A mash created with Kavin/Breaking Light's Tin Can Dream Home from this weekends Sound-In event. I took a solo lap steel improv, mashed with Kavin's and manipulated both.
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22 fret to the octave 2 part improv. Growing up in the south and seeing the movie Hidden Figures this evening saddly brought them to mind but ever mindful.
A piece that came a few nights ago in some experimenting with midi over wifi and using my fretless guitar as a controller and an electric piano patch from the app. I looped the parts of the piece live in to Mobius.
I like the minimalism of this. You do a lot with a very simple synthesizer. This is the sort of thing I could envision playing over a shortwave radio in the middle of the night, announcing the commencement of a number station or something.
A piece that came a few nights ago in some experimenting with midi over wifi and using my fretless guitar as a controller and an electric piano patch from the app. I looped the parts of the piece live in to Mobius.
I'm fascinated currently with alter'd tunings and I don't mean the altered open guitar tunings used in a lot of acoustic folk, celtic and instrumental guitar which I have done and they are all great and inspiring. I'm speaking of the alter'd…
This is a very lose response interpretation/nod of the hat to a fine piece by composer James Ross, his piece Finding a Diamond on a Muddy Road https://soundcloud.com/jrossmusic/finding-a-diamond that is stellar.
Some interesting sounds, Jim. I like the little slides at the ends of many of the tones. It builds nicely and the return of the single tone idea at the end works well. And thanks for the mention.
First completed solo project after a years-long home recording hiatus. Recorded into BandLab running on an old iPhone, which is a surprisingly fun way to work.
A sense of Roxy Music in this and for a home recording has a very nice present feel Ben. Congratulations on new work after a year long, it happens, sometimes as in my case with another muse coming to surface. I'm glad you returned! Thanks too for your recent listen to my ukulele piece and the kind words.
Lovely melancholy and lyricism btwn recover and take ii with tongue and cheek intensity in Prayer, all interesting and my first hearings of your music in all this time on Alonetone Sudara. Thanks for this and for what you do in providing Alonetone for all of us with no expectations. Thanks too for listening to my track from Good Friday recently and the kind words. I am in turn and nice to hear what you do as well.
Digital Sea is an ambient generative music piece written in the Pure Data programming language. It is constantly changing, circulating, and flowing.
The program written to record this piece is capable of generating a unique, endless performance…
Marley thanks for the kind words re my Gentle Dark. Excellent that you too are working with Pure Data. Your evolving bubble like raising tonal glissandos are like bubbles from the ocean floor and the occasional 'noise' element winds, waves are cool. The continual weaving voice in this is very inventive - check out the Sound-In community on Facebook - we are small but long running group of creative composers working in a supportive atmosphere. I'm not as active right now as I'm working with another muse but will return.
Test recording of voice modified by a EHX Voice Box on vocoder setting; the modulating signal is the sound from a one-string instrument made from an old crutch. Post production involved adding two copies of the original mono track, panned slightly…
Sound source is Miss Hackbrett, a zither-like device constructed by a friend from the remains of an old door. It includes a contact mic for easy amplification. There are two separate sets of (guitar) strings, one all metal, the other nylon. Apart…
Comments on jimgoodinmusic's stuff
Interesting fusion of sounds and ideas
I dig the sounds.
Cool Jim! Thanks!
koyaanisqaatsi
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I love this! It totally captures my late December mood!
Nice job Jim. Thoughtful and pleasant tones.
Very relaxing. Love the backwards and downwards-pitched tones!
...I meant to say, "When do you sleep?"
How do you sleep?
I like the minimalism of this. You do a lot with a very simple synthesizer. This is the sort of thing I could envision playing over a shortwave radio in the middle of the night, announcing the commencement of a number station or something.
Cool method and process, your personality still shows through the machines Jim ;) -KAvin
nicely exotic Jim!
Great sound top job
I like this. It's artistic and strange.
Nice mix of sounds
Great sound here Jim. Congrats on the Ride!
Pretty!
I have had days that could support a background track like this.
Some interesting sounds, Jim. I like the little slides at the ends of many of the tones. It builds nicely and the return of the single tone idea at the end works well. And thanks for the mention.
Comments made by jimgoodinmusic
This is cool with an occasional nod to a reggae beat. Your bass parts are very pronounced and on the spot and the reggae beat has returned.... Police!
A sense of Roxy Music in this and for a home recording has a very nice present feel Ben. Congratulations on new work after a year long, it happens, sometimes as in my case with another muse coming to surface. I'm glad you returned! Thanks too for your recent listen to my ukulele piece and the kind words.
Lovely melancholy and lyricism btwn recover and take ii with tongue and cheek intensity in Prayer, all interesting and my first hearings of your music in all this time on Alonetone Sudara. Thanks for this and for what you do in providing Alonetone for all of us with no expectations. Thanks too for listening to my track from Good Friday recently and the kind words. I am in turn and nice to hear what you do as well.
Marley thanks for the kind words re my Gentle Dark. Excellent that you too are working with Pure Data. Your evolving bubble like raising tonal glissandos are like bubbles from the ocean floor and the occasional 'noise' element winds, waves are cool. The continual weaving voice in this is very inventive - check out the Sound-In community on Facebook - we are small but long running group of creative composers working in a supportive atmosphere. I'm not as active right now as I'm working with another muse but will return.
Jim it's great where things that you will utilize become such potential instruments. The higher linear voice is cool and exotic here. Good piece!
a subtle arcade video game or maybe signals from a radio telescope
Wild, Bill! Like falling in a vortex and the heartbeat I didn't note on first listen!
lovely, one of your more sobering 'Tolkin' like pieces.
Really like this Kavin - I can hear it. Haunting and sterile!
this is really cool and I don't recall it Kavin. First thought you were working with your Koto.
Rich song - lovely and weighty!
Good piece! Groove that develops is sweet and making me think of Weather Report a little.
melancholy and looking in the water
Will of the whisp and slipping out the door mystery!
some nice dirthy chords and colors and cool modulations
Liquid space Bill, fluid and magical!
Kavin one of your bests! Lovely - the opening acoustic is artful and the emergence of the electronics is subtle and sweet, love the long trail on it.
feels like under a shed out of a downpour and everything in the distance.
great sense of growing rhythm and a sound of strumming at times and electronic noise and then the wind... inventive Jim.
has a sitar like feel that sounds like going through a wahwah or some such. Like the edge of it K...