Acoustic blues. Recorded in 2005. I was trying to record something else, can't remember what, and the missus was going out. She had cyclist Lance Armstong's book, or was talking about it. Sounded like a great title for a song as well as his book…
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
The tension in this is palpable from the first question. The quiver in the voice. The nakedness of the questions. "Often forget you understand." Hard to hear as just another blues song.
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
New one from me. It's ended up as a bit of a "crying into yer beer at Bob's Country Bunker" sort of song lol...
I've been sat on these lyrics in some form or another for absolutely years. I first wrote them one very dark night a few years after…
Here we go.
This one started out one morning several weeks ago when the sun was still shining...
If it's as wet and dark as it is here, just close your eyes, I'm sure you can imagine it if you try hard enough...
Lollies, chips, and beer…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
lol - the bass was an organ set to "hammer house of horrors", perhaps I overdid it! (The reverb on the vox is deliberately "chilly" as well)
I wanted stark and lonely in the verses. But I also wanted comfort in the choruses - which is what the other instrumentation was intended to bring... but I've given up on that idea... it now sounds to me like the singer is incapable of bringing the comfort he offers, and he knows it... so I'll leave it them both to it :)
And nope, I didn't steal the teddy bear... But mine were removed from me and given to my sister when I was about 8 years old... so I do know exactly what I'm talking about lol
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I'm reaching that conclusion too :)
If I'd held it back and put the parts on that I was rehearsing that day it would have been fine... and possibly better...
But I was trying them out today, and they seem surplus to requirements now!
(Mrs R has got her way lol)
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
Lovely melody (and you carry it very well). Though I can 'hear' some more instrumentation and harmonies, this 'naked' version is not so shamed to be that way.
New original from me, hot off the old wotsit.
When it was half written yesterday, I was considering binning it as a throwaway exercise - I do that quite often. But I played the songwriting demo to someone else and, er, apparently I should finish…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
Vocals: Tricia Dovidio
Lyrics: Bob Beckley
Composed, arranged & mixed by Steffen Offermann
This one was tricky to do because the piano does not play at a fixed tempo, and it was an online collaboration (like all my collaborations).
Oh yeah... love this. I quite like songs that don't have a fixed tempo - sounds more natural to me... but they're a pain to overdub to though!!
I'm with Mr Landry - where do you find all these vocalists?!! I particularly like this one.
A pop/rock tune in the veins of the 80s. At least that was the goal.
UPDATE: This is the Jan 2017 version!
Lyrics: Casia
Vocals: Jessica Rasche
Solo Guitar: Bobby Clohessy
Bass: Jean Lui Toudou
Drums: Jay Carros
Composed, arranged…
I'm getting a much better idea of "stoman" listening to tracks one after the other on here.
You have no fear of genres/whatever - write the song, get the right dudes on... job done :-)
Another classy one.
Vocals: Sabrina Doughty
Lyrics: Grant D. McLeman
Composed, arranged & mixed by Steffen Offermann
This is the 2012 remix.
This song was based on a free-form lyric by Grant D. McLeman from Scotland. Quite a challenge ... :)
Lyrics & Lead Vocals: Angela Baird
Background Vocals: TSV
Bass: Matt Lewin
Drums: Gerald Langenfeld
Composed, arranged & mixed by Steffen Offermann
This song is a problem ... the vocal track was never meant for production (although…
Vocals: James Ryce
Lyrics: Paul Dempsey
Bass & Drums: Neal Vanderhoof
Guitar: Andrew Doherty
Composed, arranged & mixed by Steffen Offermann
James is actually a country singer. This was the first time for him to sing a jazzy piano…
He did a fine job (vocal).
I like the relaxed vibe of the track. It's one of those songs that needs a decent performance to bring it out - I think you guys achieved it. Love that organ when it comes in.
Well, this one pushes my buttons...
"When the red dawn sings it's sad song and warns us what's to come..." - brilliant.
Lovely voice and a compelling performance.
This was written as part of a concept album inspired by the work of Pablo Picasso ,Trevor Lewis is a member of Songcrafters music forum , he came up with the idea of writing poems to 12 Picasso paintings , then put them out for people to put music…
Didn't realise you were on here!
I'm not sure whether I've heard this before elsewhere, but who cares, I love it... makes me think we might have been listening to the same band some years ago :-)
February
t boudreau
I'm stuck inside of February
With little chance of escape
And all you bar-stool visionaries
giving me advice that you'd never take
Wanna seat on a slow boat heading
South down a stream that seems to never end
Or…
Make Up Your Mind
T Boudreau
I've been lying here all alone waiting for you to pick up the phone oh yea
I've been dying here all along praying for you to come and save my soul oh yea
Where you gonna run when the well gets dry
Or are you…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
Monster stuff.
It rocks, it's melodic, big in-the-face scrunchy guitar, love those vocals. And the bass at 3.10 or so!
Then the build up to 4.35 and the guitar and last chorus... Those top harmonies at the end.
Big grin on the face time...
