Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
A crazy zaperish Grooms nightmare dream .......way too. short a piece of excellence........loved the bass working its way through the crazy vibes going on.....loved it fav'd and saved
This is a traditional piece that dates back to at least the 16th century. Since the version I have is instrumental I used what is called Pythagorean Tuning and period instruments to render it. (alto recorder, bells (crotales), fiddle, and bodhran…
This is a composition that was realized by playing a Fender Mustang which has a divided pickup connected to a Roland GR-20 guitar to midi converter / synthesizer. The GR-20 generated piano and saxophone sounds (in two passes) which were re-tuned…
Berceuse (means cradle song - or lullaby) by Chopin Op. 57 midi recorded by Ron Lubetsky, M.D. in 1997. And indeed I can tell from the midi file this was a real performance. I ran it through pianoteq in Sonar X1. I hope you enjoy it.
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This is a traditional piece that dates back to at least the 16th century. Since the version I have is instrumental I used what is called Pythagorean Tuning and period instruments to render it. (alto recorder, bells (crotales), fiddle, and bodhran…
Quiet
Quiet thoughts for quiet fights
Tumbled dry and folded rights
Wrapped up in a candied floss
Shrink-wrap now removed and lost
Curled, crunched into a ball
Out the window, into a wall
Bounce and twist and turn and spin
The truth is beaten…
Calling
There ain't no future without a past
all of the promises that just won't last
I don't believe anymore
Just don't believe anymore
One became two in the sin of despair
beyond the moment where there was a care
I can't breath anymore
Just…
I generally take my Zoom H2 portable digital recorder with me on my trips to music stores to record myself playing equipment I can’t afford to buy. This is one of today’s recordings. June 24th 2011
I travel the synthesizer (two 5 minute tracks) and cymbal rooms at Guitar Center with my Zoom H2. Since I play in the same key more or less it works more or less. Thank you John Cage.
This is a Gibson Epiphone Roadie 1/2 scale guitar I picked up used at Guitar Center for $30. It was on the block because no one set it up. The intonation was horrific. And to top it off the bridge is ever so slightly too close to the nut. But…
This is a Gibson Epiphone Roadie 1/2 scale guitar I picked up used at Guitar Center for $30. It was on the block because no one set it up. The intonation was horrific. And to top it off the bridge is ever so slightly too close to the nut. But…
This is a Gibson Epiphone Roadie 1/2 scale guitar I picked up used at Guitar Center for $30. It was on the block because no one set it up. The intonation was horrific. And to top it off the bridge is ever so slightly too close to the nut. But…
Often I am asked about the difference between "normal" 12 equal tuning and microtonal tuning.
Thanks to a retuning by Gene Ward Smith to meantone tuning (I don't know which) you can compare this famous piece of music in the familiar 12 equal…
A manipulated ambient-ish piece
Sound sources, 5 string bass, 18" and 14" china cymbal, cornet, mixed tuning, 6 edo, 12 edo, unconstrained pitch.
kudos for anyone who listens to the whole thing.
I generally take my Zoom H2 portable digital recorder with me on my trips to music stores to record myself playing equipment I can’t afford to buy. This is one of today’s recordings. June 24th 2011
Calling
There ain't no future without a past
all of the promises that just won't last
I don't believe anymore
Just don't believe anymore
One became two in the sin of despair
beyond the moment where there was a care
I can't breath anymore
Just…
Another one rebuilt after my freak SD card initialization fiasco. The excellent solo work was done by my buddy Gnasty - I love it!
This is the second part of a two part song. I'll get the other part up next hopefully.
Badass Solos: Gnasty…
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
Comments on vaisvil's stuff
Agree that it's wild, but I like the common thread running through it and the bass work is awesome.
well, it's pretty interesting,,, and as always i enjoy, reading, listening, and learning from your musical journey
Wild stuff.
Wild mix mate very cool thanks for your comments mate. This is very cool.
A crazy zaperish Grooms nightmare dream .......way too. short a piece of excellence........loved the bass working its way through the crazy vibes going on.....loved it fav'd and saved
Simple and impressive little tune :-)
Sax is a great touch!
Very much so.
Chilling stuff! - Wonderful to hear this!
Shout out for these lyrics - brilliant! "Without belief there is no fall The silent solstice will hear no call"
Ozzy Vaisvil!!!!!!!!
Wow, you're so bold! This is an awesome capture. Beautiful playing...
Love your sonic adventures!
This is pretty sweet - lovely laid back tones.
great how well you let sound that shrunky, grats with the tuning and tune :)
I've never seen a guitar like that. Cool!
Lovely upload - don't think I've ever really listened to this piece before. Interesting changes!
*hides*
Nice one mate really dig this.
Nicely done mate.
Comments made by vaisvil
very atmospheric - I like your touch Bruce!
nice trip!
very cool! I've not heard Arabic music a capella before! excellent!
great!!!
thank you for flying united :-)
nice work! I like your voice a lot.
Nice - I like the calm.
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!