Pete Thompson on percussion and Angie Thompson on bass. Produced with Pete 123112
HAIRCUT
They sent me a letter. A ticket to ride
Portland to Frisco on that Big Overnight
Brand new clothes. New pants and new shirt
Brand new boots to kick…
Pete Thompson on percussion and Angie Thompson on bass. Produced with Pete 123112
HAIRCUT
They sent me a letter. A ticket to ride
Portland to Frisco on that Big Overnight
Brand new clothes. New pants and new shirt
Brand new boots to kick…
I SHAKE by James Michael Taylor
Ever since that night when you told me you were leaving me I shake, just a little, I shake.
Not so much that anybody else would even notice
I shake, Just a little, I shake.
Every time I read a book and…
I SHAKE by James Michael Taylor
Ever since that night when you told me you were leaving me I shake, just a little, I shake.
Not so much that anybody else would even notice
I shake, Just a little, I shake.
Every time I read a book and…
I SHAKE by James Michael Taylor
Ever since that night when you told me you were leaving me I shake, just a little, I shake.
Not so much that anybody else would even notice
I shake, Just a little, I shake.
Every time I read a book and…
I SHAKE by James Michael Taylor
Ever since that night when you told me you were leaving me I shake, just a little, I shake.
Not so much that anybody else would even notice
I shake, Just a little, I shake.
Every time I read a book and…
This is the title song from my first LP.
FEATHERS IN THE WIND by SNOWGEESE.
Snowgeese was my first wife, BarbaraAnne and me. Michael was a new friend we met when we moved to Texas that liked my songs enough to produce and arrange and record…
I SHAKE by James Michael Taylor
Ever since that night when you told me you were leaving me I shake, just a little, I shake.
Not so much that anybody else would even notice
I shake, Just a little, I shake.
Every time I read a book and…
I SHAKE by James Michael Taylor
Ever since that night when you told me you were leaving me I shake, just a little, I shake.
Not so much that anybody else would even notice
I shake, Just a little, I shake.
Every time I read a book and…
MOTHER'S EYES
I used to chide my mother
She saw the loss in every face
The cemetery. The old folks home
along the way
I used to laugh at Mother
She saw the pain in every eye
Now time has passed
and Mom is gone and here am I
And…
"Somewhere between the stumbling and the falling..."
SOMEWHERE
G capo @ 2 - live @ 4
Somewhere between the summer and the winter
The leaves between the tree tops and the fall
Somewhere between my heart and circled letters
Somewhere…
MOTHER'S EYES
I used to chide my mother
She saw the loss in every face
The cemetery. The old folks home
along the way
I used to laugh at Mother
She saw the pain in every eye
Now time has passed
and Mom is gone and here am I
And…
MOTHER'S EYES
I used to chide my mother
She saw the loss in every face
The cemetery. The old folks home
along the way
I used to laugh at Mother
She saw the pain in every eye
Now time has passed
and Mom is gone and here am I
And…
MOTHER'S EYES
I used to chide my mother
She saw the loss in every face
The cemetery. The old folks home
along the way
I used to laugh at Mother
She saw the pain in every eye
Now time has passed
and Mom is gone and here am I
And…
MOTHER'S EYES
I used to chide my mother
She saw the loss in every face
The cemetery. The old folks home
along the way
I used to laugh at Mother
She saw the pain in every eye
Now time has passed
and Mom is gone and here am I
And…
MOTHER'S EYES
I used to chide my mother
She saw the loss in every face
The cemetery. The old folks home
along the way
I used to laugh at Mother
She saw the pain in every eye
Now time has passed
and Mom is gone and here am I
And…
MOTHER'S EYES
I used to chide my mother
She saw the loss in every face
The cemetery. The old folks home
along the way
I used to laugh at Mother
She saw the pain in every eye
Now time has passed
and Mom is gone and here am I
And…
M E L I S S A Key of G
These are letters I like to say - M E L I S S A
These are notes I like to play……
Letters that sparkle. Notes that jingle
Make a little song in my heart
There’s a song in my heart today - M E L I S S A
I wish…
BETWEEN - 11-27/28-12
I step out of the car
I don't know where we are
Somewhere between a planet
A planet and a star
I never dreamed I'd end up
in a place like this
The Multnomah Falls is up the Columbia Gorge
Somewhere between Portland…
FIREFLIES. capo @ 2
F walk down
We (C) spoke of them as (C/B) sweethearts
There (Am) in the Southern (F) sky
(C) Saturn, just a (G) twinkle, bold (F) Jupiter near (G) by
I (Am) guess we didn't (Am/G) notice
as they (Am/F)drifted a…
"Fireflies." has a stellar intro, and then you woot he listener in with your crooning and compelling vocals. I have always loved the topic of fireflies and your hook about chsing fireflies in the htickets of two hearts is Phenomenal. Lots of nostalgia in this one, especiually for the girl next door who played a game with me, a kiss for every firefly i caught for her. But man those bugs were elusive as hell. But when I got a few, I was enthralled by her gentle thank you on my lips. Matthew Blowers III
SKINNY GIRLS
Capo @ 3 in G
...and then he said,
I like skinny girls
Toothy girls
Flat chested girls
I like girls with Adam's apples
A mouth full of titty
And a hand full of ass...
