Acoustic blues. Recorded in 2005. I was trying to record something else, can't remember what, and the missus was going out. She had cyclist Lance Armstong's book, or was talking about it. Sounded like a great title for a song as well as his book…
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
The tension in this is palpable from the first question. The quiver in the voice. The nakedness of the questions. "Often forget you understand." Hard to hear as just another blues song.
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
New one from me. It's ended up as a bit of a "crying into yer beer at Bob's Country Bunker" sort of song lol...
I've been sat on these lyrics in some form or another for absolutely years. I first wrote them one very dark night a few years after…
Here we go.
This one started out one morning several weeks ago when the sun was still shining...
If it's as wet and dark as it is here, just close your eyes, I'm sure you can imagine it if you try hard enough...
Lollies, chips, and beer…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
lol - the bass was an organ set to "hammer house of horrors", perhaps I overdid it! (The reverb on the vox is deliberately "chilly" as well)
I wanted stark and lonely in the verses. But I also wanted comfort in the choruses - which is what the other instrumentation was intended to bring... but I've given up on that idea... it now sounds to me like the singer is incapable of bringing the comfort he offers, and he knows it... so I'll leave it them both to it :)
And nope, I didn't steal the teddy bear... But mine were removed from me and given to my sister when I was about 8 years old... so I do know exactly what I'm talking about lol
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I'm reaching that conclusion too :)
If I'd held it back and put the parts on that I was rehearsing that day it would have been fine... and possibly better...
But I was trying them out today, and they seem surplus to requirements now!
(Mrs R has got her way lol)
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
Lovely melody (and you carry it very well). Though I can 'hear' some more instrumentation and harmonies, this 'naked' version is not so shamed to be that way.
New original from me, hot off the old wotsit.
When it was half written yesterday, I was considering binning it as a throwaway exercise - I do that quite often. But I played the songwriting demo to someone else and, er, apparently I should finish…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I'm listening to your tracks while I'm emailing in another window. Loving it all.
This one made me come and have a look - I'm so glad it's called Home. I very much like the concept of "home", always have, always will.
This is an ode for a good friend of mine that had took his own life at the end of last year. I was in the midst of writing some other songs and it stopped me in my tracks. I just wrote basically how I felt about this tragic ending to a very special…
This one's really growing on me.
And I didn't notice the story behind it when I was first listening (although I suspected something along those lines from the song itself).
A sad tale, but a gorgeous song.
Forgot I had this one, till it popped up on my Ipod on the way to work this week. I thought,'I know that song !!??!!' Can't help it, it comes with age !!!!
The "Ahhhhhs" (Sleeping with the Ghost)- it's just patience, close mic-ing and using your "head voice" (try and sing as much like a girl as you can lol). And then for "harder" sounds, "wail" at it.
Lots of voices with uniform performances produce "smooth" and "rich"; less and varied performances (as in not the same everytime) produce sharper sounds. Mix the two up as necessary in layers.
Also think about recording the "breath" in the notes as well.
You're actually getting VERY close to it with the vox on here - think about using different tones of voice and it will all become clear :)
Also there's a bunch of EQing tricks - a cut at 3K (Q 1.0) on the bvox will increase the breathy, soft sound (and keep them out of the way of the lead).
THIS IS THE OLD YEURGH MIX - THERE IS ANOTHER ONE HIGHER UP THE LIST NOW, FULLY LOVED BY AR. THIS ONE IS LEFT HERE AS A MONUMENT TO SOMETHING OR OTHER (AND IN CASE YOU PREFER IT)
Acoustic ghost story. Recorded 2010.
Easter 2010 I decided…
Cheers folks :)
This one is (out of what I've managed to record so far) actually my favourite AR song.
I am hopefully about to post, hopefully today, a remix of it - the mess-up on the EQ has always p1ssed me off so much. For me this version isn't anything like it should have been. What I've got sat upstairs on the desk waiting for me, same performances, is a lot closer...
