This initially had started out as my attempt to do a basic electronica track - I sort of failed miserably at this. (Like most music I program, it ultimately begins to sound like 'not electronica' by the end, for better or worse.)
The re-recording…
cool!!!!!!!!!!!!!!!!!!!!!!!!!! excellent sounds and instruments mix; all the cultures of this planet in 3 minutes, perfect to send on a interplanetary voyage
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Also, I definitely recommend checking out the Gormenghast novels if you have some time on your hands. They could be described as "fantasy novels", set in a medieval castle lost to time... but they have a Kafka-esque sense of the absurd and a sort of social commentary perhaps informed by the search for meaning after the horrors of World War II.
That part at the beginning reminds me of my friend who is an excellent saxophonist. In our college bands he had a few parts that were wild like that and really threw himself into them.
I'm really enjoying the album. You make great sounds, and melodies out of them! Congrats on another RPM finished!
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
Trademark dreamy, alluring sounds from AMUC. Excellent album, guys! Every track sounds like a cityscape from underwater - sometimes edgy, sometimes sunny, but always cool, refreshing and totally original.
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
Really enjoyed this - not my usual kind of thing at all, but there's something in it that grabbed my attention. I'll check some more of your stuff out.
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
It's said that we're neurologically set to be the happiest as children - everything is at its most vibrant when we're young, and every experience is new.
As adults, a lot of that vibrance is lost, but just as autumn comes around with all its…
This RPM Challenge album had a bit of a ying-yang vibe to it. Compare "Marbles" to "Constellations" and "Fisher In The Sky" to "Tied By The Lies".
This wasn't planned - it just sort of happened.
It's kind of funny how you can intend to create electronica, and then end up blindly wandering into a different sub-genre. The end result almost sounds like it wanted to be stoner rock.
For more on the song title, look up "Ganzfeld Effect…
It's kind of funny how you can intend to create electronica, and then end up blindly wandering into a different sub-genre. The end result almost sounds like it wanted to be stoner rock.
For more on the song title, look up "Ganzfeld Effect…
This is probably the least electronic-sounding of everything that I did from RPM 2010, although it still heavily uses samples (either self-sampled or from Freesound).
That is me playing the harmonica, though. (No, really!)
If the song makes…
The most challenging track to record during the RPM Challenge this year. I like how a lot of it turned out, but there were so many clashing pieces, that I was pulling my hair out trying to assemble it.
09 – Carry On Crying. Written and recorded on 12th/17th Feb.
A 5/4 romp starring Sid James and Hattie Jacques. Godley and Creme will direct the video.
Info and lyrics at www.butterflypolite.com/uglifruit
This one was inspired by Wen's mom; and is therefore dedicated to all those musicians doing RPM, and all musicians who toil away at home to make their music despite what their friends & co-workers might think of their efforts.
That didn't stop her.
Main vocals/bleeps by Shreya, keys and backing vocals by me. Actually, my baby daughter was in my arms while I was doing those vocals and she started crying. Even though I cropped that part, I didn't use any noise reduction…
I like how you work the snare drums and bass in around the 1:30 mark. You scared the crap out of me, though.
I was standing in my bathroom wearing stereo headphones, and I thought my pipes had exploded or something.
This is well-assembled. The production is fantastic, as are the vocals. I like the atmospheric background sounds - it takes it up to the next level, IMHO.
First day back from the jungle in Central America, remixed this tune. Had to start off the new year in the U.S.A reminding myself that captivity will keep me returning to the jungle forever.
24 hours of music making for 2008.
Yup. This is a "Gaiman variation" which means that I stopped at 24 hours and this is what I've got. Not 24 min, but it is a "Noble Failure"
You can see my 2007 album [here](http://alonetone.com/sudara…
Fantastic production on this one.. Very immersive, and it makes good use of both the left and the right channel.
The only thing you may want to do is use noise reduction on the track to remove the background hiss.
Imagine that you are that lump of enchanted wood on the workbench.... and instead of Pinocchio you can be anything... maybe even a stratavarious... thanx to my friend Dave Edwards for the real violin trax
Comments on AMUC's stuff
Nice off beat feel to this, quite haunting and strange. Like it.
I know that fence. Liking these beckoning beats!
This track does it for me , totally excellent , love the percussion , love everything
Very nicely produced track , dripping with so many tasty sounds , love it
cool!!!!!!!!!!!!!!!!!!!!!!!!!! excellent sounds and instruments mix; all the cultures of this planet in 3 minutes, perfect to send on a interplanetary voyage
Awesome synth! Nice!
Also, I definitely recommend checking out the Gormenghast novels if you have some time on your hands. They could be described as "fantasy novels", set in a medieval castle lost to time... but they have a Kafka-esque sense of the absurd and a sort of social commentary perhaps informed by the search for meaning after the horrors of World War II.
That part at the beginning reminds me of my friend who is an excellent saxophonist. In our college bands he had a few parts that were wild like that and really threw himself into them. I'm really enjoying the album. You make great sounds, and melodies out of them! Congrats on another RPM finished!
Trademark dreamy, alluring sounds from AMUC. Excellent album, guys! Every track sounds like a cityscape from underwater - sometimes edgy, sometimes sunny, but always cool, refreshing and totally original.
Just listened to the whole thing. Terrific album. Great job this year!
Really enjoyed this - not my usual kind of thing at all, but there's something in it that grabbed my attention. I'll check some more of your stuff out.
Great work on the album. It took me places that I didn't expect, and which I greatly enjoyed being taken to. Serious congratulations are in order.
interesting trip
I really like this... outstanding job :)
Nice!
fascinating to listen to. took me off somewhere that
love the sounds ur getting..
Fantastic!
yes this is neat neat stuff ,, much enjoyed.
nice!!
Comments made by AMUC
Okay - you have me dancing around my apartment like a complete dweeb. Hence, this is a good track.
This is incredible. The harmonies here are spot-on, and the production is pretty perfect.
Wow.. This really takes you somewhere else. The piano reminds me of Robert Miles.
The background dialogue is great. =)
I like how you work the snare drums and bass in around the 1:30 mark. You scared the crap out of me, though. I was standing in my bathroom wearing stereo headphones, and I thought my pipes had exploded or something.
Kind of hypnotic.. The voice has a droning effect - it works well with the song.
Nice.. This really reminds me of Vangelis.
This is well-assembled. The production is fantastic, as are the vocals. I like the atmospheric background sounds - it takes it up to the next level, IMHO.
This is catchy.. I like the way the percussion, breath instruments and vocals play off each other..
Great harmonization. You don't hear much of that anymore.
Very interesting. I think you're onto something here.. Some of the synth sounds remind me of ELP.
This is jaw-droppingly good. It's somewhere between Tangerine Dream/David Arkenstone-esque electronica and old school progressive rock.
This is pretty catchy. I like the horns.
I like what you do with the Brian Eno dialogue here - it fits right in to the music.
This flows nicely - lots of different elements that balance each other out well.
Fantastic production on this one.. Very immersive, and it makes good use of both the left and the right channel. The only thing you may want to do is use noise reduction on the track to remove the background hiss.
I'm a big fan of number stations - I like this trippy tribute.
Very haunting.. It paints a scene well.
Heh. This is clever. You could probably put a horror twist on it - any tree turned into an instrument would have to be cut into pieces first. =)
This is godly. What software did you use to make this?