*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
2009 Record Production Month Challenge offering. Very pleased with the collective results. The title came from my friend Zane. His iced tea was in a damaged cup. Thus the title. There are various quotes in the song including some from Mishima…
New collaboration playing a hint of things to come (at least for those experiencing winter right now).
Hope you like this track and check out my Facebook page: http://www.facebook.com/Boris.Shpitalnik
Same familiar group of people in the new project we're starting. Everything is played live. I totally loved what came out of yesterday's rehearsal and here it is for your enjoyment.
A song that came to me when I was fishing in the rain with some of my Mamainde buddies. The Mamainde is a small endangered Amazonian tribe of 230 people in west-central Brazil. This song attempts to tell their story…
Poor old Reg is feeling a bit insignificant after being unseen by a woman he liked the look of who turned out to be only interested in the material things she could get.....it's a shame but there seems to be a lot of them out there and Love doesn…
Well, the guitar was a good strategy... guitarists always gets the girl! But don’t show up with your bongos:
Q: What do you call a good-looking girl on the arm of a percussionist?
A: A tattoo.
to cheer himself up Reg thought he'd go down the Casino and see if he could find those riches at the roulette table...so he borrowed some money of Big Ed and suited himself up and away he went....but it didn't quite go to plan and now he has to…
OK we lost power at a critical point in recording for RPM. This one was written and recorded the day I had to pack up all my recording gear and borrow a room at a local public business which was on a different power grid. The wind had caused some…
A Dave/Davidsen production:
Dave - acoustic (right side), keyboards, vocal on verses, electric solo - Epi Sheraton (left side), Bass and BR-80 drums in solo section, various sounds and effects.
Davidsen - acoustic (left side), chorus vocals, electric…
This is the fourth song from the Thomas - Lennon project.
A collaboration with Michael Thomas of Cave Street.
http://alonetone.com/cavestreet
Michael and I always have something going on, So I'm sure there will be more.
Lyrics and…
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
Comments on Norm's stuff
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
Love that rhythm Norm! What's the 3 repeated, quiet scraping sounds made by? Sounds a bit like a chicken! Interesting!
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
If I could play drums like this my rhythm tracks would be much better. Enjoy just sitting back and listening to the many tones and varied rhythms.
thanks Norm - I bet Francis would have loved the persistent introspection of this groove! "..illumina le tenebre de lo core mio...
Excellent organic percussion! Solid gold.
Very, very interesting and addictive pattern here Norm.
Thanks Norm!!
thanks for the listen and rating!
I hear that
Very cool! I can explain the beer being gone!!
Oooo, 2.30 ish the little bit of quiver comes in. Nice! And, gets louder. Like it!
"4" does it for me. I like the, "I mean business" beats.
Ive done a collab with Mark , but never Tharek , this is a dream team , your percussion fits like a glove with this amazing song , i love it
I don't understand the Math behind it but I know it sounds Amazing! It is impressive the story you are able to tell with beats bro.
Very cool groovin' man
This is great mate really cool.
Dandy beat...I sort of got lost in it.
I like this just as a rhythm, mellow
Lovely swaying rhythm, O King of Ze Beats!
Comments made by Norm
I love your long productions... this one is a bit un-nerving.
Perfect listen for what I am doing today. Quite an impressive effort producing a piece of this magnitude. Thanks!
Awesome!
Nice demonstration of the glissando technique on the conga drum.
If I close my eyes I am almost at the SoHo Lounge...
Excellent!
Great to hear some more stuff from you!
Lovely clave pattern on the snare(?). Great song.
You guys are excellent.
Sounds just like Tamer Hosny.
Well, the guitar was a good strategy... guitarists always gets the girl! But don’t show up with your bongos: Q: What do you call a good-looking girl on the arm of a percussionist? A: A tattoo.
You are a high-roller, Reg. Great stuff!
Lots of great imagery and space created with this!
Beautiful!
Dreamy!
A happy ending Reg?
Dreamy chorus.
Strong work, team! Love the keys.
9/10 "in tune".
Merry Christmas Reg.