But, that's just me, so I'm gonna leave this one here in case anyone prefers this approach (and I've got various links pointing at it that I can't be bothered to find and sort out!! lol)
With my buddy Tod's killer drum track! Miss all you guys, I can't keep up...
Created on the Boss Micro BR.
I'm a faker, a shaker
A melody maker
At the bottom of my bowl
Is an oatmeal quaker
A grampy, a bampy
Make a killer shrimp scampi
Got…
Now, you see what you miss when someone isn't "followed"? lol
This is fab too.
Actually, I don't think I've listened to anything of yours since mebbe a year or so back on songcrafters. Well, I'll be back later and check it all out.
Actually, same here - hadn't clicked that button Follow button on yours either - fixed now!
Might as well listen to this again while I'm doing it lol
That chorus is brilliant. The backing vox, and then those descending chords at the end of it.
Back for another slice... and this is even better than I thought... but I've already clicked fave... typical
Tie the woman to the chair, stick the headphones on her and make her listen (that's what I do lol)
This is an ode for a good friend of mine that had took his own life at the end of last year. I was in the midst of writing some other songs and it stopped me in my tracks. I just wrote basically how I felt about this tragic ending to a very special…
This was the first in this set of 3 songs I am posting. I was gaining alot of inspiration from the likes, of Justin Currie and Jackson Browne at the time.
Recorded using Reaper DAW & Jamstix virtual drummer software.
... But this one's just amazing.
You've got more like this up your sleeve - mebbe not written yet - but I'm pretty sure you've got them just waiting to come out.
While I was writing 'Afterall' I was also putting this song together. This is about a ghost who is haunted by his own past and what mistakes he had made in his former life.
Recorded using Reaper DAW & Jamstix virtual drummer software.
Woo, listening to them again, and this one's a grower.
It was late when I was first listening, and this one is stuck between two special ones, and it didn't force it's attention so much.
But it's a cutie on it's own.
How many nights am I just about to hit the sheets for the night and then a riff appears. I'll just rough record it but it always turns into a late night.
This was the first in this set of 3 songs I am posting. I was gaining alot of inspiration from the likes, of Justin Currie and Jackson Browne at the time.
Recorded using Reaper DAW & Jamstix virtual drummer software.
I love all three. But this is the one that does it most for me.
I love the swing of it, those "icing" guitars, and the song... woo
Excellent work, sir. More!
This is an ode for a good friend of mine that had took his own life at the end of last year. I was in the midst of writing some other songs and it stopped me in my tracks. I just wrote basically how I felt about this tragic ending to a very special…
While I was writing 'Afterall' I was also putting this song together. This is about a ghost who is haunted by his own past and what mistakes he had made in his former life.
Recorded using Reaper DAW & Jamstix virtual drummer software.
Comments on Andrew Russe's stuff
Damn fine blues!
The tension in this is palpable from the first question. The quiver in the voice. The nakedness of the questions. "Often forget you understand." Hard to hear as just another blues song.
cool soulful serenade
wow. this song is so cool and delivered in just the right style. hats off to you, andrew!
Fine song, fine, fine song. I love your slight country feeling here, really true sounding. This really works for me.
fun lyrics, Vox, cool tune!
Does for me..... a little light, a little dark.....
A little Purple sounding! Pretty FN cool.
lol - the bass was an organ set to "hammer house of horrors", perhaps I overdid it! (The reverb on the vox is deliberately "chilly" as well) I wanted stark and lonely in the verses. But I also wanted comfort in the choruses - which is what the other instrumentation was intended to bring... but I've given up on that idea... it now sounds to me like the singer is incapable of bringing the comfort he offers, and he knows it... so I'll leave it them both to it :) And nope, I didn't steal the teddy bear... But mine were removed from me and given to my sister when I was about 8 years old... so I do know exactly what I'm talking about lol
odh is right; the bass feels a little sinister. Did you steal the teddy bear, Andrew?
Something slightly unsettling. Which is a good thing. Could be the treatment on the bass. I like...
