M E L I S S A Key of G
These are letters I like to say - M E L I S S A
These are notes I like to play……
Letters that sparkle. Notes that jingle
Make a little song in my heart
There’s a song in my heart today - M E L I S S A
I wish…
I took this bus trip from Forth Worth, Texas to Wheeling, West Virginia and on the way home I jumped off in Cincinnati and bought a ticket to Nashville... Lots of stuff happen when you are on a bus and in bus stations for over 60 hours.
Here…
There is nothing like the presence of a horse. The quiet understanding. The gentle strength.
Woodlake, California...1961. I had a horse. She was my friend.
There were times in my teens when Babe was the only being that did not judge me…
REMEMBERING BABE: I had NOT heard this one! I'm glad I insisted!!! Gotta be among the best of... my favs... I don't have to tell you, this is poetry. And your delivery... refreshingly original. In "stand up" readings, or "slam" poetry, there is a "style" of cadence that hearkens back to the Beats, and most poets fall into it, and it always annoyed the hell out of me. This is DRAMATIC ACTING, folks, c'mon! I
like the slow, unhurried, thoughtful way you spoke as the poem's Voice; how you mixed up the rhythm, unexpected hesitations, and rapid rushes. And esp the long pauses in unexpected places, as tho the Voice was thinking about the exact right word to use next to express what he wanted to say.
I've been trying to work on my delivery for my planned re-entry (after covid) into the local poetry reading community. It is terrible... isolation in quarantine can do that! So I've been practicing w/ video and putting music behind me for good measure.Anyway, I found some good tips here. Thank you. 🙂 I really love R.BABE The ending works really well, something that's sometimes difficult. Gwyn Henry
I wrote this at my dad's urging. He likes it. We sing it together. I have YouTube Video of it up.
EULOGY
He grew up in Clinton, Oklahoma
Red dirt back yard, Gramma's place
Honey suckle in a dust bowl
Life as hard as limestone lace…
".. you had me right off the bat--"Red Dirt" for me, classic Ok City area!; plus "honeysuckle dustbowl" (so beautiful) and "limestone lace" --each image is 2 completly different things contrasted to make a third. Lovely. Oklahoma evocative! " Gwyn Henry
(I Almost Washed the ) DISHES
I almost washed the dishes
I almost ran the water
Maybe tomorrow
Maybe Saturday
What does it matter to me
I almost washed the dishes..
(C) 2020 Royal T Music
NO NEW LOVE
Ain't no new love like an old love in this town
Ain't no new love like an old love to take and turn my heart around
Stop it on a dime when you said that you'd be mine
Ain't no new love like an old love in my heart
Ain't no…
I had forgotten what a damn fine album this is! But... ??? 2005? Really? OMG... has it really been that long? Kinda makes the line... "Ain't no fool like an old fool" fit me even better than it did... sigh
FIREFLIES. capo @ 2
F walk down
We (C) spoke of them as (C/B) sweethearts
There (Am) in the Southern (F) sky
(C) Saturn, just a (G) twinkle, bold (F) Jupiter near (G) by
I (Am) guess we didn't (Am/G) notice
as they (Am/F)drifted a…
Pete Thompson on percussion and Angie Thompson on bass. Produced with Pete 123112
HAIRCUT
They sent me a letter. A ticket to ride
Portland to Frisco on that Big Overnight
Brand new clothes. New pants and new shirt
Brand new boots to kick…
Sweet, sweet, sweet, (except for the war and killing part). My fav lines: "...with those sulfurous clicks/
Little red rolls with black spots of bang" Never described better! That's exactly what they were. Gwyn Henry
capo @ 3
Am walk down...
When I was a child we'd drive 200 miles
to Grandma's in the Spring
I'd hop out of the car, run to the back yard.
Grandma had a swing
But the times have changed...
When I became a dad I took all the rope I had…
CATTAILS AND BUTTERFLIES capo @ 4 in C
C G repeat
There was a field around the corner
And a stream flowed cross the field
There were cat tails in the summer time
And monarch butterflies
And tadpoles sprouting wings
E…
DIRTY LAUNDRY Key C
I got a call from Russell. He had to move his junk
He’d filled his car. He’d filled his trunk
Big black bags of something. I said, “What’s with these?”
