Quiet
Quiet thoughts for quiet fights
Tumbled dry and folded rights
Wrapped up in a candied floss
Shrink-wrap now removed and lost
Curled, crunched into a ball
Out the window, into a wall
Bounce and twist and turn and spin
The truth is beaten…
Calling
There ain't no future without a past
all of the promises that just won't last
I don't believe anymore
Just don't believe anymore
One became two in the sin of despair
beyond the moment where there was a care
I can't breath anymore
Just…
I generally take my Zoom H2 portable digital recorder with me on my trips to music stores to record myself playing equipment I can’t afford to buy. This is one of today’s recordings. June 24th 2011
I travel the synthesizer (two 5 minute tracks) and cymbal rooms at Guitar Center with my Zoom H2. Since I play in the same key more or less it works more or less. Thank you John Cage.
This is a Gibson Epiphone Roadie 1/2 scale guitar I picked up used at Guitar Center for $30. It was on the block because no one set it up. The intonation was horrific. And to top it off the bridge is ever so slightly too close to the nut. But…
This is a Gibson Epiphone Roadie 1/2 scale guitar I picked up used at Guitar Center for $30. It was on the block because no one set it up. The intonation was horrific. And to top it off the bridge is ever so slightly too close to the nut. But…
This is a Gibson Epiphone Roadie 1/2 scale guitar I picked up used at Guitar Center for $30. It was on the block because no one set it up. The intonation was horrific. And to top it off the bridge is ever so slightly too close to the nut. But…
Often I am asked about the difference between "normal" 12 equal tuning and microtonal tuning.
Thanks to a retuning by Gene Ward Smith to meantone tuning (I don't know which) you can compare this famous piece of music in the familiar 12 equal…
A manipulated ambient-ish piece
Sound sources, 5 string bass, 18" and 14" china cymbal, cornet, mixed tuning, 6 edo, 12 edo, unconstrained pitch.
kudos for anyone who listens to the whole thing.
I generally take my Zoom H2 portable digital recorder with me on my trips to music stores to record myself playing equipment I can’t afford to buy. This is one of today’s recordings. June 24th 2011
Calling
There ain't no future without a past
all of the promises that just won't last
I don't believe anymore
Just don't believe anymore
One became two in the sin of despair
beyond the moment where there was a care
I can't breath anymore
Just…
Quiet
Quiet thoughts for quiet fights
Tumbled dry and folded rights
Wrapped up in a candied floss
Shrink-wrap now removed and lost
Curled, crunched into a ball
Out the window, into a wall
Bounce and twist and turn and spin
The truth is beaten…
I generally take my Zoom H2 portable digital recorder with me on my trips to music stores to record myself playing equipment I can’t afford to buy. This is one of today’s recordings. June 24th 2011
I generally take my Zoom H2 portable digital recorder with me on my trips to music stores to record myself playing equipment I can’t afford to buy. This is one of today’s recordings. June 24th 2011
Calling
There ain't no future without a past
all of the promises that just won't last
I don't believe anymore
Just don't believe anymore
One became two in the sin of despair
beyond the moment where there was a care
I can't breath anymore
Just…
This is a traditional piece that dates back to at least the 16th century. Since the version I have is instrumental I used what is called Pythagorean Tuning and period instruments to render it. (alto recorder, bells (crotales), fiddle, and bodhran…
This is a traditional piece that dates back to at least the 16th century. Since the version I have is instrumental I used what is called Pythagorean Tuning and period instruments to render it. (alto recorder, bells (crotales), fiddle, and bodhran…
This is a traditional piece that dates back to at least the 16th century. Since the version I have is instrumental I used what is called Pythagorean Tuning and period instruments to render it. (alto recorder, bells (crotales), fiddle, and bodhran…
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
An experiment with quarter tone tuning.
I tuned my guitar: low E (normal tuning)
A (quarter step up)
D (normal tuning)
G (quarter step down)
B (normal tuning)
high E (tuned D then quarter step down)
This time I tried something else. It's definitely more jazzy than anything before. I think its a direction in which I'd like to keep going.
I hope you like it!
Comments on vaisvil's stuff
Shout out for these lyrics - brilliant! "Without belief there is no fall The silent solstice will hear no call"
Ozzy Vaisvil!!!!!!!!
Wow, you're so bold! This is an awesome capture. Beautiful playing...
Love your sonic adventures!
This is pretty sweet - lovely laid back tones.
great how well you let sound that shrunky, grats with the tuning and tune :)
I've never seen a guitar like that. Cool!
Lovely upload - don't think I've ever really listened to this piece before. Interesting changes!
*hides*
Nice one mate really dig this.
Nicely done mate.
I like this mate really cool.
ahh so your one of those guys i hear when i visit the store ahha,,, this is cool,, how many pedals on this? the lower register sounds especially good
candy store stuff.seems off tune but sure u were rock.n.
pretty wild piece
Epic! Perfect, I hate doctors as a rule :)
Nice one mate excellent.
Mistakes or not this is pretty cool Chris.
a fine piece,, always a fav of mine
Hauntingly plaintive. Nice!
Comments made by vaisvil
Nice - I like the calm.
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!
nice groove!
Are these clips of Pelosi or Phyllis Schlafly? Excellent tune!
great voice and lyrics!
I like this - makes me want to give this technique a try.
I like it - very gentle.
ambient game music ?