A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
A fingerpicky tune from the old days.
The different guitar voices (nylon string classical and Guild 12-string) were attained using a Line 6 Variax 600 modeling guitar. Great for recording, but I returned it because of some minor issues.
A test run with my new Line 6 DL4 delay pedal. Recorded with a handheld mp3 recorder, hence the ambient room noise. The DL4 was fed into a BOSS loop pedal also. No overdubs, all on the fly.
A fingerpicky tune from the old days.
The different guitar voices (nylon string classical and Guild 12-string) were attained using a Line 6 Variax 600 modeling guitar. Great for recording, but I returned it because of some minor issues.
A fingerpicky tune from the old days.
The different guitar voices (nylon string classical and Guild 12-string) were attained using a Line 6 Variax 600 modeling guitar. Great for recording, but I returned it because of some minor issues.
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
Brilliant. Also serves as a reminder that we shouldn't forget about the "old school" techniques in favour of all the blinkenlights we now have at our disposal.
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
I love this.
It puts me in mind of an experiment I was thinking about to alternately record & reverse parts so you end up with an interlocking series of forward and reverse sounds. Probably turn into sonic mush but could be kind of fun.
Thanks for the inspiration!
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
@ Sister: Due to technical issues I would have to post the entire song file, which would be posting cover tunes, which I don't want to do here...trust me, the reversed, edited versions sound better!
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
Caveat emptor: I did absolutely none of the drumming in this piece.
ANOTHER WORLD PREMIER! FIRST RECORDING OF THIS PATTERN - EVER!
My friend Kokou "Alex" Yemey delighted me with another visit this evening. He played "Aju" - all 5 tracks…
Very raw, completely improved piece. One track, one take.
Guitar -> GT-10 -> JamMan Stereo
A touch of Discord 3 was added as a send effect. Limiting on the master track. Et voila.
Sorry about the clipping.
Recommended listening…
Although I think I like this version the best, a longer break in the middle (at 2:40 there is a short one) with some ambient shalalas would be cool, just to break it up a bit. Just my op., the song and production are great as is.
Part IV of a fully improvised ep. Available for purchase at bandcamp.
http://maxsipowicz.bandcamp.com/album/the-winter-in-our-hearts
By buying you will also get a $5 discount on the price of the LP I am working on once it comes out.
I have issues at my house, sometimes they manifest themselves in my tracks. In this case, the bassoon and oboe represent the mouse. The guitar is the peanut-butter.
Finally, the finishing touches seem to be put on this three-year-old song thanks to some very talented people.
The band is:
Liam (age 13 at the time of recording) on drums
A Girl Named Sam (she's no kid!) with the backing vocals
Genevieve…
Sank a solid 17.5 hours into this one, so there won't be a complete album out of this 24 hour day.
Had the structure floating around for a year; this is my first stab at it. There are definitely huge revisions in store.
It seems a lot of you record with open mics and can relate. I record 1 track at a time with usually 4 or 5 tracks. So, Im only asking for about 15 minutes of Silence...IS THIS TOO MUCH TO ASK??? Anyway, my house is so loud, I get a lot of bloopers…
Comments on kavin.'s stuff
any hidden messages in there? hehe cool stuff.
Hi... I really want to listen this track to the other side.. maybe the machine can breathe a differen history :)
some very cool guitar tones
Kavin, I think this piece is absolutely fantastic. Well, well played!
Wonderful- I missed this one somehow
Fantastic! Don't know how I missed this one
I love this, it reminds me of, "Tales of the River Bank", only better.
Great playing! I missed this one of yours
Wonderful playing and such a lovely piece.
very cool- inspirational
This is wonderful! Very cool concept...clever title! w;-)
Brilliant. Also serves as a reminder that we shouldn't forget about the "old school" techniques in favour of all the blinkenlights we now have at our disposal.
Yeah, ok... yours is better :-) Love the organ(ish?) sound.
I love this. It puts me in mind of an experiment I was thinking about to alternately record & reverse parts so you end up with an interlocking series of forward and reverse sounds. Probably turn into sonic mush but could be kind of fun. Thanks for the inspiration!
@ Sister: Due to technical issues I would have to post the entire song file, which would be posting cover tunes, which I don't want to do here...trust me, the reversed, edited versions sound better!
As you say Kavin, strangely symphonic, but really cool!
Can we hear the forward take?
Nice one mate this is good.
Your delivery on this is amazing, Kavin.
beautiful melancholy piece
Comments made by kavin.
bumping this cos it got buried in a massive upload..
I love the range of mood and texture in your music!
Wow Steve you uploaded quite a smorgasbord (sp?), need time to catch up! Welcome to alonetone!
I like this lil ditty..glad to see you here Bruce!
This is great that he played this with the "tape" running! Can I use this? I would not alter it, as you mentioned it shoud'nt be.
great improv!
Really good, unique song (singing) and treatments here. Thanks
Although I think I like this version the best, a longer break in the middle (at 2:40 there is a short one) with some ambient shalalas would be cool, just to break it up a bit. Just my op., the song and production are great as is.
Don't know how I missed this the first time around. Badass slidin'!
thanks Rhonie! You may want to look up the original John Fahey version, too.
Reminiscent of Neil Young's Dead Man soundtrack. Keep up the great sounds Max.
the praise genre is not really my cup o tea, but your voice is heavenly :)
Great groove.
Nicely done! Hope you got that little booger.
I love the feel and energy of this kind of music. Makes me wish I knew more Spanish.
Great song, great duet. I just got back from there and this sure hit the spot!
Pretty good as is! Like all the tuned percussion/organ interplay.
kickass cover!!! Doors Rock!
Appropriately, a blues song, I can relate.
thanks, yawl. @Richard: the pic was taken at Spider Rock overlook in Canyon de Chelly in the Navajo reservation, Arizona.