He said, “It’s dirty laundry.” I said, “That’s crazy.”
So, he…
HOME
(Am D) or (F C)
VERSE 1.
Where the (G) windmill sings to the mocking bird
And the (CM7) prairie wind, without a word
(Am) Whispers thru tall (D) grass, I’ll be (G) home
(F C G) or (Am D)
VERSE 2.
Where the butter cups and…
HOME
(Am D) or (F C)
VERSE 1.
Where the (G) windmill sings to the mocking bird
And the (CM7) prairie wind, without a word
(Am) Whispers thru tall (D) grass, I’ll be (G) home
(F C G) or (Am D)
VERSE 2.
Where the butter cups and…
DIRTY LAUNDRY Key C
I got a call from Russell. He had to move his junk
He’d filled his car. He’d filled his trunk
Big black bags of something. I said, “What’s with these?”
He said, “It’s dirty laundry.” I said, “That’s crazy.”
So, he…
HOME
(Am D) or (F C)
VERSE 1.
Where the (G) windmill sings to the mocking bird
And the (CM7) prairie wind, without a word
(Am) Whispers thru tall (D) grass, I’ll be (G) home
(F C G) or (Am D)
VERSE 2.
Where the butter cups and…
"Mending the web that the horsefly tore..." .what a line..what an image... I love that...really love that image...delicate and hopefull....and magical... Matthew
I wrote this at my dad's urging. He likes it. We sing it together. I have YouTube Video of it up.
EULOGY
He grew up in Clinton, Oklahoma
Red dirt back yard, Gramma's place
Honey suckle in a dust bowl
Life as hard as limestone lace…
HOME
(Am D) or (F C)
VERSE 1.
Where the (G) windmill sings to the mocking bird
And the (CM7) prairie wind, without a word
(Am) Whispers thru tall (D) grass, I’ll be (G) home
(F C G) or (Am D)
VERSE 2.
Where the butter cups and…
FIREFLIES. capo @ 2
F walk down
We (C) spoke of them as (C/B) sweethearts
There (Am) in the Southern (F) sky
(C) Saturn, just a (G) twinkle, bold (F) Jupiter near (G) by
I (Am) guess we didn't (Am/G) notice
as they (Am/F)drifted a…
"Fireflies." has a stellar intro, and then you woot he listener in with your crooning and compelling vocals. I have always loved the topic of fireflies and your hook about chsing fireflies in the htickets of two hearts is Phenomenal. Lots of nostalgia in this one, especiually for the girl next door who played a game with me, a kiss for every firefly i caught for her. But man those bugs were elusive as hell. But when I got a few, I was enthralled by her gentle thank you on my lips. Matthew Blowers III
SKINNY GIRLS
Capo @ 3 in G
...and then he said,
I like skinny girls
Toothy girls
Flat chested girls
I like girls with Adam's apples
A mouth full of titty
And a hand full of ass...
A girl with a six pack
is my kind of...
And then…
Now "Skinny Girls.' is a riotus collection of just plain fun and some great humor, I was so dissappointed when the track just cut out. But then I unbderstood you were giving folks just a taste. I was actually starting to visualize all the descriptive bean pole girls you were listing. A great bar song for sure, and I can see all the slightly inebriated guys rethinking and checking out all the skinny girls nursing their beers. LOL Matthew Blowers III
CALIFORNIA
Capo @ 4 in C/Am
I’m (Am) going back to California
A little place in the San (E) Joaquin
(Am, stepping down A G F# F E)
Where the back pasture builds
To Sierra foothills
And Kaweah tumbles down cool and clean
I’m going back…
Matthew F. Blowers III
I am really liking your song on California, I have a special love for that state. You captured all the reaons I miss it, with your superb storytelling in lyrics and with the smooth harmonies and extremely well played music. It has a catchy beat, and I listened to the very last note.
