A brief glimpse, but that's all. Inspired by last April. It's for everyone, but no one in particular. Yes, this one gives more than a passing nod to Ham and Evans. Thanks gents!
Well, Well, Well- There is still unadulterated, unabashed love in the world. Yes, the song is masculine sounding, no shock there, since I am a guy. However, despite a friend’s comments to the contrary, I didn’t intend this song to be about getting…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
It is easy to mock and ridicule, but much harder to learn and understand. Overcoming our own pig-headedness may be our biggest personal challenge. This song thinks about that. I also was rather happy with how my Telecaster sounds in the rhythm…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
This one went through many iterations before turning into what you hear. A key breakthrough came when I stumbled upon that keyboard part for the verses. That opened the whole thing up.
Oh, FUNKY!! And a clavinet to boot! Would really play along with the earlier disco tune as a B-side to the single, to be played in the small hours when the DJ:s brought out their secret personal favorites....
There is no reverb on any vox parts in this one. I loved how I was able to get the tone of the voices to have that mid-60s sound. This was aided by the fact I am running through an emulation of the Abbey Road mixing desk. ;)
Fun and playful intro followed by an axcellent melody in harmony - it can't be anything but a winner! :) Already on the second verse I'm loving it. And you're putting this one second to last? This is instantly catchy and you probably should feature it more prominently.
No offense meant to my English friends. ;) I grew up there as a kid, so we have common cause. Anyway, this song is more about the struggle between the material and spiritual, doing the right thing when you are called upon, etc. Hope you enjoy!
Good use of compressor to make the acoustic compete on equal terms with the electric. A bit weird vocal ambience but I'm guessing it's beyond my competence because it actually doesn't sound out of place. As a song it's a hit in my book. Rather sad though that my book isn't the trend setter.
As you may have picked up on, there's a lot this year about soldiering on when your world has been destroyed. So, this is a song of hope. Have faith, have faith...
Would have wished the guitars at the start, nice and juicy though they sound, to rest on the groove a bit more. It's a fab melody and song. Flangy bit at the end is a nice addition.
Intro is like The Band on a stoned groove jam just before a Dylan concert. Great singing effort and structuring of the song. The signature riff is genius.
This one was a hard one to nail. The Wurlitzer riff was something I accidentally played and fell in love with immediately, so I needed to write a song that enhanced the mood that the tone of the Wurly evoked. The sound is so empty and spacious…
BIG Rhodes sound, interesting and tense start to the song. Develops nicely, although I'd have liked the Edge-guitar maybe to have debuted earlier. Very emotional.
Defiance, self-doubt, hubris, failure, choosing...It's all here to hear.
The title is a nod to my love of a certain guitar player and singer from a late 60's act; who's solo records were even better. The vibrato guitar is inspired by him…
When your world is destroyed as you know it, the ability to overcome and renew yourself is a very steep ascent. It may take years, and this song is about that struggle to 'let it go'
Here we go again with the driving tom groove. This would go down well at any disco about 50 yrs ago... ;) Funky horn riffs, I need to hire you for some songs!
It is easy to mock and ridicule, but much harder to learn and understand. Overcoming our own pig-headedness may be our biggest personal challenge. This song thinks about that. I also was rather happy with how my Telecaster sounds in the rhythm…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
This one went through many iterations before turning into what you hear. A key breakthrough came when I stumbled upon that keyboard part for the verses. That opened the whole thing up.
Taken from the album 'Reverse The Sun', recorded in February 2013 for the RPM Challenge.
Written and performed by Rog Hildreth.
A long one, something of a centrepiece for the record. Open tuning and ebow fun.
Taken from the album 'Reverse The Sun', recorded in February 2013 for the RPM Challenge.
Written and performed by Rog Hildreth.
Fancied trying some fast piano. This one sounds like the single to me.
