The second one born from my first week of quarantine. I dusted off my 5 string Sandberg bass guitar and wanted to evoke a Motown-ish vibe on this one and really got into the snare and bass guitar following the same rhythm rather than the usual…
I don't know if I just got lucky tonight or if my new laptop speakers are *amazing* but every track I've heard on 'tone tonight has been fantastic... Another beaut! BUT THIS NEEDS TO BE LONGER. You've got 15 days till Samhain.
So, what do you think... could it use more wah-wah?
This was written for the 2014 RPM Challenge. The chromatic thing at the beginning had been rattling around in my head for years and years but had never found a home.
The lyrics here…
That plinky little sound in the verses is an organ with some distortion on it. I wanted Jon Lord to play the part but he wasn't available. It's playing eighth notes in the verses and a sustained pad in the chorus. If I remix this I might bring it up. I haven't decided yet.
The sound at the end is actually a grunt of frustration. This is the easiest song every written in all of the history of music and it took me 700 takes to get the rhythm guitars right. I was going to cut it out but when the time came I thought it was funny so I left it there.
So, what do you think... could it use more wah-wah?
This was written for the 2014 RPM Challenge. The chromatic thing at the beginning had been rattling around in my head for years and years but had never found a home.
The lyrics here…
(Remastered 22/10/2021)
I found this one while I was digging through the shoe-box for the 1994 songs. Apparently I wrote it on 10th November 1995.
Foolishly, I thought it would only take a week or so to record... I was originally expecting…
Another collab with Paul Chapman (Chaperzee) from the other side .....
Nothing here
Is this all you had to say
When you talked to me today
I can’t see the games you play
Is it that you with your minds astray
I stand here in dismay…
So, what do you think... could it use more wah-wah?
This was written for the 2014 RPM Challenge. The chromatic thing at the beginning had been rattling around in my head for years and years but had never found a home.
The lyrics here…
I’ve seen you crash back down into the ash
Like an inverted Phoenix
So delectable yet totally ineffectual
Those intellectual verbal tricks
I’ve tried to save ya from your bad behaviour
And keep you safe within the mix
I’ve been here to…
The acoustic sounds stunning ..excellent lyrics ..you managed to get the word astronomical in a song you set the bench high....poor Lydia... a beautiful song well performed ...piepod bound
I’ve seen you crash back down into the ash
Like an inverted Phoenix
So delectable yet totally ineffectual
Those intellectual verbal tricks
I’ve tried to save ya from your bad behaviour
And keep you safe within the mix
I’ve been here to…
So, what do you think... could it use more wah-wah?
This was written for the 2014 RPM Challenge. The chromatic thing at the beginning had been rattling around in my head for years and years but had never found a home.
The lyrics here…
And that "yeah" - it sounds like an expression of "NAILED it" at the end of a take... and I shall take it as that. But it could so easily be what I tend to capture a lot: a response to a call of "dinner's ready, I've called you three times already" lol
So, what do you think... could it use more wah-wah?
This was written for the 2014 RPM Challenge. The chromatic thing at the beginning had been rattling around in my head for years and years but had never found a home.
The lyrics here…
Or is it actually a keyboard? On second listen I'm wondering whether there's a also a keyboard pad of some sort tying the mix together. Could be guitars, though... anyways, very balanced mix that makes everything shine, especially the vocal.
So, what do you think... could it use more wah-wah?
This was written for the 2014 RPM Challenge. The chromatic thing at the beginning had been rattling around in my head for years and years but had never found a home.
The lyrics here…
Woah! That use of the wah is SO cool. The vocal is a goodie too. I like that guitar doing the plink plink plink kind of piano part thing. The guitars are huge. Love the "yeah!!" (is that what it is?) at the end. Digging this track big time.
(Remastered 22/10/2021)
I found this one while I was digging through the shoe-box for the 1994 songs. Apparently I wrote it on 10th November 1995.
Foolishly, I thought it would only take a week or so to record... I was originally expecting…
Recent Comments
I can really hear this with a swing rhythm!
I don't know if I just got lucky tonight or if my new laptop speakers are *amazing* but every track I've heard on 'tone tonight has been fantastic... Another beaut! BUT THIS NEEDS TO BE LONGER. You've got 15 days till Samhain.
Timeless, retro acoustic gem - love this. :) Soundtrack material.
That plinky little sound in the verses is an organ with some distortion on it. I wanted Jon Lord to play the part but he wasn't available. It's playing eighth notes in the verses and a sustained pad in the chorus. If I remix this I might bring it up. I haven't decided yet. The sound at the end is actually a grunt of frustration. This is the easiest song every written in all of the history of music and it took me 700 takes to get the rhythm guitars right. I was going to cut it out but when the time came I thought it was funny so I left it there.
Such a cool night driving track.
Dreamy! Gorgeous build.
Love a bit of chromatics :) Very cool bluesy core to this - sounds super sweet to me.
Fricking love it! Sparky as spurs and catchy as hello!
Thank you for your recent kind comments about my Ronnie Scotts piece....and I love the feel of Nothing Here!! Right up my street....!!
Works for me too and so true ..
I agree with Andrew that Wah is fab great song too
The acoustic sounds stunning ..excellent lyrics ..you managed to get the word astronomical in a song you set the bench high....poor Lydia... a beautiful song well performed ...piepod bound
Wow. Gorgeous sounds.
And that "yeah" - it sounds like an expression of "NAILED it" at the end of a take... and I shall take it as that. But it could so easily be what I tend to capture a lot: a response to a call of "dinner's ready, I've called you three times already" lol
Or is it actually a keyboard? On second listen I'm wondering whether there's a also a keyboard pad of some sort tying the mix together. Could be guitars, though... anyways, very balanced mix that makes everything shine, especially the vocal.
Woah! That use of the wah is SO cool. The vocal is a goodie too. I like that guitar doing the plink plink plink kind of piano part thing. The guitars are huge. Love the "yeah!!" (is that what it is?) at the end. Digging this track big time.
Cool sounds
Nope, that's not a silly little ditty at all - well, you can call it that, if you want :) - it's actually quite thought-provoking. Nice one.
Very pleasant :) back for another listen...
cool songwrting, Andrew You sound a bit like John hiatt here :-) very much enjoyed! KC