A girl with a six pack
is my kind of...
And then…
Now "Skinny Girls.' is a riotus collection of just plain fun and some great humor, I was so dissappointed when the track just cut out. But then I unbderstood you were giving folks just a taste. I was actually starting to visualize all the descriptive bean pole girls you were listing. A great bar song for sure, and I can see all the slightly inebriated guys rethinking and checking out all the skinny girls nursing their beers. LOL Matthew Blowers III
CALIFORNIA
Capo @ 4 in C/Am
I’m (Am) going back to California
A little place in the San (E) Joaquin
(Am, stepping down A G F# F E)
Where the back pasture builds
To Sierra foothills
And Kaweah tumbles down cool and clean
I’m going back…
Matthew F. Blowers III
I am really liking your song on California, I have a special love for that state. You captured all the reaons I miss it, with your superb storytelling in lyrics and with the smooth harmonies and extremely well played music. It has a catchy beat, and I listened to the very last note.
I NEVER DREAM
I never dream of building bridges. I never dream I’ll build a dam
I never dreamed of a cathedral for the mighty God, I Am
I never dreamed of founding clinics or make donations to the cause
I don’t see my name on statues and…
So today, for some reason I decided to read the words first.. Just the words. And found it an absolutely beautiful experience. The metaphors you use to describe great and cosmic plans and intentions of great societal achievement, contrasted with the lines that begin with, "BUT I dreamed we met for breakfast".... (the switch and the contrast is very powerful) what a tiny, common human thing: meeting over the sharing of food,. Then followed by, "I dreamed I held your hand"... human touch/connection, as though those two simple things are worth more than all the highest achievements of worldly fame, and material ladders climbed! Which they are. They so are. The rest of the lyrics continue to develop & express that idea beautifully. Then I listened to the sing, and although it is good as a song, For me, the words in themselves stand strong and impactful w/o anything else. Not to contrast them and say one is "better" than the other. Just that sometimes I see lyrics that stand alone, And just saying, these words do that very well. Gwyn Henry
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
(Remastered 22/10/2021)
I found this one while I was digging through the shoe-box for the 1994 songs. Apparently I wrote it on 10th November 1995.
Foolishly, I thought it would only take a week or so to record... I was originally expecting…
(Remastered 22/10/2021)
So I got me a new geetar the other week.
Named her Lala, obviously. Seemed kind of appropriate - she wears a faded gold dress and is full of chunes and mischiefs.
This is our first effort together. It was meant…
I wrote this song after planting and fertalizing a crop of sudan grass just to have the sun shine down with no relief on it for 100 days and no rain. We, Texas Water, were heading home one night AFTER A GIG at Gringo's in Grapevine when the…
I hope Brian (one of us Proods) will forgive me for posting this before we could get together to work on it further. He first played it for me a few months ago and I've been obsessively tweaking it every chance I could get.
I like to imagine…
My attempt at this super fun sea shanty!
This is an old New Zealand whaling song. The popular recent version was recorded a cappella by The Longest Johns. I'm using the chords suggested by Piotrek_G on ultimate-guitar.
Edit: re-uploaded…
CALIFORNIA
Capo @ 4 in C/Am
I’m (Am) going back to California
A little place in the San (E) Joaquin
(Am, stepping down A G F# F E)
Where the back pasture builds
To Sierra foothills
And Kaweah tumbles down cool and clean
I’m going back…
California has a chorus that camouflages the dramatic irony of the verse narrative. If it weren’t for the unusual intro, it’d seem zirconium. Christopher Youngblood
VIDEO https://www.facebook.com/reel/629088762494393
https://www.facebook.com/100007692130538/videos/122358790913196/
THE CIRCLE OF NO REGRETS Key C
capo @ 5
C F G C C G C
If your heart must be broken…
Circle of No Regrets sounds quaint. That’s what makes it hit. Unless you turn your ears on, it’s a boring song, but once you do, it’s hard to take.
