Yes, it is obvious to anyone who actually listens to follow the story. The killer line ... the picture that finishes breaking what's left of the listener's heart is "but Jimmy bought the yearbook, and he hold it now and then". Lazarus Knight

brush up on "Lest night I said goodbye to Rose" I know that's not exactly the title, but I think many people would like that song like I do. Lazareth Knight

Oh Jimmy rings of a certain kind of pain that you've captured perfectly. Lazarath Knight.

Lane Beauvais By the power invested in me, I declare this album your #1 compilation.

I was talking about the Wight Hotel, directly across the street from The White Elephant. The things you mention were going on when The Beer Garden 1st took over that rat hole between the Elephant and the steak house.

Tim Tandy This one really grabs me, Jim. I enjoy the "play like" aspect of the Stockyards District today, but I KNOW what was real and what wasn't. When I grew up in East Fort Worth in the 50's thru the 70's, the Stockyards were a working affair. Everyone downwind got the dust and rancid odors that were a mixture of cattle manure, blood and guts, and rendered fat. Get up close, and you added in the panicked sounds of cattle going up the ramps to slaughter. The buildings along E and W Exchange were mostly delapidated flop-houses, and I recall there were usually destitute men in soiled undershirts leaning out the upstairs windows smoking cigarettes and taking it all in. When the slaughterhouses shut down and the development folks took over, they neatly "packed up" the ambience of the historical "Hell's Half Acre" - gambling halls, saloons, cheap hotels, bordello's and the site of gunfights such as the famous Luke Short/Jim Courtright affair - which had been razed in the 60's and replaced with the Water Gardens and Convention Center as an act of "urban renewal", and "relocated" them to the Stockyards. I really don't object to all of it, but just wish they were a bit more open about what's shit and what's Shinola, ya know? All the tourists crowd E Exhange at the appointed hour and hoot and holler and excitedly REAL Wild West every day when the "cattle drive" occurs. Oh, well, as Bruce Willis' character in "Die Hard" liked to say, "Yippi-ki-yay, MF!"

Quanah is my fav. it triggered feelings between my son and me, the question of when are you enough to claim your ancestors? Tears did flow on listening.Beautifully performed by Barbara and beautifully written.

Sad, and that was 11 years ago. How does it feel now ... like more of the same? It seems to me like your not just accepted but held in high esteem at the places where I've seen you perform. Lazarus Knight

This little miracle is a performance art piece, in addition to being a song track on an album. I can see this as an interlude in a dramatic stage play. Highly creative and outside the box here. And those harmonies are so tight you couldn't get a sliver between them! Amazling!

Terry Rasor I remember those daze Michael, y’all were awesome and I’m glad and proud to have known you all and have you at my Raz On The Braz festival so many years ago! Love ya my friend!

Roland Brown Sorry to hear about Barbara. Texas Water was as good as you say. I’m thinking about adding “I’ll Be Glad to Let You Love Me” to our band’s set list.

One of the beautiful things about artists and songwriting is taking “fact & fiction”, and whipping them together in ways outsiders usually don’t know which is which or possibly nothing at all. This is something I’ve always admired regarding your craft! - Scotty Lee Shuffield…Tyler, TX.

Joe Brunelle - I like this, Jim

Lazarus Knight That's a really good song. It resonates with truth.

Tim Tandy Brilliantly haunting! Like a character in a Hank Williams song, you're telling a poignant, sad story, but NOT seeking pity.

"Wow, beautiful." Ken McIntyre

I like that a lot. Its a fresh perspective. Lazareth Knight

Gwyn -Verrrrry nice! PS: I listened to the "shorts" you sent me while sitting in the car waiting for Greg to pick up some groceries. I think you have invented a new artform with these shorts: Haiku Songs! I really loved them. I laughed a lot, and that's a compliment!

Laurie Callinan ...beautiful heartbreaking song.

Gwyn Henry - 😊 be-yoo-ti-full!!

Nice touch.

Love this song. Great job.

Love the blending of sounds...especially the voices.

Great groove. Is that a midi bass? It's sooo clean.

Very cool song...

Perfect combination of words, voice and ambient sounds.

The tension in this is palpable from the first question. The quiver in the voice. The nakedness of the questions. "Often forget you understand." Hard to hear as just another blues song.

Richard, Tell me more about this spell we have fallen under.James Michael Taylor

Your guitar playing is fine. Sounds like something Leonard Cohan would do.

That's really pretty. If you double your vocal tracks and use one each with less effect the words would be understandable.

Very cosmic. I'd like to see that guitar.

Charming...

Very nice... Like something in a musical. The voice doesn't sound like Freddy Mercury but has the dramatic tension...

Fine tribute. A sadness we all share sooner or later.

...something very Dylan about it. Especially like it where you break it down to just your voice and the arpeggios.

Really like this one. So many references. The Band, Queen. Nice vocal. Love the progression.

Great guitar harmony work.

Very Pink Floyd/Beatles like. Very restful.

Like the funkyness of it.

Like how it grows. Swells and fades. Like the "radar" beep...