Year: 1993
Album:
Strange Beauty
Artist's description:
Ok.... this is a song made almost entirely of samples from The Beatles Rubber Soul album digitized by an 8-bit sound blaster from the line out of a portable CD player. It was composed…
Year: 1993
Album:
Strange Beauty
Artist's description:
Ok.... this is a song made almost entirely of samples from The Beatles Rubber Soul album digitized by an 8-bit sound blaster from the line out of a portable CD player. It was composed…
I abuse Jeff Lynn's (ELO) wonderful song.
I sing it a minor 3rd lower then originally recorded by ELO since I wanted to use my 12-string guitar and it is a lot easier to play tuned down to reduce the tension a bit.
voice
12 string rhythm…
Year: 1993
Album:
Strange Beauty
Artist's description:
Ok.... this is a song made almost entirely of samples from The Beatles Rubber Soul album digitized by an 8-bit sound blaster from the line out of a portable CD player. It was composed…
I also recorded this once through on the Martin and Zoom H-2 yesterday as well. One day I'll do a decent version of this, I promise. For now this is my modest Happy B-day to John.
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
"The Star-Spangled Banner" is the national anthem of the United States of America. The lyrics come from "Defence of Fort McHenry",[1] a poem written in 1814 by the 35-year-old lawyer and amateur poet, Francis Scott Key, after witnessing the bombardment…
Not the most accessible tuning - 13 edo splits the octave into 13 instead of 12 parts. So everything is guaranteed to sound different. That could be the charm or the problem for you. This piece focuses more on melody than most of mine.
it is close what if the split octave for one horn is say half a tone above the 13 tones used by the other horn is that dissonance or something more diabolical like I don't know we would have to listen to something like that to know. :) This peace is just great but I am all over the french horn sound that and long string harmonics.
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
A crazy zaperish Grooms nightmare dream .......way too. short a piece of excellence........loved the bass working its way through the crazy vibes going on.....loved it fav'd and saved
This is a traditional piece that dates back to at least the 16th century. Since the version I have is instrumental I used what is called Pythagorean Tuning and period instruments to render it. (alto recorder, bells (crotales), fiddle, and bodhran…
This is a composition that was realized by playing a Fender Mustang which has a divided pickup connected to a Roland GR-20 guitar to midi converter / synthesizer. The GR-20 generated piano and saxophone sounds (in two passes) which were re-tuned…
Berceuse (means cradle song - or lullaby) by Chopin Op. 57 midi recorded by Ron Lubetsky, M.D. in 1997. And indeed I can tell from the midi file this was a real performance. I ran it through pianoteq in Sonar X1. I hope you enjoy it.
http…
This is a traditional piece that dates back to at least the 16th century. Since the version I have is instrumental I used what is called Pythagorean Tuning and period instruments to render it. (alto recorder, bells (crotales), fiddle, and bodhran…
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
This is a remix of an improvised track I did for our first RPM album. For this new mix, I got rid of the vocals & added a most excellent electric guitar part by our good friend, Chris Mitchell. He listened to the track just once and proceeded…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
We were having a little tipple down the cellar last night and we came up with a Christmas song for the festive season...hope you enjoy..........
CHRISTMAS TIME AT THE DRUNK’S HOUSE (Lyrics)
it's Christmas time in the drunks house
and the…
Well Jefferry came down the cellar this evening for a chat and a bit of consoling.................. so we decided to recant his tale of woe........................poor old Jeferry.............
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
Mozart's famous "Alla Turca" Sonata #11 in A major with period tuning and period pianoforte and period diapason of A4 = 415 Hz. Details http://chrisvaisvil.com/?p=1837
Another work in progress down the cellar.............a first cut...........
I KNOW HOW LOVE CAN FEEL(Lyrics)
I know how love can feel
I know that love can heal
i know i kneel before you
i know it can burn you, destroy you
i know how love can…
Thank you for the comments on Sympathy for a Friend. I didn't use a synthesizer. All of the sound is from one take on my 19 note per octave guitar + effects.
Sort of a Tuesday improv...
Built up around a synth texture that I built up with:
Operator->FilterStation->Volcano->Kombinat->Panstation->RP-Delay
(what's the fun in having plugins if you can't abuse them)
Heres a collab with Wildgeas Music a beautiful bit of music hope i did it justice with the vocal............
Tomorrow (Lyrics)
I know the curse of the darkness is coming
those dark nights that will feed upon my soul
with no forward glance of tomorrow…
Comments on vaisvil's stuff
The parts around 2.12 are completely uplifting - great stuff!
Perfect title - great conceptualisation. Check out me and my long woooooooooooooooooooords.
Well done. I love the synth work.
interesting,, not sure exactly what i think about it, but it's always neat to hear your musical thoughts
I like your spare take on this!
wild tones...duel survival.
Well that was interesting....like!
it is close what if the split octave for one horn is say half a tone above the 13 tones used by the other horn is that dissonance or something more diabolical like I don't know we would have to listen to something like that to know. :) This peace is just great but I am all over the french horn sound that and long string harmonics.
Very smooth! Enjoyed the distinct parts.
Sweet sweet collab.
reminds me of the day the notice came. "We are sorry, we will no longer be providing news servers" I miss the news groups.
Agree that it's wild, but I like the common thread running through it and the bass work is awesome.
well, it's pretty interesting,,, and as always i enjoy, reading, listening, and learning from your musical journey
Wild stuff.
Wild mix mate very cool thanks for your comments mate. This is very cool.
A crazy zaperish Grooms nightmare dream .......way too. short a piece of excellence........loved the bass working its way through the crazy vibes going on.....loved it fav'd and saved
Simple and impressive little tune :-)
Sax is a great touch!
Very much so.
Chilling stuff! - Wonderful to hear this!
Comments made by vaisvil
Beautiful!!Great work here!
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
I love the floating feel this has.
also - you have an astounding memory!
Ha - this riff is mine? I sure don't remember it - now I feel embarrassed about my comment :-)
excellent! I love the opening guitar riff and cool ending!
Nailed Tom's voice!
Very Tom Waits - love it!
wow your voice sounds so like the Kinks!
love your voice here!
May I invite you to participate at ImprovFriday? You may have some fun! http://improvfriday.com/
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
What do you have in your ambient rig? I am enjoying your work!
Hi Bethan - I have no idea who played it - but they did an excellent job. The midi file I found somewhere in the 90's.
wow - another side totally! I like the string / piano combination.
Thank you for the comments on Sympathy for a Friend. I didn't use a synthesizer. All of the sound is from one take on my 19 note per octave guitar + effects.
I love that metallic sound!
The cello work is especially good.
nicely done!!
excellent - this is a great song perfectly played and sung!!