Several years ago I had a short lived duo with an oboe and English horn player named Nat. This is a demo from that period. It's an old old chord progression of mine that never really had a melody and Nat improvised this melody in the studio to…
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Really interesting to hear your take on electronica, if you will.
Definitely looking forward to seeing what hybrid electronic/acoustic songs you come up with!
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Several years ago I had a short lived duo with an oboe and English horn player named Nat. This is a demo from that period. It's an old old chord progression of mine that never really had a melody and Nat improvised this melody in the studio to…
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Several years ago I had a short lived duo with an oboe and English horn player named Nat. This is a demo from that period. It's an old old chord progression of mine that never really had a melody and Nat improvised this melody in the studio to…
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
The title comes from the realization that we are applying a ridiculous amount of machinery to make or alter noises that came from a simple source like a vibrating string.
This is first experiment using some of the sampling magic learned from…
Format Sea - Part Two
Based on the age-old concept that a person is born anew every seven years. It's technically meant in terms of physiology - you develop all new bones/muscle/fat in a seven year period. I kind of add a spiritual/alien abduction…
This one was originally slated for the RPM, but I never got to it. I put together this layout one day, and it hasn't progressed since then, but vocals are coming. Does anyone have Tom Waits' phone number?
I wanted to write an electronica type song, and I came up with this organ riff and took it from there. I really like the interplay between the bass, organ, and strings during the chorus. One of my favorites.
Created this loop at a gig and saved it to the looper. When I got home, dumped it to Logic and added some ebow.
The name is a character from a book I'm reading "The Last Hawk" by Catherine Asaro.
written, recorded, mixed, and bounced in 30 minutes. Just a brainstorm.
Instrumentation: acoustic guitar, tabla, rattle, tambourine, claps, kick sample.
Meanwhileproject.ltd is M. Adam, family guy, musician and teacher. Today is Sunday is his first official release as a solo artist. He also plays guitar in the two alternative rock bands Lunatic Skydance and Concerto HiFi. M. Adam lives and works…
Comments on kirklynch's stuff
Wow.... This is Stunning.... Got me right from the start! Awesome!
Another Listen!! Damn Fine Music!
beautiful
Really interesting to hear your take on electronica, if you will. Definitely looking forward to seeing what hybrid electronic/acoustic songs you come up with!
Enchanting. Love all of the change-ups (if that's the word) that you have in this piece.
Thanks for your comments man!
beautiful guitar playing...sweet sounds.
this has a ghostly groove...nice layers of alarming sounds!
whatta trip!!!! a damn good trip!
What cool sounds in this. What a great melody and sound.
This sounds so crisp and clean and I really like the chord changes in it. It's really great.
...snr. fingerstyle - wonderful, man. ('nice how you go up to that hammer-on 9th, for instance.)
Thanks for checking that out; 'going through some of yours -among others, Light and Shadow is so nice, man.
..real nice, man!
Thanks for checking the stuff out, Kirk! Best to you this week- ks
I..... love this!
So very cool!!!!
Great playing, especially on the main theme and its recap around 2:20. I really dig it!
..thanks, man- Beautiful here!!
Great playing and recording!
Comments made by kirklynch
You're a very talented man Lalo!!
Fascinating stuff. Works well!
OK- Now we need an "international rap like a rasta pirate day"!!
High speed chase scene! Cool!
OOOH! That build up and mood change around the 5 minute mark is very cool!
That guitar tone at the beginning and end is killer! Love the bass line through the middle section too!
What sister savage said! Awesome mix in cans and I think the levels are just fine
Riding off into the sunset at the end of a spaghetti western!
Very cool- dig it!
Nice! Welcome to alonetone malpass
Love the blend of acoustic and electric. Nice texture
What a wonderful journey!
Great dark ambient feel to this one. Nice stuff!
Now that ROCKS!
30 minutes? Very cool. Kinda sounds like an outro for something else. Reminds me a bit of some stuff from Anthony Phillips "Geese and the Ghost"
Ah Yes- Wonderful track!
Very relaxing. Nice!!!
Wow- another great one of yours I hadn't heard!!
Great stuff- Love the guitar tone!
This was perfect to listen to while working in the shop this morning!