Summertime in Boston, and this little tune is about how it goes by way too fast. Some hilarious chatter between the guys before and after they kick of a pseudo-psychedelic groove that I hope you will enjoy.
Awesome... is this one of your usual singers? The mic has a thinner, spacier country air to it that sounds real nice on her voice. Kinda gives it the illusion of being higher pitched or something, I like it.
Have you ever felt like it was YOU who were the problem? If you haven't, then you're missing out on one of the purest forms of self loathing that humanity has to offer. This is dedicated to the fine soul who actually did find something lovable…
I hope Brian (one of us Proods) will forgive me for posting this before we could get together to work on it further. He first played it for me a few months ago and I've been obsessively tweaking it every chance I could get.
I like to imagine…
"I Won't Kiss You Goodbye" may sound like another crybaby break-up song, but we wrote it after I got fired/quit from a career I'd spent too many years at. It's fun listening to the words with that in mind.
cool, the production has a kind of distant haziness that it drifts in and out of of, it's soothing but also a bit melancholy.
ha, did someone make a flub @ 3:27? "ssssshhiii*"
I forgot to write an ending for this one. That's why it fades out. Lots of squawky saxophone. I must have been running out of gas when I recorded it. The lower vocal part has a lot of iffy pitches. I'm sort of glissing between notes and I…
Another groovy tack from the Proods. Chad the Bad is the name of a terrible monster movie we shot back in ourMass Art days. It's been kicking around for too many years, so we're finally putting it out there, hoping you enjoy it more than my fellow…
This song is based on the account of a friend, who had a drunken fling with a stranger at a party and regretted it BEFORE she sobered up. The title is a reference to the 1986 movie River's Edge, and the character played by Danyi Deats.
lyrics…
Heyyyy, welcome back. The sound is bright and delightful as always. I gotta say, the retro pop is apparent but never sounds like it's languishing in the past. It's a bubbly optimism that is sorely missing in garage rock.
Comments on Brett Warren's stuff
Hi Brett enjoyed this a lot. Nicely produced
I once tried to figure out Robert Fripp;s solo, Very hard on the fingers. Nice version.
Thanks CV!
good job... rarely hear stuff I really like on here... be cool to amp up the country angle.... never thought of this song that way before....
heh, thanks djork. I think Eno's st. elmo slightly beats out John Parr's, but only barely ;)
i was initially expecting a different song called 'st. elmo's fire', but honestly this one is way better. nice cover :)
Wonderful cover of the great ENO. Only 9 listens?
Thanks for the comments SG! I appreciate it.
killer percussion!
I look forward to the musical! There's something special about this.
Hey thanks! That was probably the most fun I've had recording a song so far, glad you enjoyed it.
Really cool tune. I dig the intro. Also the Beach Boys vibe on the bridge.
thank you!
great Kinky track
modern kinks. is it cautionary? Not sure. s'good though
yes
Comments made by Brett Warren
I love the production on this. Everything is nicely spaced and rich. The drums and guitar sound fantastic. Great song, man.
This is cool, I don't think I've heard it before. It's a bit more like the Rain Parade (Paisley Underground sound) than your other stuff.
thanks, Andrew
Awesome. I love the cascading, stuttering rhythm.
Awesome... is this one of your usual singers? The mic has a thinner, spacier country air to it that sounds real nice on her voice. Kinda gives it the illusion of being higher pitched or something, I like it.
Thanks for the comments
Thanks, everybody
Ooh, a rare melancholy Proods tune... bordering on country western... the electric sounds fantastic. That is some heavenly reverb.
Good song, y'all.
Some heavy metal ambient right here. If the aliens ARE listening I'm sure this reached them.
lol, I missed this one the first time around.
cool, the production has a kind of distant haziness that it drifts in and out of of, it's soothing but also a bit melancholy. ha, did someone make a flub @ 3:27? "ssssshhiii*"
awesome, a bit Ani DiFranco-ish
really good
The acoustic guitar sounds great on this. Good work, Robert.
I really like the hum-y synth around the 3 min mark. It's such an odd, hard to pin down sound that it creates an odd emotional sensation for me.
Two new favs, you guys are killin it. Keep it up.
I really enjoyed this album, thanks, man.
Heyyyy, welcome back. The sound is bright and delightful as always. I gotta say, the retro pop is apparent but never sounds like it's languishing in the past. It's a bubbly optimism that is sorely missing in garage rock.
Thank you, James