Tim - guitars, voices, and other noises
Marz - vocals and lead guitar
Megan Kleven - backing vocals
Marz and I have know one another for over ten years now, but we've never actually recorded anything where we sang together until now. We…
Tim played and sang everything
Another cover for the May 30 Day Songs project (https://30daysongs.com).
This has always been one of my favorite songs and I saw that Ben Kweller's album
"Sha Sha" is turning 20 this year. I needed a b…
Tim played and sang everything
Another cover for the May 30 Day Songs project (https://30daysongs.com).
This has always been one of my favorite songs and I saw that Ben Kweller's album
"Sha Sha" is turning 20 this year. I needed a b…
Tim - guitars, voices, and other noises
Marz - vocals and lead guitar
Megan Kleven - backing vocals
Marz and I have know one another for over ten years now, but we've never actually recorded anything where we sang together until now. We…
Sounds awesome! Clean, forward, and intimate. Love the acoustic arrangement and all the little touches (tambourine, shaker, fingersnaps). Love the layered vocals too from the three singers.
I decided to cover one of Jarrett's songs. Word to the wise - it's harder than you think. Dude uses a lot of inversions and weird chords. So, being me, I kinda-sorta figured out the chords, but not quite, then took to creating my own song that…
This... sounds... awesome! It's like modern retro. The synths, the thin sounding guitars, the dry snare, the flanging, it all sounds great. Fab vocals too.
Yacht rock.
Every time I see your smile
I feel like I’ve come home
And every time you stay a while
Is the best day that I’ve known
You’re the one that lights my way
Brings brightness to my day
And I just have to say
Don’t want it…
Everyone loves a tribute to The Cure
I’m sitting here in the dark , Thinking how we fell apart
I can’t shake the feeling of your touch
Remembering the way you smiled, And how you said you’d stay a while
But now you’re gone and I’m here all…
Your backing vocals on this album remind me of something that I cannot quite put my finger on. I like them a lot. I think you have actually done more with less this year in the BGV department. That solo was borderline Just like Heaven... but then again, you said you were doing the Cure and the Cure you did.
I don't even know you anymore.
You open your mouth, the words slip out
I’m shocked by what I hear
The differences couldn’t be more clear
Same scene, different views
With our eyes and on the news
And I’m not sure what to do
I don’t…
Over the course of the album, you seem to have some pent up aggression toward some one... Ooh chimes! sorry ADD... The addition of the left guitar in the second chorus is killer! All of the layers in the end are wonderful!
Sometimes you listen to a Peter Murphy song and then ask ChatGPT to help you write a song. Sometimes you end up with this. You wouldn't believe the lyrics I left out.
Goths on the beach, all dressed in black,
Heading for the waves, and…
Super interesting concept going into this one. I basically have no other words.
Its good? Its weird? Its perfectly constructed?
I think the only thing it is missing is a 12 string and maybe it is already on in there...You really let loose in those last choruses and it is awesome... more of that please.
I asked to robots to help me write a song in the style of Tom Waits.
Riding on a train to the edge of town
Where the night has just begun
People on the street with nowhere to go
Living hard and having fun
Everywhere I go there’s a song…
Love the electric piano you got going on. One of my favourite tones is a Mark IV through a fender amp with a bit of grit mixed with an organ. Those lead guitar tones are perfect for this feel. Very laid back. If anything on the second solo there are a bit too many notes. Just take some out and it will be perfect... just none of the ones after 2:57; those ones are spot the F* on.
I tried to write a song that sounded sort of like Peter Gabriel. I'm not sure how close I got, but Megan and Jarrett absolutely killed it on this tune.
I can see you in my mind
Like a dream I can’t forget
I’m reaching out to touch you
But…
There is a stringedesqued instrument doing a boldly subtle bit that sounds like a departure from L17 that I like.
Background layered vocal on that third chorus with horns was a nice touch for an outro!
Were you guys aware that I'm a Beatles fan? Because, well.... I am.
I don't want you to come too close
I don’t need you to break the rules
Don't try to play my game
It’s not what you should do
I don’t think we can be friends
I don…
What ever you did with those back ground vocals are simply fantastic! I love the way the line "You won’t find a way back to my heart, I know it’s hard to see" flows, that was easily my favourite part!
Don't let it be said that I've forgotten my love of R.E.M.
Dream of a life that’s never been seen
A world of possibilities, a place in between
A place of shadows, a place of light
A place of secrets, hiding in the night
Oblique, oblique…
Toe tapping catchiness, classic REM sound. I love the repeated guitar riffing throughout the song, and you kept that little pause at 3:24! I think it add a little bit of dynamic and tension at the end of the song.
Yacht rock.
Every time I see your smile
I feel like I’ve come home
And every time you stay a while
Is the best day that I’ve known
You’re the one that lights my way
Brings brightness to my day
And I just have to say
Don’t want it…
This one also has a lilting, melancholy feel to it. Groovy bass! Awesome outro; I love how all the instruments fade out except the cello and flute sounds.
I tried to write a song that sounded sort of like Peter Gabriel. I'm not sure how close I got, but Megan and Jarrett absolutely killed it on this tune.
