It's been a long absence from a regular daily practice of song writing. Covid and a major change in the family has distracted me for well over a year. Recently I've been lucky enough to drift back into old familiar things like wine soaked evenings…
It's been a long absence from a regular daily practice of song writing. Covid and a major change in the family has distracted me for well over a year. Recently I've been lucky enough to drift back into old familiar things like wine soaked evenings…
It's been a long absence from a regular daily practice of song writing. Covid and a major change in the family has distracted me for well over a year. Recently I've been lucky enough to drift back into old familiar things like wine soaked evenings…
It's been a long absence from a regular daily practice of song writing. Covid and a major change in the family has distracted me for well over a year. Recently I've been lucky enough to drift back into old familiar things like wine soaked evenings…
as they say... "Damn you're good!!!" another masterpiece. I love the lyrics and that haunting picking on the lead parts... and the Greg harmonies!!! Fabulous indeed
It's been a long absence from a regular daily practice of song writing. Covid and a major change in the family has distracted me for well over a year. Recently I've been lucky enough to drift back into old familiar things like wine soaked evenings…
It's been a long absence from a regular daily practice of song writing. Covid and a major change in the family has distracted me for well over a year. Recently I've been lucky enough to drift back into old familiar things like wine soaked evenings…
Lemonade is an instrumental. It started as an early version of a co-written song with Mary Kealy Falk. We eventually settled on the 4th version of the project.
I just couldn't let this version go without doing something with it. It's the…
Lemonade is an instrumental. It started as an early version of a co-written song with Mary Kealy Falk. We eventually settled on the 4th version of the project.
I just couldn't let this version go without doing something with it. It's the…
Lemonade is an instrumental. It started as an early version of a co-written song with Mary Kealy Falk. We eventually settled on the 4th version of the project.
I just couldn't let this version go without doing something with it. It's the…
Lemonade is an instrumental. It started as an early version of a co-written song with Mary Kealy Falk. We eventually settled on the 4th version of the project.
I just couldn't let this version go without doing something with it. It's the…
Lemonade is an instrumental. It started as an early version of a co-written song with Mary Kealy Falk. We eventually settled on the 4th version of the project.
I just couldn't let this version go without doing something with it. It's the…
Lemonade is an instrumental. It started as an early version of a co-written song with Mary Kealy Falk. We eventually settled on the 4th version of the project.
I just couldn't let this version go without doing something with it. It's the…
Lemonade is an instrumental. It started as an early version of a co-written song with Mary Kealy Falk. We eventually settled on the 4th version of the project.
I just couldn't let this version go without doing something with it. It's the…
When you C reach the Em point
When it’s F all in the rear view C mirror
And Am reflection is your G only point of C view G
You C feel it Em inside
When it F becomes so C clear
There’s Am nothing that G you can C do
F Hold on to G memories…
When you C reach the Em point
When it’s F all in the rear view C mirror
And Am reflection is your G only point of C view G
You C feel it Em inside
When it F becomes so C clear
There’s Am nothing that G you can C do
F Hold on to G memories…
When you C reach the Em point
When it’s F all in the rear view C mirror
And Am reflection is your G only point of C view G
You C feel it Em inside
When it F becomes so C clear
There’s Am nothing that G you can C do
F Hold on to G memories…
When you C reach the Em point
When it’s F all in the rear view C mirror
And Am reflection is your G only point of C view G
You C feel it Em inside
When it F becomes so C clear
There’s Am nothing that G you can C do
F Hold on to G memories…
When you C reach the Em point
When it’s F all in the rear view C mirror
And Am reflection is your G only point of C view G
You C feel it Em inside
When it F becomes so C clear
There’s Am nothing that G you can C do
F Hold on to G memories…
When you C reach the Em point
When it’s F all in the rear view C mirror
And Am reflection is your G only point of C view G
You C feel it Em inside
When it F becomes so C clear
There’s Am nothing that G you can C do
F Hold on to G memories…
This is my contribution to the Song Writing Challenge: Write a song about "First Date".
Written for Minnesota Homebrew Radio Show / Pioneer Radio 90.1 Thief River Falls.
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
My first attempt at a Blumlein or Mid/Side recording. This one is actually a mid/side recording as I used a directional mic in combo with a figure 8 ribbon mic set at 90 degrees from the main mic. Thanks to Pat Broaders for the loan of the ribbon…
My kids told me to buck up, all my songs to date were dreary, kids eh! This is the acoustic version of this song. When you're bored with this, I'll upload the upbeat one
I listened to the versions back to back.
The electric version has some pretty neat aspects to it, like the drum track, and the distorted guitar.
I'm still leaning toward the acoustic version. I like the acoustic guitar, and the overall feel of it.
Of course, I'm getting to be an old fart. Maybe that has something to do with it.
From a idea born in the mind of Greg Connor, who wrote half the words. I supplied the tune,at his behest. Perhaps someday he will take it up and add his accents to it.
At one point, I had a version recorded with much better guitar -- at least I thought I did -- but I can't find it now...
Another one of those tunes that kept growing after the demo was laid down, this song now has twice as many verses as you…
Comments on Greg Connor's stuff
I hear ya, Buddy... but that guitar has incredible presence. (pyropool@earthlink.net)
Another good one from Greg!
i think this is going to be an earworm for the next many days indeed
as they say... "Damn you're good!!!" another masterpiece. I love the lyrics and that haunting picking on the lead parts... and the Greg harmonies!!! Fabulous indeed
I know what it is like when things don't work out the way you planned a fine song! enjoyed it KC
May have been a while but this is another outstanding track!! Great feel and excellent vocals
This is pretty
That's really good Greg ..... hope you had a kilt on when you did it ....... and was there anything on under it ...... ; ) ; )
Just listening again to this and it's so beautiful! You should send it to the Thistle and Shamrock radio show for celtic music! Gorgeous all around!!
Very sweet!
Very nice work here!
I like it!! beautiful mandolin...nice to hear an instrumental from you!!
This is so pretty!!! I’m glad you kept this version indeed.
Nice simple piece. Like it.
Nice one Greg
Very nice,,I really like the chord progression...great lyrics!
By the way ... that is so Scotish folk music , I take my hat off to you ....
This is so pretty! I love the mix and all the pretty instrumental interplay...
What ! ? ! ? ! You old folky , wonderful song .... you got some instruments ?
Saw this pop up in the archives!!! Such great songwriting. Fun to revisit the hits!!!
Comments made by Greg Connor
Good old time favorite
Nice groove. Good texture changes, all the way through. Interesting twist at the end.
Let's hope it doesn't come to this. I really enjoyed the sound effects.
Beautiful
This just carries me away.
This was a treat for the ears this morning!
One of my favorite songs! I like your picking style, as always. The banjo is a nice touch too.
Oooooh . . . That hit the sweet spot.
I listened to the versions back to back. The electric version has some pretty neat aspects to it, like the drum track, and the distorted guitar. I'm still leaning toward the acoustic version. I like the acoustic guitar, and the overall feel of it. Of course, I'm getting to be an old fart. Maybe that has something to do with it.
We're R O C K I N G now!
Very Pretty!
Another good one. You're on a roll Terry!
Good Story!
The Full Moon affects me too! I enjoyed your lyrics here.
Reminds me of some of my favorite people . . . ZZ Top
This is GOOD.
Nice guitar licks.
My blood is pumping Now!
NICE ... You really hit the Mark!
Smooth . . . Thanks for showing how it's done.