It’s almost like you’re giving the audience an option. Christopher Youngblood
Comments on James Michael Taylor's stuff
so good lyrics james!
another great work here ...
Yes!
Very pretty, nice harmonies :)
Sweet guitar playin' James. Nice!
Excellent.......
Slick intro. It still holds up as a motivation song.
Delightful . . . Great Song!
Tremors and trepidations ,could be glad to be shed of you, or of going out ahead of you Kind of a friendly sounding ditty.
I love it James Michael! I thoroughly enjoyed our walk.. we must do that again!!
A comfortable sound ,well done
Wonderful song and lovely tight harmonies. I bought a fridge magnet recently, it says, "Oh my God, my mother was right about everything". :) Bethan
Yep, that's a goodie. Love those harmonies.
beautiful, thank you.
Nice one mate.
Good one.
neat look at the human condition.
Thx for thinkin of me. JMT! Lov listenin!
HA! I can only agree!
Beautiful sounds. Love those guitars and harmonies.
Comments made by James Michael Taylor
"Fireflies." has a stellar intro, and then you woot he listener in with your crooning and compelling vocals. I have always loved the topic of fireflies and your hook about chsing fireflies in the htickets of two hearts is Phenomenal. Lots of nostalgia in this one, especiually for the girl next door who played a game with me, a kiss for every firefly i caught for her. But man those bugs were elusive as hell. But when I got a few, I was enthralled by her gentle thank you on my lips. Matthew Blowers III
Now "Skinny Girls.' is a riotus collection of just plain fun and some great humor, I was so dissappointed when the track just cut out. But then I unbderstood you were giving folks just a taste. I was actually starting to visualize all the descriptive bean pole girls you were listing. A great bar song for sure, and I can see all the slightly inebriated guys rethinking and checking out all the skinny girls nursing their beers. LOL Matthew Blowers III
Matthew F. Blowers III I am really liking your song on California, I have a special love for that state. You captured all the reaons I miss it, with your superb storytelling in lyrics and with the smooth harmonies and extremely well played music. It has a catchy beat, and I listened to the very last note.
Very catchy! Too short, maybe. Gotta listen twice.
So today, for some reason I decided to read the words first.. Just the words. And found it an absolutely beautiful experience. The metaphors you use to describe great and cosmic plans and intentions of great societal achievement, contrasted with the lines that begin with, "BUT I dreamed we met for breakfast".... (the switch and the contrast is very powerful) what a tiny, common human thing: meeting over the sharing of food,. Then followed by, "I dreamed I held your hand"... human touch/connection, as though those two simple things are worth more than all the highest achievements of worldly fame, and material ladders climbed! Which they are. They so are. The rest of the lyrics continue to develop & express that idea beautifully. Then I listened to the sing, and although it is good as a song, For me, the words in themselves stand strong and impactful w/o anything else. Not to contrast them and say one is "better" than the other. Just that sometimes I see lyrics that stand alone, And just saying, these words do that very well. Gwyn Henry
This is cool. It gives me ideas.
WoW! Knocks me out. Really sizzles.
Makes me want to find a partner and do a little dance...very nice.
You had me at, "If I back off and shut my mouth..." Know exactly where you are. So afraid the answer is, "No."
Sounds like a 50s Buddy Holly era song. Very sweet sentiment. And, yes, I can dance to it.
Great characterization. Great kick drum sound.
WoW! Rock me, dude! Love the imagery.
Kim Triolo Feil James Michael Taylor that's a fantastic story and a very lovely song
Yes! A MONKEES song, for sure.
Interesting sounds. Cool chord shifts.
Aaah, if Love could only be forgotten... Nice.
Like it.
Very nice...
California has a chorus that camouflages the dramatic irony of the verse narrative. If it weren’t for the unusual intro, it’d seem zirconium. Christopher Youngblood
Circle of No Regrets sounds quaint. That’s what makes it hit. Unless you turn your ears on, it’s a boring song, but once you do, it’s hard to take. It’s almost like you’re giving the audience an option. Christopher Youngblood