I can see you in my mind
Like a dream I can’t forget
I’m reaching out to touch you
But…
Were you guys aware that I'm a Beatles fan? Because, well.... I am.
I don't want you to come too close
I don’t need you to break the rules
Don't try to play my game
It’s not what you should do
I don’t think we can be friends
I don…
A large portion of this record was written with my friend Wilsun in mind. If anything, this is an album to amuse him. To ensure I achieved that goal, I tried to write a song that reminded me of "Life In A Northern Town", although it actually…
Sometimes you listen to a Peter Murphy song and then ask ChatGPT to help you write a song. Sometimes you end up with this. You wouldn't believe the lyrics I left out.
Goths on the beach, all dressed in black,
Heading for the waves, and…
A large portion of this record was written with my friend Wilsun in mind. If anything, this is an album to amuse him. To ensure I achieved that goal, I tried to write a song that reminded me of "Life In A Northern Town", although it actually…
Don't let it be said that I've forgotten my love of R.E.M.
Dream of a life that’s never been seen
A world of possibilities, a place in between
A place of shadows, a place of light
A place of secrets, hiding in the night
Oblique, oblique…
The cover I did off Uglifruit's 2010 RPM submission. The drums are a pair of hotrod sticks, that I made, hitting my keyboard table. The "kick drum is the stick hitting the pop screen while the mic was on.
I still need to fade...
Inspired by the book Musicophilia by Oliver Sacks. An earworm (or brainworm as Sacks espouses) is that catchy melody that sticks in your brain that you just can't shake.
This is a cover of a song by Sister Savage, from her kickin' 2010 RPM Challenge album, Juped 2k10. It also introduces the genre of acoustic crossdressed spacecheese (these damn kids today with their flying cars and their hyperspecialized genres…
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Comments on Letter Seventeen's stuff
Wow! This is brilliant! ….and hey! Long time …
This sounds absolutely phenomenal!
Like "Hey Julie," sounds great with the straightforward, laid back, acoustic arrangements.
Sounds awesome! Clean, forward, and intimate. Love the acoustic arrangement and all the little touches (tambourine, shaker, fingersnaps). Love the layered vocals too from the three singers.
This... sounds... awesome! It's like modern retro. The synths, the thin sounding guitars, the dry snare, the flanging, it all sounds great. Fab vocals too.
Nice and gentle way to end the album. Well done as usually good sir.
Your backing vocals on this album remind me of something that I cannot quite put my finger on. I like them a lot. I think you have actually done more with less this year in the BGV department. That solo was borderline Just like Heaven... but then again, you said you were doing the Cure and the Cure you did.
Over the course of the album, you seem to have some pent up aggression toward some one... Ooh chimes! sorry ADD... The addition of the left guitar in the second chorus is killer! All of the layers in the end are wonderful!
Super interesting concept going into this one. I basically have no other words. Its good? Its weird? Its perfectly constructed? I think the only thing it is missing is a 12 string and maybe it is already on in there...You really let loose in those last choruses and it is awesome... more of that please.
Love the electric piano you got going on. One of my favourite tones is a Mark IV through a fender amp with a bit of grit mixed with an organ. Those lead guitar tones are perfect for this feel. Very laid back. If anything on the second solo there are a bit too many notes. Just take some out and it will be perfect... just none of the ones after 2:57; those ones are spot the F* on.
There is a stringedesqued instrument doing a boldly subtle bit that sounds like a departure from L17 that I like. Background layered vocal on that third chorus with horns was a nice touch for an outro!
What ever you did with those back ground vocals are simply fantastic! I love the way the line "You won’t find a way back to my heart, I know it’s hard to see" flows, that was easily my favourite part!
Toe tapping catchiness, classic REM sound. I love the repeated guitar riffing throughout the song, and you kept that little pause at 3:24! I think it add a little bit of dynamic and tension at the end of the song.
This one also has a lilting, melancholy feel to it. Groovy bass! Awesome outro; I love how all the instruments fade out except the cello and flute sounds.
So melancholy! I love that repeating high guitar(?) motif throughout the song. Such a great outro!
another awesome track... It's time for some good dancing to your tunes
Love this!!! Going to be my ear worm for today I'm sure.
Another amazing track… this is my favorite so far…
This is amazing…
Dude, OUTSTANDING production. This might be my favorite track of the album.
Comments made by Letter Seventeen
Haunting. Beautiful.
Impressive. I like what you did with the drum work and the guitar is really pretty.
This is about 24 kinds of cool. Well done.
Wow. Just wow. This just draws me in and mesmerizes me.
Oh yeah! Great bit of moodiness and I really dig the instrumental breaks.
Nice job. I really like the guitar work.
Absolutely wonderful job, Keith. Your version is better than mine. And thanks for adding the much-need bridge lyrics!
The first 17 seconds of this song is everything I want to do when I make music.
Stunning. Just absolutely beautiful. Wonderful work, Richard.
OH MY! This is SO MUCH FUN! You took a great song and put a tremendous spin on it. Well done!
Absolutely lovely. Wonderful guitar work.
I'm really digging the "bop bop bop". All great pop songs should have hand claps and "bop bop bop"!