This is the first piece that I recorded - just after midnite on Feb. 1st. with Anne Cozean in mind as vocalist. Anne and I have worked together before and she delivered a great performance across two tracks. I was thinking Portishead going in…
eyes all around
thought surveillance, the fighting on the ground
dont abuse the diguise the one they made,
should never be altered
now we fear , the words we say, descent in
the shadows
we must hide to survive the thought police their searching…
billy boy where did you go
sittin in a pile of snow
come on down its gettin cold
for the time is getting old
well we made our way to the old wigwam
frozen lake and wind was calm
standing bow did strike a deer
to feed the tribe…
None of us knows where we'll be tomorrow,
Let alone 2 weeks from this date.
Will I still be in this place?
"It's okay", she says, "I'll definitely call you later."
If I don't go and forget to,
And if I'm still living here.
Can we say we see a…
No im not happy and no im not sad, no im not good but i know im not bad. No i wont go there, but no i wont stay, no im not straight but no im not gay, no need to tell me i know im not right, no happy endings and no end in sight. I got no way of…
Comments on Gary Fox's stuff
I was wrong before. THIS is the best of the best.
This might be the best of the best.
Incredible.
Oh I like reverse guitar patch
Pure energy, Drives it home nicely
Wow man On and On! you have a lot of Talent!
Niiiiice! I really dig it man, great guitar work!
Great song... love the live feel. Excellent production too :-)
This is IMMENSE!
Oh, FUNKY!! And a clavinet to boot! Would really play along with the earlier disco tune as a B-side to the single, to be played in the small hours when the DJ:s brought out their secret personal favorites....
Fun and playful intro followed by an axcellent melody in harmony - it can't be anything but a winner! :) Already on the second verse I'm loving it. And you're putting this one second to last? This is instantly catchy and you probably should feature it more prominently.
Good use of compressor to make the acoustic compete on equal terms with the electric. A bit weird vocal ambience but I'm guessing it's beyond my competence because it actually doesn't sound out of place. As a song it's a hit in my book. Rather sad though that my book isn't the trend setter.
Would have wished the guitars at the start, nice and juicy though they sound, to rest on the groove a bit more. It's a fab melody and song. Flangy bit at the end is a nice addition.
Intro is like The Band on a stoned groove jam just before a Dylan concert. Great singing effort and structuring of the song. The signature riff is genius.
BIG Rhodes sound, interesting and tense start to the song. Develops nicely, although I'd have liked the Edge-guitar maybe to have debuted earlier. Very emotional.
Interesting intro sounds and mono feel. Beatlesy bridge, leading nicely on to the chorus part. Great songwriting!
Here we go again with the driving tom groove. This would go down well at any disco about 50 yrs ago... ;) Funky horn riffs, I need to hire you for some songs!
The riff king gets in the groove. Love the mid-8 with the bw-efx and build.
The love child of The Who and AC/DC. Pumping like hot iron.
Amazing, Mr Fox. An album of STANDOUTS.
Comments made by Gary Fox
Great liquid groove; great change-ups and harmonies. Smooth...and amazing harmonies...
This is awesome. I love the chorus, especially the backing vox. Brilliant S-dude!
Great song, love the harmonies.
I was about to say this was nice and delicate, and then I glanced at the title again. Great minds I suppose? Wonderful playing.
Great sound on that acoustic. It's fantastic. Cool chord prog and cool song all around. Nice...
Nice guitar work, Rog. Cool song.
Great chorus...good movement on this.
So this is how you kick ***. Nice track, great tones here. Right in the pocket...
Such a great song, such great playing. The dynamics are brilliant.
Nice moody piece. Very cool.
Great song, great tones and great arrangements. Excellent hook, nice work!
This is a very tasty piece of guitar work.
This has a great tone and feel to it. Excellent playing, excellent playing.
Very cool.
Great melody! I like the backing synth tracks as well coupled with the crunching gtr.
Great instrumentation and use of space on this song. The vox is great.
Awesome.
Great song, great performance. Nice work.
Better than the original. I speak with authority here. ;)
Damn Alex, is there anything you don't play? This is great.