Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
This is a snippet of acoustic guitar recorded a year or so ago which was already loaded with effects. I ran that through paulstretch and came up with this. It created almost orchestral or choral sounds in places.
Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
This is a Phil Keaggy tune. I swiped his original loop and then built my own thing on top of it. Might have been longer, but my volume swell effect keeps slipping out of sync with everything else. May work on it more at a later date
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
This is a snippet of acoustic guitar recorded a year or so ago which was already loaded with effects. I ran that through paulstretch and came up with this. It created almost orchestral or choral sounds in places.
OK, now this is just too groovy! Really digging that bass line. The melody ROCKS! What a far out, fabulous scale, and you execute it well. Everything's delivered nicely, and the mix down/mastering job is delicious. Keep doing this!
OK we lost power at a critical point in recording for RPM. This one was written and recorded the day I had to pack up all my recording gear and borrow a room at a local public business which was on a different power grid. The wind had caused some…
I was dreaming one night, and this song came, it was part of what I was going through in the dream. I woke up with the emotion, the words, and the melody still going. Got out of bed (Like 4AM! ugh!) went down to the studio and recorded the melody…
A jazz tune featuring flute, sax, and one slightly out of whack Fender. All instruments played by Barry Morgan and the song was mixed and mastered in his home studio.
Feeling a bit drained by the 2010 RPM Challenge and overwhelmed by the wide assortment of music it leaves in its wake, I recorded this tune. At first, this was an attempt to experiment with creating my own convolution reverb samples, but it turned…
I'm including this, beacause I want to be able to say, and demonstrate, just what Steve Buzzell, my musical partner and collaborator means to several of the songs that are either here already, or will follow. This is all Steve. In all the songs…
I wrote this piece of music with the help of my grandson who is interested in making techno types of music. It started only to show him the various tools that come standard in Cakewalk Sonar. Not to bad for a teaching session.
This is a feeble attempt to play some classical Spanish guitar. It took two takes, to make one guitar part, haha. I am no Tommy Emmanuel, and that will be obvious when you listen to this one.
This is just the beginning on this song. We haven't put the bridge in yet, it was a jam between Steve and I (Steve played that awesome Sax track, and about three guitar parts, organ..)It was just too much fun, but still... undone.
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
this was my last rpm song...i had a little mandolin riff and threw on the kazoo (which broke in the last verse), and it reminded me a happy bee buzzing around...and there you have it!
Comments on kirklynch's stuff
if you email me a Wav file, I can sing some background vocals to this that would invoke the great feeling. My email is Tonysouthdakotah@outlook.com
this has a profound sound....
danger in diction...
thanks for listening to Tony South Dakotah...I applaud your work.
Well played!
Waiting for you in New Mexico!
Really Sweet !
Love the musical bed in the back with the backwards parts. The whole piece is really serene and transports the listener to another place.
Reminds of Signs of Life
great piece, love those chords.
Very nice. Would fit right in with the delay project Jim Goodin and Ihave been working on.
I like it too - like raindrops in the sea of tranqulity.
I enjoyed it -- looking forward to hearing the end results.
beautiful like always!
As always this is a great one. Of course I am a sucker for reverse effects :) Great job man :)
!!! excellent!!! Grande MAESTRO!
Great groove, really like your phrasing and note choices!
It moves me!
Yup. good one
OK, now this is just too groovy! Really digging that bass line. The melody ROCKS! What a far out, fabulous scale, and you execute it well. Everything's delivered nicely, and the mix down/mastering job is delicious. Keep doing this!
Comments made by kirklynch
Sweet guitar and mando combination!
Nice! Love the melody and lyrics
Yeah! This is a convertible with the top down kinda tune!
Lovely song! Great vocals- love the harmonies!
Love those drum sounds- This is very cool!
Still a wonderful track!
Steve is a very talented guy! This is Beautiful!
All nice new tracks!
Lovely!
I gotta break out the DL4 and the looper again and figure out how you do some of this stuff. Great sounds man!
Sounds great!
Beautiful!
Lovely!
Nice one! Great writing!
Soulful vocals and the sax is awesome! Love it! Did you know that there's about 3 minutes or so of dead space at the end of the mp3?
Heavy! Well done!
That's some wild sounding stuff!
Damn Heavy! I'm liking this!
HAHA! This is great fun! Can't help but smile!
Way too much fun!