Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
Kirk, I like how you make it up, ( the last three words would be italicised if I could) What I mean is, you pull these songs out of a moment. And get to go someplace new and different. Getting to go there vicariously we ride along. Those are the moments we who play,sing write live for: when we touch into the other places. I admire how you find your self there. Does your world around you get what you do? And, thanks for your comments. And and, yeah, I realized Underneath My Skin had about 30 seconds of silence magically appended to it. My computer has had a ghost in the machine ever since the dread virus/trojan horse of February trashed its way through it. It's healed, but still has nightmares I guess. I'm pushing Steve my collaborator to get together again for some real sessions, so we can finally finish that song, and figure out what to do with the really great stuff we weren't able to get to in the RPM.
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
oh ho! somebody rocks! so very tasty. had me movin' right across the floor. I would be very calm and satisfied afte laying down those lines..... so it must work, this anger management.
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Several years ago I had a short lived duo with an oboe and English horn player named Nat. This is a demo from that period. It's an old old chord progression of mine that never really had a melody and Nat improvised this melody in the studio to…
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Straight ahead stone city electric blues for an old friend who used to spend hours spinning BB King and Mike Bloomfield records for me. Recorded back sometime at the end of 2006 on old analog equipment
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
This is a bonus track of sorts for the mock EP It takes a village. I had the verse chord chages around for many years but just until last week the song and lyrics came together really quickly. I thought I heard a band arrangement originally but…
Thinking about and inspired a lot by trees lately. That, and the excellent film Rivers and Tides.
Arboreal
Drink in the sun
Until the day is done
Dance with the wind
Circle of life has no end
Roots into the ground
Arms reach up to the…
Originally by Freddie King, I did the John Mayall (Eric Clapton) version since the March 2014 issue of Guitar World mag has a good transcription of it. Looking back now I wish my lead tone wouldn't have been quite so harsh in places.
Just an instrumental I came up with on the 7-string. Wanted to try a few harmonized licks. Guitars and bass are me but the drums aren't (as with all my stuff).
MrMudd&MrGold is a duo project with my friend from Brooklyn, Jim Goodin. Inspired by our common interest for acoustic improv and love for the music of Townes VanZandt and Steve Earle.
This is an improv composition by Jim, who plays 12 string…
Decided to upload a work in progress from a heavy side project called : Lab Survivor.
I have a few things in the works coming up, hopefully including an all acoustic RPM. Finally have the studio up and running with some new upgrades :) Wahoo…
Anyone who knows me realizes I dig electronic music....yet have no idea what I am doing when it comes to creating it! This is just some groovy randomness messing around with new studio equipment.
Didn't turn out as well as I'd hoped (my left forearm was burning like hell after each take). After the acoustic version, there's a distorted version, but the tapped harmonics at the beginning sound pretty crappy with distortion. I also added…
Got the basic idea for this from Keith Wyatt's Guitar World column (Talkin' Blues, Feb 2014) in which he discusses some of guitarist Grady Martin's work.
An ambient soundscape with fragments of percussion sprinkled throughout. Most of the percussion fragments are from the Live Packs '1konkret' and 'Operator 53' from Detunized.com.
Part of a collaborative effort done here. My friend sent me these guitar parts which I arranged, twisted and morphed to create this. I added the percussion and other non musical elements thanks to my kids playing while I was experimenting with…
Baby can you here the thunder tonite?
Baby can you here the rain coming down, down?
Lately Ive been dreaming of you lying next to me and I realise your gone
And I cant seem to find
A way to stop these tears, from bleeding out this heart of…
I was reading about Tosin Abasi and listening to a lot of his music around the time I recorded this, even though it doesn't sound very much like his stuff.
Comments on kirklynch's stuff
that's funny i have a talking toy in one of my songs too..sludz
beautiful. nothing more to say...
Kirk, I like how you make it up, ( the last three words would be italicised if I could) What I mean is, you pull these songs out of a moment. And get to go someplace new and different. Getting to go there vicariously we ride along. Those are the moments we who play,sing write live for: when we touch into the other places. I admire how you find your self there. Does your world around you get what you do? And, thanks for your comments. And and, yeah, I realized Underneath My Skin had about 30 seconds of silence magically appended to it. My computer has had a ghost in the machine ever since the dread virus/trojan horse of February trashed its way through it. It's healed, but still has nightmares I guess. I'm pushing Steve my collaborator to get together again for some real sessions, so we can finally finish that song, and figure out what to do with the really great stuff we weren't able to get to in the RPM.
I really like your style of playing sir.
very nice track Kirk.
That was the best 1:39 of my entire day. Wow.
Very nice guitar playing!
You Have Tapped into Something Special Here Mr Lynch....... Sublime..
really too pretty. Much enjoyed.
Flying on, flying free
oh ho! somebody rocks! so very tasty. had me movin' right across the floor. I would be very calm and satisfied afte laying down those lines..... so it must work, this anger management.
very very nice.
Loved the oboesque solo voice, very lyrical. Not so sure about the FM harp/bell sounding thing. Beautiful composition though.
nice guitar tone
cool - title says it all
nice playing
You just play so well!
Beautifully played guitar. I love the tone you got here, both the clean and overdriven sounds.
This is awesome! I love the percussion sounds.
your guitar is complaining with a suppressed anger... I think she want more heavy tracks like this :) of course me too. Excellent track
Comments made by kirklynch
What a beautiful piece of songwriting!
Wonderful arrangement!
Ah Yes- I just close my eyes and drift away!
Gorgeous songwriting! Love the touches of reso slide
Wow! This is intense. Even in a well lighted room!
Classic! Actually the tone in some places reminds me of Roy Buchanan's tones on the old Tele
Damn fine! Love your harmony lines
Fabulous stuff! Can't believe I missed this!
Interesting track Steve!
What a blast! Great guitar!
Hell Yes! Consider that faved!
Way different for you and Way nice. I like!
Damn! Gotta pick my jaw back off the floor
Tearin' it up again! Nice!
Neat! That's a unique take on a 1-4-5 progression
Nice! Sounds like GR20 sax sounds?
Excellent! This is wonderful in headphones!
Sweet! I was hooked by the 30 second mark!
Great songwriting and production!
Oh Hell Yes!