A masterpiece.
Figure Out- There are about 4-5 takes of this song, all different. The song started off in the key of D, but I couldn’t hit the notes in the chorus. I then tried it in A, but it was lacking drive and energy. I tried it in G, but I couldn’t get…
Matter Of Fate- This song started as a riff I was doing while tuning my guitar. It sounded cool, so I happened to record it on a small dictation recorder I have so I wouldn’t forget it. When I listened to the riff it just screamed Sticky Fingers…
Reg has decided to write this song about an English serial killer known as the Crossbow killer to make those young trusting women well aware that some men are not always what they seem ................. as in the case of Stephen Griffiths who…
Comments on Andrew Russe's stuff
Damn fine blues!
The tension in this is palpable from the first question. The quiver in the voice. The nakedness of the questions. "Often forget you understand." Hard to hear as just another blues song.
cool soulful serenade
wow. this song is so cool and delivered in just the right style. hats off to you, andrew!
Fine song, fine, fine song. I love your slight country feeling here, really true sounding. This really works for me.
fun lyrics, Vox, cool tune!
Does for me..... a little light, a little dark.....
A little Purple sounding! Pretty FN cool.
lol - the bass was an organ set to "hammer house of horrors", perhaps I overdid it! (The reverb on the vox is deliberately "chilly" as well) I wanted stark and lonely in the verses. But I also wanted comfort in the choruses - which is what the other instrumentation was intended to bring... but I've given up on that idea... it now sounds to me like the singer is incapable of bringing the comfort he offers, and he knows it... so I'll leave it them both to it :) And nope, I didn't steal the teddy bear... But mine were removed from me and given to my sister when I was about 8 years old... so I do know exactly what I'm talking about lol
odh is right; the bass feels a little sinister. Did you steal the teddy bear, Andrew?
Something slightly unsettling. Which is a good thing. Could be the treatment on the bass. I like...
"I dream you every Day" Some tunes dont need a lot of stuff. Focused and moving
I'd agree with G. Connor: it already is a very nice song as is. And the relative nakedness of it fits the story pretty well.
I'm reaching that conclusion too :) If I'd held it back and put the parts on that I was rehearsing that day it would have been fine... and possibly better... But I was trying them out today, and they seem surplus to requirements now! (Mrs R has got her way lol)
I like it. Why fill it up with more than you need. I think you captured it perfectly.
Wow this is awesome! Thanks for the comments on my tracks.. theres more on soundcloud if you like :) https://soundcloud.com/peterdonaghey
Lovely melody (and you carry it very well). Though I can 'hear' some more instrumentation and harmonies, this 'naked' version is not so shamed to be that way.
I love this song!
Nice lyrics and great voice dude.Good stuff
Very nice... Like something in a musical. The voice doesn't sound like Freddy Mercury but has the dramatic tension...
Comments made by Andrew Russe
Oh yeah... love this. I quite like songs that don't have a fixed tempo - sounds more natural to me... but they're a pain to overdub to though!! I'm with Mr Landry - where do you find all these vocalists?!! I particularly like this one.
I'm getting a much better idea of "stoman" listening to tracks one after the other on here. You have no fear of genres/whatever - write the song, get the right dudes on... job done :-) Another classy one.
Works for me. Great track and the vocal just sits there like it should.
I like it. I see what you mean about the vocal take... but I think it adds to it's effect.
He did a fine job (vocal). I like the relaxed vibe of the track. It's one of those songs that needs a decent performance to bring it out - I think you guys achieved it. Love that organ when it comes in.
Well, this one pushes my buttons... "When the red dawn sings it's sad song and warns us what's to come..." - brilliant. Lovely voice and a compelling performance.
Wow... First time I've heard this one. Excellent song... and SUPERB vocal
Didn't realise you were on here! I'm not sure whether I've heard this before elsewhere, but who cares, I love it... makes me think we might have been listening to the same band some years ago :-)
Beautiful. I've got some goodbyes it would have fitted. Many thanks.
Liked this a lot.
Great finish to an excellent album. Loved the whole thing, nice work guys. When you coming to London? :-)
Digging this album BIGTIME so far. This track has really made me sit up and pay attention. Actually, stand up and boogie is more accurate :-)
I know what it is, you're a mixture of Lennon AND McCartney, with a bunch of seventies rock chucked in - this is why I love your stuff so much...
Monster stuff. It rocks, it's melodic, big in-the-face scrunchy guitar, love those vocals. And the bass at 3.10 or so! Then the build up to 4.35 and the guitar and last chorus... Those top harmonies at the end. Big grin on the face time... A masterpiece.
And this - rockin!
Whoa! I like this very much. Yep Sticky Fingers, but with, I dunno, a Joe Walsh kind of vocal. Nice one.
Like this one too. Good stuff.
I said "And fine guitar playing." earlier... Ah! It's James Burton - no wonder :-)
Love it. Smooth. And fine guitar playing.
Ho hum... Like it... (I think!) We've all got it in us :-)