4
4/3
7/5
3/2
8/5
5/3
9/5
15…
Dead to the World
Just a shade
A specter, a ghost
No place amongst the society of perfect being!
Dead to the World
Alien, unwanted
Not here, unseen
Untagged, uncounted
Lost, unwanted, despised, no home, no place, no Soul!
Dead…
the end of this is best --- It just works in there--- the this type of buzz saw like noises OGM I love these things.. --- I get these when I tweak the supernova II and use the max feedback for digital delay and level maxed out with the time at like zero to 1 to two .. the smallest intervals for that .. it is greatness. these sounds.
Two tracks recorded with my bohlen-pierce travel guitar in cubasis on an ipad using Zoom UAC-2 interface and ammooon wireless set. Reverb is cubasis default.
Dead to the World
Just a shade
A specter, a ghost
No place amongst the society of perfect being!
Dead to the World
Alien, unwanted
Not here, unseen
Untagged, uncounted
Lost, unwanted, despised, no home, no place, no Soul!
Dead…
this sounds just fun... -- I like this... there maybe be ways to intermix the changes at the 12 bar interface with a kind of blending maybe? course that would be a different song,..
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
An experiment with quarter tone tuning.
I tuned my guitar: low E (normal tuning)
A (quarter step up)
D (normal tuning)
G (quarter step down)
B (normal tuning)
high E (tuned D then quarter step down)
This time I tried something else. It's definitely more jazzy than anything before. I think its a direction in which I'd like to keep going.
I hope you like it!
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Comments on vaisvil's stuff
Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???
great!! maybe one day they will make 17 tone african thumb Pianos --- but until then we can dream-
a mesmerizing sonic swirl!
do you have a page on wikipaedia?
I think these sounds seem so slippery between each other and sliding into and out of the song.--- great end to this song 🙂
I believe you
pretty and very mmmm Large sounds very big and open like tones.. here
nice synth sounds going on- ===
I like this too.
incredible most incredible === it is like this sometimes.. yes-
the end of this is best --- It just works in there--- the this type of buzz saw like noises OGM I love these things.. --- I get these when I tweak the supernova II and use the max feedback for digital delay and level maxed out with the time at like zero to 1 to two .. the smallest intervals for that .. it is greatness. these sounds.
nice---
Powerful and good groove, out of the dark much light!
I like this
this sounds just fun... -- I like this... there maybe be ways to intermix the changes at the 12 bar interface with a kind of blending maybe? course that would be a different song,..
yeah the end tabla is sweet .. just perfect mix into this type of ending.. what is up with the light cone or time bending swirles ??
great beats and sounds.. great guitars going on- great -
That was a mystic ride
Quite a sonic journey!
I thought I commented on this yesterday? Apologies, I listened and thought WOW! ... I can confirm it has the same effect on me today.
Comments made by vaisvil
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!
nice groove!
Are these clips of Pelosi or Phyllis Schlafly? Excellent tune!
great voice and lyrics!
I like this - makes me want to give this technique a try.
I like it - very gentle.
ambient game music ?
nice ambient!!