Similar in creation to Endless fusing analog cassette tape loop with Pure Data patch. This one I'm playing real time violin and manipulating in Pure Data. Like to thank Amulets (https://www.amuletsmusic.com) for some recent inspiration. This…
Of late I've been going through a fascination with cassette tape. Really it started in 2019 when I released a Bandcamp release of mine on a physical cassette tape which is available at the link below. That said I've been inspired by Randall…
this has some interesting turns going on and looping too.-- so this was a physical thing with tapes. -- great. lots of work here /// I might make things like this with my tape collection after I have them digitized I guess--
Short violin phrases played then manipulated in process in conjunction with a filtered noise floor, variable oscillator and a voice sample, all mixed live in my Pure Data patch, this one inspired by tape looping. Created for Phase 2 of Sound…
I never know what to say on these... except "interesting listen"... And this one was... I've also discovered they make a good soundtrack to working at home... not what I was expecting at all!
great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/
Created under Creative Commons for Sound-In…
I hadn't realised Colleen was listening same time... I was off checking out Mary Oliver... but yes, after the initial scratchiness that I got used too, I agree, very quickly the cacophony did seem "normal" to me and even commonplace... and the poem Egrets (I had to look up what an Egret was, I didn't know! I knew the word, but not that it was a white bird) ... that kinda emphasised it... there was magical, but normal, and natural, stuff going on, and even the cacophony itself was natural - as in not necessarily man-made - the thorns and mosquitos...
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/
Created under Creative Commons for Sound-In…
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/
Created under Creative Commons for Sound-In…
Initially a contribution to an upcoming Chris Vaisvil record. I did several short real time played or created samples and remixed live in a new Pure Data patch I'm developing the 53 seconds I did for Chris with my original samples enhanced…
I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..
subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..---
yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.
Using a hang drum and hand pan apps, Pure Data oscillators recorded live, mixed down with a manipulated oscillator track and a city market sample on the end from Freesound.org contributing member Klankbeeld https://freesound.org/people/klankbeeld…
yes Sonic-Pi.net is great I am just working with the examples they have and adding to that.. in the coding.. it is .. really great the things.. and the random possibilities that are there.--
Two different small-size guitars; one a "proper" electric with microtonal frets in the top half of the fingerboard, the other a toy but with metal strings tuned to the same scale as an egg slicer. Two different recordings of each, all through…
I guess you can call this in 13/8 meter or alternating 7/8 - 6/8 - but I counted it as 7-3-3. Also this was another proof of concept with Abelton Live. Three guitar tracks in F# phrygian more than less.
Another Roland SE-02 through EHX Stereo Memory Man. Some similarities to "Polly...", but mostly different. Submitted to Sound-In "Changes" for 16-23/6/2022.
Digital Sea is an ambient generative music piece written in the Pure Data programming language. It is constantly changing, circulating, and flowing.
The program written to record this piece is capable of generating a unique, endless performance…
Marley your kind comment to my recent piece reminded me you are working in Pure Data as well which is wonderful! This piece no less, like the rising bubble like envelopes on the oscillators. It's just like from below the sea level and coming to surface. Bit Sponge Bob bit the Nautiless. Well done! Re Sound-In we'd be pleased to have you checkout and participate. Unfortunately we do get lost in FB and there are some similar ones but we are with the "-". That said here is a link to the latest event. Check out at https://fb.me/e/24bPmelwS
I believe you willhave to join, we will get an approve req and follow through.
using this https://fb.me/e/2ohIt8Mzp event = Sound-In Event “Time Machine” - with this track first forward then backward -- https://alonetone.com/erocnet/tracks/timeframe by Roger Sundström
using this event https://fb.me/e/NaznnV5Z called…
An abundance running over of fine guitar loops and creativity, Flying the Reservoir Calmly rises to the top! A bit for Kavin gives me a feeling of Radiohead!
Comments on jimgoodinmusic's stuff
Crazy cool
wow-- just intense this is--
this has some interesting turns going on and looping too.-- so this was a physical thing with tapes. -- great. lots of work here /// I might make things like this with my tape collection after I have them digitized I guess--
I never know what to say on these... except "interesting listen"... And this one was... I've also discovered they make a good soundtrack to working at home... not what I was expecting at all!
Not sure what is going on, but your tracks definitely sound interesting
great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.
I hadn't realised Colleen was listening same time... I was off checking out Mary Oliver... but yes, after the initial scratchiness that I got used too, I agree, very quickly the cacophony did seem "normal" to me and even commonplace... and the poem Egrets (I had to look up what an Egret was, I didn't know! I knew the word, but not that it was a white bird) ... that kinda emphasised it... there was magical, but normal, and natural, stuff going on, and even the cacophony itself was natural - as in not necessarily man-made - the thorns and mosquitos...
I read the description and thought "ummmm, ok"... and, indeed, it did start like that for me. But then it was strangely compelling.
Somehow this is a perfect representation of how "noisy" our daily lives are, and how the cacophony seems almost normal.... Cool stuff here
I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..
subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..--- yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.
nice stuff. here.
Eeriest of eeriest!
yes Sonic-Pi.net is great I am just working with the examples they have and adding to that.. in the coding.. it is .. really great the things.. and the random possibilities that are there.--
Very interesting... just searched Sonic Pi... VERY interesting.
Always pleasantly surprised by the imagery your music creates for me. love this.
It certainly is an interesting experience in the head phones!
Excellent! This track is screaming for visualization.
Excellent work
Yeah...still a fan! This is very interesting.
Comments made by jimgoodinmusic
Bill this one particularly is really interesting and nice and has a great lilt! Reverse always turns up something surprising.
fabulous sense of poise and taking your time Ben.
brooding and spiritual, great use of the samples!
that was a real Electric ending - sounds like fire in the circuit! Fits the title Kav!
Poltergeist and a strange similarity to feel of Kavin’s desert birds Jim.
Nice Chris - bit like a League of Crafty in the storm!
neat envelopes and morphing Jim!
lovely melancholy spirit to this - feels very natural played!
Marley your kind comment to my recent piece reminded me you are working in Pure Data as well which is wonderful! This piece no less, like the rising bubble like envelopes on the oscillators. It's just like from below the sea level and coming to surface. Bit Sponge Bob bit the Nautiless. Well done! Re Sound-In we'd be pleased to have you checkout and participate. Unfortunately we do get lost in FB and there are some similar ones but we are with the "-". That said here is a link to the latest event. Check out at https://fb.me/e/24bPmelwS I believe you willhave to join, we will get an approve req and follow through.
Ghostly - brilliant Kavin!
nice how the piano voice fades out on this one.
particularly like your 'played' or sequenced keyboard part in this, the notes the color Bill
Rich and speaks well!
lyrically shades of electronic counterpoint!
Absolutely lovely!
An abundance running over of fine guitar loops and creativity, Flying the Reservoir Calmly rises to the top! A bit for Kavin gives me a feeling of Radiohead!
like the pippa or koto in this or some similar
so lyrical and like Kavin said, 'harmonics for days...' or to me rings forever! lovely Roger!
beautiful and full of haunt!
like the beat, like the Wes Montgomery lines in the latter.