My first attempt at a Blumlein or Mid/Side recording. This one is actually a mid/side recording as I used a directional mic in combo with a figure 8 ribbon mic set at 90 degrees from the main mic. Thanks to Pat Broaders for the loan of the ribbon…
A prototype. I recorded the banjo parts myself and the rest is all arranged in Logic. The mandolin that comes in halfway through is a chopped up loop until I can find a mandolin to record my own solo.
My first attempt at a Blumlein or Mid/Side recording. This one is actually a mid/side recording as I used a directional mic in combo with a figure 8 ribbon mic set at 90 degrees from the main mic. Thanks to Pat Broaders for the loan of the ribbon…
My first attempt at a Blumlein or Mid/Side recording. This one is actually a mid/side recording as I used a directional mic in combo with a figure 8 ribbon mic set at 90 degrees from the main mic. Thanks to Pat Broaders for the loan of the ribbon…
A layered improvisation on a M-Audio 88es
Korg MS2000 * 2 (duplicated the midi track and recorded the MS2k with two different voices serially)
Pianoteq
Absynth
Reading of his poem "We're on the Brink of Utter Befuddlement, Yellow Hanky Style…
My first attempt at a Blumlein or Mid/Side recording. This one is actually a mid/side recording as I used a directional mic in combo with a figure 8 ribbon mic set at 90 degrees from the main mic. Thanks to Pat Broaders for the loan of the ribbon…
My first attempt at a Blumlein or Mid/Side recording. This one is actually a mid/side recording as I used a directional mic in combo with a figure 8 ribbon mic set at 90 degrees from the main mic. Thanks to Pat Broaders for the loan of the ribbon…
Written/Recorded: December 25, 2010
Not really finished, not even sure what it is. I jst felt like playing some loud guitar...
EBEGAD (Capo III) and EADGBE.
A layered improvisation on a M-Audio 88es
Korg MS2000 * 2 (duplicated the midi track and recorded the MS2k with two different voices serially)
Pianoteq
Absynth
Reading of his poem "We're on the Brink of Utter Befuddlement, Yellow Hanky Style…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Kirk& Kamachi: excellent observation, and you are correct. As most of my patterns are built around clave, and as clave is structured upon so many off-beats, to get my metronome to "click" on some key clave beats, I set my metronome at double time- so my bpm notation reflects what my metronome setting was dialed to. Here is a clave link that graphically shows how many times clave percussion scores are transcribed in 2/2 (cut time) to make it easier to read... but if one is counting 8th notes instead of quarter notes, the bpm will be doubled.
http://en.m.wikipedia.org/wiki/Clave_(rhythm)?wasRedirected=true
Straight ahead stone city electric blues for an old friend who used to spend hours spinning BB King and Mike Bloomfield records for me. Recorded back sometime at the end of 2006 on old analog equipment
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
The title of this song refers to the first notes after the choir introduction. This is another of my instrumentals that never found a set of lyrics.
Enjoy.
ER
Totally unique sound you've developed with these BL tracks. Great stuff! I have to wonder though how this went over at a place called "super happy funland". With that name I figured you'd have to dress in a clown suit and play the beer barrel polka!
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
Recent Comments
I agree with the others Beautiful
loves me some banjo
Beautiful recording, Kirk.
Beautiful sound!
Nice!
Sounds really good! great playing into the new year! fantastic mood!
great sound and playing, must try that since I have a pair of matched condensers.
excellent, Doug. I played this simultaneously with Shakuhachi's soundcape two for a unique listening experience.
heheh that's funny Kirk! All 6 people in the audience seemed to enjoy it! :-) The clown suit might help...
Excellent
LOVE it!!!
@ Kirk& Kamachi: excellent observation, and you are correct. As most of my patterns are built around clave, and as clave is structured upon so many off-beats, to get my metronome to "click" on some key clave beats, I set my metronome at double time- so my bpm notation reflects what my metronome setting was dialed to. Here is a clave link that graphically shows how many times clave percussion scores are transcribed in 2/2 (cut time) to make it easier to read... but if one is counting 8th notes instead of quarter notes, the bpm will be doubled. http://en.m.wikipedia.org/wiki/Clave_(rhythm)?wasRedirected=true
This one is on my iPod.
Nicely played. I keep hearing BB King lyrics over it. Except when Clapton takes the stage.
Excellent playing. But +1 here for the 110 BPM perception :-)
Excellent! I find it interesting that in almost every one of these that you list the BPM I feel them in half time, so I would think of this as 110 BPM
This is fantastic. Sounds like a perfect blend of Blondie and Missings Persons. Dale Bozzio's voice would fit perfectly here.
Totally unique sound you've developed with these BL tracks. Great stuff! I have to wonder though how this went over at a place called "super happy funland". With that name I figured you'd have to dress in a clown suit and play the beer barrel polka!
glad to be back. good stuff here.
one of the most beautiful songs I have ever heard. You are truly a master on the piano. Thank you for allowing us to hear your music.