I NEVER DREAM
I never dream of building bridges. I never dream I’ll build a dam
I never dreamed of a cathedral for the mighty God, I Am
I never dreamed of founding clinics or make donations to the cause
I don’t see my name on statues and…
So today, for some reason I decided to read the words first.. Just the words. And found it an absolutely beautiful experience. The metaphors you use to describe great and cosmic plans and intentions of great societal achievement, contrasted with the lines that begin with, "BUT I dreamed we met for breakfast".... (the switch and the contrast is very powerful) what a tiny, common human thing: meeting over the sharing of food,. Then followed by, "I dreamed I held your hand"... human touch/connection, as though those two simple things are worth more than all the highest achievements of worldly fame, and material ladders climbed! Which they are. They so are. The rest of the lyrics continue to develop & express that idea beautifully. Then I listened to the sing, and although it is good as a song, For me, the words in themselves stand strong and impactful w/o anything else. Not to contrast them and say one is "better" than the other. Just that sometimes I see lyrics that stand alone, And just saying, these words do that very well. Gwyn Henry
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
(Remastered 22/10/2021)
I found this one while I was digging through the shoe-box for the 1994 songs. Apparently I wrote it on 10th November 1995.
Foolishly, I thought it would only take a week or so to record... I was originally expecting…
(Remastered 22/10/2021)
So I got me a new geetar the other week.
Named her Lala, obviously. Seemed kind of appropriate - she wears a faded gold dress and is full of chunes and mischiefs.
This is our first effort together. It was meant…
I wrote this song after planting and fertalizing a crop of sudan grass just to have the sun shine down with no relief on it for 100 days and no rain. We, Texas Water, were heading home one night AFTER A GIG at Gringo's in Grapevine when the…
I hope Brian (one of us Proods) will forgive me for posting this before we could get together to work on it further. He first played it for me a few months ago and I've been obsessively tweaking it every chance I could get.
I like to imagine…
My attempt at this super fun sea shanty!
This is an old New Zealand whaling song. The popular recent version was recorded a cappella by The Longest Johns. I'm using the chords suggested by Piotrek_G on ultimate-guitar.
Edit: re-uploaded…
CALIFORNIA
Capo @ 4 in C/Am
I’m (Am) going back to California
A little place in the San (E) Joaquin
(Am, stepping down A G F# F E)
Where the back pasture builds
To Sierra foothills
And Kaweah tumbles down cool and clean
I’m going back…
California has a chorus that camouflages the dramatic irony of the verse narrative. If it weren’t for the unusual intro, it’d seem zirconium. Christopher Youngblood
VIDEO https://www.facebook.com/reel/629088762494393
https://www.facebook.com/100007692130538/videos/122358790913196/
THE CIRCLE OF NO REGRETS Key C
capo @ 5
C F G C C G C
If your heart must be broken…
Circle of No Regrets sounds quaint. That’s what makes it hit. Unless you turn your ears on, it’s a boring song, but once you do, it’s hard to take.
It’s almost like you’re giving the audience an option. Christopher Youngblood
Comments on James Michael Taylor's stuff
I've heard a lot of your songs, but never this one that I can recall. Very powerful and touching lyrics. Ashley
😌🥰
Why did you puke? Sorry, in a song fully of details I guess I want another detail.
REMEMBERING BABE: I had NOT heard this one! I'm glad I insisted!!! Gotta be among the best of... my favs... I don't have to tell you, this is poetry. And your delivery... refreshingly original. In "stand up" readings, or "slam" poetry, there is a "style" of cadence that hearkens back to the Beats, and most poets fall into it, and it always annoyed the hell out of me. This is DRAMATIC ACTING, folks, c'mon! I like the slow, unhurried, thoughtful way you spoke as the poem's Voice; how you mixed up the rhythm, unexpected hesitations, and rapid rushes. And esp the long pauses in unexpected places, as tho the Voice was thinking about the exact right word to use next to express what he wanted to say. I've been trying to work on my delivery for my planned re-entry (after covid) into the local poetry reading community. It is terrible... isolation in quarantine can do that! So I've been practicing w/ video and putting music behind me for good measure.Anyway, I found some good tips here. Thank you. 🙂 I really love R.BABE The ending works really well, something that's sometimes difficult. Gwyn Henry
".. you had me right off the bat--"Red Dirt" for me, classic Ok City area!; plus "honeysuckle dustbowl" (so beautiful) and "limestone lace" --each image is 2 completly different things contrasted to make a third. Lovely. Oklahoma evocative! " Gwyn Henry
Love it. Always enjoy your work. Thank you.
