This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Nice! In terms of textures and space, it's a little like some of Bill Frisell's work. The foreground guitar has a nice, natural, non-piezo-acoustic-electric sound that is appealing.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
This track is from the 1986 Scartaglen album "The Middle Path". The first tune "Jezaig" was composed by Breton musician Gilles Le Bigot. The second tune is one of the "Cantigas de Santa Maria" and is attributed to King Alfonso X of Spain
Roger…
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
I'm digging this. Reminds me a bit of the Valley Of the Giants album "Westworld".
The backwards guitar is awesome. Was that done in post or was it all live with a pedal? If it's the latter which pedal did you use?
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
A folky ballad about the trials and tribulations that happen during home recording, in this particular case using a Boss microBR.
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Let me tell you all a story, most of it is true,
a strange and twisted…
HAHA! Love the lyrics and that opening is great! I have a sign hanging on my shop wall that says "why do they call it tourist season if we can't shoot them?"
Written and Recorded: Feb 14, 2010
Details: Epiphone Les Paul (DADGAD - capo III), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity...all fingers, no picks.
I'm a little under whelmed with my lack of melodic development…
this is one i have to stop tweaking - six versions and i still don't get what i hear in my head
would love some crit for this one as it's doing my head in
thanks
Written and Recorded: Feb 14, 2010
Details: Epiphone Les Paul (DADGAD), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity...all fingers, no picks.
An intrumental Track I put together when Thinking about my family.
One Guitar represents my son, one my wife and one me......
Two Versions with Vox (Jim Higgins and Geir Alfsen) are also in existance.. not sure how to link to this site…
Dizzy Gillespy wrote this a long time ago. Later Jimmy Smith did his own version of it. This is a version by me which is based on Jimmy's version. This was all hand sequenced in the matrix editor in Logic Pro except for me on guitar. Just wanted…
Happy Valentine's Day Everyone.
I think this song has grown on me in the last few
days. I'm diggin' it. I hope you all do too. I
wanted to hurry up and get the demo out for
Valentine's Day. Finished at 3:05am. Wha whoooo!
I need to…
This Valentine’s Day, sing this song to your SO and there’s a good chance they’ll turn into your ex.
--
Oy. About 6 hours of work:
1.5 hours to write the lyrics/melody first thing in the morning
1.5 hours figuring out the harmonic progression…
Comments on kirklynch's stuff
Great stuff! The screams are a very ominous way to keep the beat :)
Very nice. Great flow
Wow! I'm normally not into acapella, but that intro got me hooked until the instruments came in! Awesome piece!
Great tone, very full sounding! Did you mic an amp, or was this straight into a computer?
Spooky sounds and good playing!
Nice! In terms of textures and space, it's a little like some of Bill Frisell's work. The foreground guitar has a nice, natural, non-piezo-acoustic-electric sound that is appealing.
dynamite! making that guitar really talk.
excellent!
Very nice guitar work here , this one sure takes on a real cool trip into the sounds my Friend, "G"
Hell yeah!
In-cre-di-ble!!
Outstanding Kirk! Beautiful work.
Piece, full of fading lights. Is an ambient blues.
I'm digging this. Reminds me a bit of the Valley Of the Giants album "Westworld". The backwards guitar is awesome. Was that done in post or was it all live with a pedal? If it's the latter which pedal did you use?
Amazingly beautiful piece, Kirk..!!!
Instantly faved!
I'd have you score my crazy campy psychedelic westerns. Well, if I had any. Diggin the reverse guitars and overall atmosphere.
very esoteric!certainty feels like walking on a trail in solitude
Grand piece of Gaelic music. Great vocals. Great playing. I expect Fiona Ritchie to return after these messages.
Loving the vocals.
Comments made by kirklynch
Great rocking track!
Great fun! Love the kaosillator solo!
Me Too!
HAHA! Love the lyrics and that opening is great! I have a sign hanging on my shop wall that says "why do they call it tourist season if we can't shoot them?"
Who needs melody when you've got textures like this! Beautiful!
Sweet!
Sounds great man! Remember that other people only hear what you did. Not the stuff in your head that you didn't do!
Great atmosphere on this one. Welcome to Alonetone!
Classic Sparling! Nice one Doug!
Faved within seconds. Just beautiful!
Great tone you got on this one man!
Great job on a classic!
Like the changes a lot! Nice!
Great vibe you got on this one man! Very cool!
Beautiful track man!
Nice! I'd love to hear this on acoustic. Maybe with 12 string
Great rockin' track!
This is really beautiful!
HAHA! Love that chorus!
Nice song man. Love that country blues feel