"I dream you every Day" Some tunes dont need a lot of stuff. Focused and moving
I'd agree with G. Connor: it already is a very nice song as is. And the relative nakedness of it fits the story pretty well.
I'm reaching that conclusion too :) If I'd held it back and put the parts on that I was rehearsing that day it would have been fine... and possibly better... But I was trying them out today, and they seem surplus to requirements now! (Mrs R has got her way lol)
I like it. Why fill it up with more than you need. I think you captured it perfectly.
Wow this is awesome! Thanks for the comments on my tracks.. theres more on soundcloud if you like :) https://soundcloud.com/peterdonaghey
Lovely melody (and you carry it very well). Though I can 'hear' some more instrumentation and harmonies, this 'naked' version is not so shamed to be that way.
I love this song!
Nice lyrics and great voice dude.Good stuff
Very nice... Like something in a musical. The voice doesn't sound like Freddy Mercury but has the dramatic tension...
Comments made by Andrew Russe
I'm listening to your tracks while I'm emailing in another window. Loving it all. This one made me come and have a look - I'm so glad it's called Home. I very much like the concept of "home", always have, always will.
Oh this is wonderful. It's woken me up (7am) and relaxed me at the same time.
This one's really growing on me. And I didn't notice the story behind it when I was first listening (although I suspected something along those lines from the song itself). A sad tale, but a gorgeous song.
Wonderful listening. I've got a piano, but it don't work like that one does. That was superb.
Yeah, this one rolls along real nice.
The "Ahhhhhs" (Sleeping with the Ghost)- it's just patience, close mic-ing and using your "head voice" (try and sing as much like a girl as you can lol). And then for "harder" sounds, "wail" at it. Lots of voices with uniform performances produce "smooth" and "rich"; less and varied performances (as in not the same everytime) produce sharper sounds. Mix the two up as necessary in layers. Also think about recording the "breath" in the notes as well. You're actually getting VERY close to it with the vox on here - think about using different tones of voice and it will all become clear :) Also there's a bunch of EQing tricks - a cut at 3K (Q 1.0) on the bvox will increase the breathy, soft sound (and keep them out of the way of the lead).
Oh I'll listen to it again here... Awwwwwww... Complete class.
Listening to it on songcrafters right now - this is BRILLIANT. Love it to pieces. Utterly brilliant.
Cheers folks :) This one is (out of what I've managed to record so far) actually my favourite AR song. I am hopefully about to post, hopefully today, a remix of it - the mess-up on the EQ has always p1ssed me off so much. For me this version isn't anything like it should have been. What I've got sat upstairs on the desk waiting for me, same performances, is a lot closer... But, that's just me, so I'm gonna leave this one here in case anyone prefers this approach (and I've got various links pointing at it that I can't be bothered to find and sort out!! lol)
Now, you see what you miss when someone isn't "followed"? lol This is fab too. Actually, I don't think I've listened to anything of yours since mebbe a year or so back on songcrafters. Well, I'll be back later and check it all out.
Actually, same here - hadn't clicked that button Follow button on yours either - fixed now! Might as well listen to this again while I'm doing it lol That chorus is brilliant. The backing vox, and then those descending chords at the end of it.
Back for another slice... and this is even better than I thought... but I've already clicked fave... typical Tie the woman to the chair, stick the headphones on her and make her listen (that's what I do lol)
Sigh... :)
Really tasty guitar addition to an already fab song. Nice one guys :)
... But this one's just amazing. You've got more like this up your sleeve - mebbe not written yet - but I'm pretty sure you've got them just waiting to come out.
Woo, listening to them again, and this one's a grower. It was late when I was first listening, and this one is stuck between two special ones, and it didn't force it's attention so much. But it's a cutie on it's own.
Oh yes. This sums up late nights perfectly for me.
I love all three. But this is the one that does it most for me. I love the swing of it, those "icing" guitars, and the song... woo Excellent work, sir. More!
Loving these vocals. I'm listening on crappy pc speakers, but big sound, and I love how those vocals sit on top of it.
Yep, another goodie.