Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Song #2 for the RPMC. My goal is to have 12 short tunes (1-3 minutes long), so I need to pick up the pace.
Again, quartal tuning on the top 3 unison pairs of the 12 string. I've been listening to Ralph Towner's Blue Sun, hence the title.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Thanks Kirk, Jarvis. It's an Epiphone mando I borrowed from a friend. I'm supposed to be laying down some tracks for a song, but have gotten sidetracked, experimenting with it ;)
Landry/Garn
When I sent this song off to Jim, he sent back tracks for a second rhythm guitar, lead guitar, and drums. Bass soon followed, and Kavin's slide dropped in nicely. Just thought I'd let y'all have a listen to what came back to me…
Cool. In many ways I like this one better. Not so much ME, and Jim does some lead. Nothing against Norm, but the drums work better here and seem to propel the song more.
Recorded in 2008.
Fuzz guitar through an old DDL into a pitch transposer, recorded in one pass with no edits or overdubs.
Just a minute noodle doodle, really, but it's gonna go somewhere.
Honest!
Partita for solo violoncello was composed for Sumire Kudo in the spring of 2007. Although it is a single movement work, its form derives from a collage-like assemblage of diverse materials that can be heard as fragments of movements from an imagined…
Comments on kavin.'s stuff
far out
Sooooo beautiful! w;-)
Interesting and unique. I like that balance between staccato and drone.
OMG - can you say brilliant? w;-)
Absolutely LOVE this track! w;-)
You amaze us, & we always want more! Superb track! k&w
Inspiring!
Someone plays guitar like George Harrison!! It's beautiful...
Oh yes! Like that slide...
Superb album, K.
Has someone brought their A-game this year???
Just spectacular!
you really into led zeps eh?..u got their soul in this one..i love it.."it doesnt matter now.."
love this one..its like gushing water in the stream..greatt..cool cool progression
Has a Led Zep feel to it, great
I think it worked out just fine. If you tap out the creative well, fall back on what you know, and you do so damn good at it
Such a full sound and terrific tempo. Well played! Nice tones too, yes, lovely!
wow - great stuff!
Nice slidework
Mighty cool change ups, paralell harmony, call and responce. I can tell this has been developing a while . Trully fine playing and writing.....Steve
Comments made by kavin.
Thanks Kirk, Jarvis. It's an Epiphone mando I borrowed from a friend. I'm supposed to be laying down some tracks for a song, but have gotten sidetracked, experimenting with it ;)
Love these nylon excursions. Brimming with melodic ideas.
There ye go. Curious title.
Beefheart is alive and well! Like the gtr.
Delicioso!
Cool. In many ways I like this one better. Not so much ME, and Jim does some lead. Nothing against Norm, but the drums work better here and seem to propel the song more.
Yah Joe!
Tantalizing
Plunderphonics? Sampling? Cool.
Nice pickin. Similar in style and tone as Adrian Legg, heard of him?
Do you own the copyright for this song?
Slk really started something! I second Cap's good one!
good morning Roger...ppp
Nice take on the heads!
Some pretty badass pickin' on this one.
This is pretty amazing.
Tasty. I need to check out the rest of the album!
Santana called, wants his bongo player back. Great live track!
Actually quite good Tipu. Much to be said for subtlety and minimalism.
Nice chords and playing.