*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
I asked CaptGene for something funky, trusting that a fishing guide from Babsom Park would know exactly what I was talking about. He did. The Captain knows funk.
I used to have a link to his original version here, but that is no longer available…
Ok, so I'm just a percussionist, and if your only tool is a hammer, the entire world looks like a nail. I get it. And I also get that our songs are our children, so we should be very careful about whom we let them play with.
When I first heard…
Love it ....way too short .....but I suppose .....thats Original pieces for you....you just get into them and there gone and your left wondering so you play it again ......it's double player for sure but I still ....stand by ....love it and way too short.....
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
There are 3 styles of the Rumba Guáguánco pattern: this one originates from the Cuban province of Matanzas (to the east of Havana).
“Rumba” is a Spanish term for a gathering of musicians, singers & dancers (what West Africans refer to…
Ok, so I'm just a percussionist, and if your only tool is a hammer, the entire world looks like a nail. I get it. And I also get that our songs are our children, so we should be very careful about whom we let them play with.
When I first heard…
well, I've given you guys a couple years to answer this.What is the time signature on this piece? Can you snap your fingers to it?
Didn't think so.
Chris, this is a master piece. I just love it still.
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
@Shirt: *Pilón* is not only the name of this pattern, but also the name of a town on the southern coast of Cuba. Perhaps both Pilón coffee and the pattern are connected to that town in some way.
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
Me and Dave Recorded this to test the levels in the Church when we did some songs in tribute of my Son Ethan the other day.
We Normally record a throw away track before recording something for real.
Improvised, so it gets you in the spirit…
I Can't Seem To Find My Way Home
Featuring Norm on Percussion Track: "Pilón For A New Son"
http://alonetone.com/norm/tracks/piln-for-a-new-son
Lyrics:
Searching for something
I wonder and roam
Hoping the truth
Soon will be shown…
I thought it would be fitting to post this today, on Memorial Day, as a tribute to my friend William Easley, as well as all who have fought and died in wars, American or otherwise.
Sometime back in the 60's William (Billy from here on) heard…
Well, the Unicorn in the glass dust may be the way to you, but Bee's voice is the way to me.
Don't tell Bee, but MY dreams are slightly different: in them I hear her telling me how naughty I am.
Not what I was expecting with a Bee vocal. Cool piece. And, while I can only hope to hear Bee singing when I pass, I hope it is something more along her typical angelic lines.
Rather, it includes Norm's excellent track Pilón For A New Son (http://alonetone.com/norm/tracks/piln-for-a-new-son). Was trying to find out how less I can get away with in rhythms while still having enough flow. Feedback welcomed :)
Whoa! That's awesome Tipu!
A big part of the fun for me at AT is tying my patterns to helium balloons and releasing them onto the interweb - there is no telling where they will ever end up or what (if anything) ever becomes of them.
But sometimes somebody nabs one and sends it back so different, so evolved and so reconsidered that I hardly can recognize it. Heard from a completely different clave (or phase shift) with fresh new perspectives (not to mention wonderful mixing, mashing and effects) for vintage patterns. Heard for the first time again...
Yeah, I wax poetic. But man, I just love that.
Aaron Krister Johnson is the founder of Untwelve and a virtuoso pianist. I was honored to have Aaron perform my piece
“Prelude for Prelude for Centaur Tuned Piano”
at an intimate Untwelve gathering last year on his piano which is tuned to Kraig…
Texas hold em poker, and going for it all. Open mic acoustic with some alt tuning. Percussion by Norm.
The kokiriko? Norms playing in there actually sounds like shuffling cards- particularly loving the glockenspiel addition he did…
Here's a cover of a zep classic...from Reg and Speed Demon Gene....Gene has done all the music and the mixing..thanks Gene ....and i'm responsible for the warbling..... hope you enjoy
Landry/Garn
When I sent this song off to Jim, he sent back tracks for a second rhythm guitar, lead guitar, and drums. Bass soon followed, and Kavin's slide dropped in nicely. Just thought I'd let y'all have a listen to what came back to me…
With a little help from some of the lyrics of the Doors descriptions of the uncertainty of the 60's Reg has decided to do a kind of Punk song from both sides about the trouble in England which seems to be igniting the youth to set light and loot…
Instrumental Acoustic Guitar.
Written in 2010 for the wedding of a very good friend of mine, Jason. It was the processional, playing while the wedding crew walked down the aisle. Played it with montgomeru (who also wrote the recessional…
Comments on Norm's stuff
With a ooooh Yeahh!!!
Loving this - wish it was muuuuuch longer! Had to share it on FB.
I just stumbled across this today! E X C E L E N T
Love it ....way too short .....but I suppose .....thats Original pieces for you....you just get into them and there gone and your left wondering so you play it again ......it's double player for sure but I still ....stand by ....love it and way too short.....
Kickin beats. Totally diggin this!
Very cool! Missed this one
well, I've given you guys a couple years to answer this.What is the time signature on this piece? Can you snap your fingers to it? Didn't think so. Chris, this is a master piece. I just love it still.
Love the flange and the triangle (Or whatever steel you used) Goodness all over!!
@Shirt: *Pilón* is not only the name of this pattern, but also the name of a town on the southern coast of Cuba. Perhaps both Pilón coffee and the pattern are connected to that town in some way.
I drink that every morning..Delicious Espresso.
ok, ok. So its chicken on 3? Love the suga cane beets bro! Congrats 2R's!
Cool!
really cool and a mighty fine production !!
I mean percussionists...yeah that's it. Percussionists!
Big boys tend to be drummers...
Super swish beats!
Super nice groove man!
Norm, just how many chickens have you raised? ;-)
Aaw, now I want chicken. With Bee.
A great tribute to the new little man. Amazing track, really diggin this groove. :)
Comments made by Norm
Lovely!
Oh you brought it home alright! Excellent!
Here's to Billy!
All of your stuff is just excellent!
Well, the Unicorn in the glass dust may be the way to you, but Bee's voice is the way to me. Don't tell Bee, but MY dreams are slightly different: in them I hear her telling me how naughty I am.
Great to hear from you again Rick! The surf must have been exceptionally good for quite awhile... Awesome work!
I loved that album.
Not what I was expecting with a Bee vocal. Cool piece. And, while I can only hope to hear Bee singing when I pass, I hope it is something more along her typical angelic lines.
Whoa! That's awesome Tipu! A big part of the fun for me at AT is tying my patterns to helium balloons and releasing them onto the interweb - there is no telling where they will ever end up or what (if anything) ever becomes of them. But sometimes somebody nabs one and sends it back so different, so evolved and so reconsidered that I hardly can recognize it. Heard from a completely different clave (or phase shift) with fresh new perspectives (not to mention wonderful mixing, mashing and effects) for vintage patterns. Heard for the first time again... Yeah, I wax poetic. But man, I just love that.
Wow, has it already been a year?? Are you attending the gathering this year?
They say a cut dog bears no pups, but I've got nothing but a pair of Indians. I'll meet you back at the Winnebago...
Excellent Reg!
Way to work it Daawg!
The drums do work here.
Ha! No, I'm afraid Hank Thompson got it right the first time, regardless of what Kitty Wells sang. Great version!
How did I miss this? LET IT BURN!
Gin. Nice work!
Mandolishous!
3/4 is perfect for a processional!
Boom!