I had forgotten what a damn fine album this is! But... ??? 2005? Really? OMG... has it really been that long? Kinda makes the line... "Ain't no fool like an old fool" fit me even better than it did... sigh
Beautiful - Laurie Calinan
Sweet, sweet, sweet, (except for the war and killing part). My fav lines: "...with those sulfurous clicks/ Little red rolls with black spots of bang" Never described better! That's exactly what they were. Gwyn Henry
beautiful, james
Yeah, cool track.
Beautiful - Laurie Callinan
Yep :)
I'll comment on this one :) ... mighty fine song.
Short and sweet!
Colleen Dillon (73.94.253.184) Love this entirely!
The harmonies on this are so awesome!
"Mending the web that the horsefly tore..." .what a line..what an image... I love that...really love that image...delicate and hopefull....and magical... Matthew
Beautiful beautiful song!! Kat Landrove
i like it, but i'd like to visualize a little more of this place. thanks, james for sharing these!!!
Comments made by James Michael Taylor
"Fireflies." has a stellar intro, and then you woot he listener in with your crooning and compelling vocals. I have always loved the topic of fireflies and your hook about chsing fireflies in the htickets of two hearts is Phenomenal. Lots of nostalgia in this one, especiually for the girl next door who played a game with me, a kiss for every firefly i caught for her. But man those bugs were elusive as hell. But when I got a few, I was enthralled by her gentle thank you on my lips. Matthew Blowers III
Now "Skinny Girls.' is a riotus collection of just plain fun and some great humor, I was so dissappointed when the track just cut out. But then I unbderstood you were giving folks just a taste. I was actually starting to visualize all the descriptive bean pole girls you were listing. A great bar song for sure, and I can see all the slightly inebriated guys rethinking and checking out all the skinny girls nursing their beers. LOL Matthew Blowers III
Matthew F. Blowers III I am really liking your song on California, I have a special love for that state. You captured all the reaons I miss it, with your superb storytelling in lyrics and with the smooth harmonies and extremely well played music. It has a catchy beat, and I listened to the very last note.
Very catchy! Too short, maybe. Gotta listen twice.
So today, for some reason I decided to read the words first.. Just the words. And found it an absolutely beautiful experience. The metaphors you use to describe great and cosmic plans and intentions of great societal achievement, contrasted with the lines that begin with, "BUT I dreamed we met for breakfast".... (the switch and the contrast is very powerful) what a tiny, common human thing: meeting over the sharing of food,. Then followed by, "I dreamed I held your hand"... human touch/connection, as though those two simple things are worth more than all the highest achievements of worldly fame, and material ladders climbed! Which they are. They so are. The rest of the lyrics continue to develop & express that idea beautifully. Then I listened to the sing, and although it is good as a song, For me, the words in themselves stand strong and impactful w/o anything else. Not to contrast them and say one is "better" than the other. Just that sometimes I see lyrics that stand alone, And just saying, these words do that very well. Gwyn Henry
This is cool. It gives me ideas.
WoW! Knocks me out. Really sizzles.
Makes me want to find a partner and do a little dance...very nice.
You had me at, "If I back off and shut my mouth..." Know exactly where you are. So afraid the answer is, "No."
Sounds like a 50s Buddy Holly era song. Very sweet sentiment. And, yes, I can dance to it.
Great characterization. Great kick drum sound.
WoW! Rock me, dude! Love the imagery.
Kim Triolo Feil James Michael Taylor that's a fantastic story and a very lovely song
Yes! A MONKEES song, for sure.
Interesting sounds. Cool chord shifts.
Aaah, if Love could only be forgotten... Nice.
Like it.
Very nice...
California has a chorus that camouflages the dramatic irony of the verse narrative. If it weren’t for the unusual intro, it’d seem zirconium. Christopher Youngblood
Circle of No Regrets sounds quaint. That’s what makes it hit. Unless you turn your ears on, it’s a boring song, but once you do, it’s hard to take. It’s almost like you’re giving the audience an option. Christopher Youngblood