This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Out on the lawn there arose such a clatter!
Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
Reg has re-leaved his inner thespian tonight in another reading........... this time........... The Rime of the Ancient Mariner by Samuel Taylor Coleridge...Done in one take mistakes and all ......he hadn't come across this one since his school…
jqscutt posted the acoustic guitar track looking for ideas, not sure if it turned into the genre he was looking for :)
The auuuggga horn sound was another classic unplanned phone interruption during the vocal recording but it seems to fit in…
Oh well, nothing like going to a middle school music function to break writers block, all those posters and flare about achievement...
Special thanks to my sons middle school band, The Preston Pumas playing at the end !
The energy levels were at an all time high this weekend when Bon and jimi turned up down the Cellar for a session. Here's a little something from the session........... Reg'n'Roll...other Reg really blisters the guitar on this one
OH WHAT A…
I heard M.T.C's Session 1 today and thought wow!!! so asked if it was ok if i could jump on for the ride..Jim said Ok! .......so here goes.........a song about loves dream being broken.........thanks again Jim...................based around these…
Reg, while I appreciate that you are obtaining musical inspiration reading bed-time stories to your children, do *not* use this interpretation of Edward Lear's poem to tuck them in - and this song is way to rockin' to put anyone to sleep.
Okay...it's still a sloppy mess...but that's what you get when you have earthquakes, a new-born baby, a nuclear disaster, broken bones in your hand and a whole-lotta "uuuuuuuuuuurgh!" to get out of your system. Somedays, you just gotta play in…
I can only imagine the relief/disbelief one has when they get out of one of those emergency shaft elevators. This piece is great for that... ascending.
http://en.wikipedia.org/wiki/Take_Five
An animated score is below. Ironicly this is scored for a quintet - piano, guitar, bass, sax, and drums. Probably one of the more famous 5/4 time songs.
11. Mermaid
My Casio-tune (for the Casio Challenge) Recorded through a microphone so you can hear me tapping away at the crappy little keys of the SA-3. Since it started to sound very sinister and reminded me also of the sea I wanted to add lyrics…
key of C - no capo
We listen for years for words to explain ourselves. "I'm good but not THAT good," was such a moment for me. Good enough to stay in the game but never good enough to win.
Last night I kissed somebody
I kissed somebody…
Too Many Years
It's been too many years since I've seen you
But sometimes that face appears before me
I still don't understand what went on
I refuse to believe that you could possibly really hate me
And of the people that I have known
You remain…
apologies to the fab four
scored for orchestral percussion, harp, harpsichord, dbl bass, string ensemble, men's choir and flute.
Interesting aside...
This is the only Beatles song covered by The Residents - because it is the only Beatles song…
This time of year I start to think of stealing pumpkins again... I think I'll have this one playing on my piepod, underneath the black knit dock hat and face paint.
@ Shirt: Thanks! Those sounds are from a matched set of "vibratones". The first sound is from an "ocean drum" (with reverb) and the final drone is from a "spring drum". The click sounds in the groove are a Japanese "Kokiriko" and a steel "Merengue guiro".
My cyber friend Tony Jones , added some keys , percussion and lead , transforming my song into something i couldn't have dreamed of
To the Welsh Wizard , many thanks
Comments on Norm's stuff
very nice,, if i could not play the piano (when i grow up) i would like to be a percussionist,, you make it sound soooo good
You make this sound easy. You ole pro you.
@Jarvis: Stick to your ears - musically speaking, nothing else matters. Thanks!
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
I found myself rocking back and forth a little while listening. This is very addictive!
Love It!!!
I like the percussion instrument choices and the way additional instruments are progressively added in waves, clean track
:)
@MTC: Ha! Cross-overs are fun no matter who makes them. But it's cool you get the concept. Thanks.
way to get those rolls in there as well. killer.
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
Another great piece Norm....just love your sense of rhythm
So what happened to Johnny? This is the only thing that remains. Did I miss something?
Still beautiful........
Damn- How did I miss this? Brilliant!
I'm trying to find the words to say why I liked this. The best I can come up with: "it's real".
4/4 bpm...awesome!
Sweet groove
You got the beat man.
the individual samples for propane are stretched (and filtered) but not the composition.
Comments made by Norm
Fantastic ranting!
Master Thespian! http://vimeo.com/15476780
Love the cello. Love the harmonies. Love the backing guitar work. Hate the phone. Your phone is the devil.
You are definately not living in middle C. Let me know when you hear that knocking at the door, so we can both charge through it...
Now this rocks!
Reg, while I appreciate that you are obtaining musical inspiration reading bed-time stories to your children, do *not* use this interpretation of Edward Lear's poem to tuck them in - and this song is way to rockin' to put anyone to sleep.
Yeah... that's a lot to go through in one year. I hope all is well with you and yours. the keys are key in this.
I can only imagine the relief/disbelief one has when they get out of one of those emergency shaft elevators. This piece is great for that... ascending.
Excellent!
A classis indeed.
I like the tapping... great percussive feel.
Excellent. Very clever.
Optimist!
Very nice!
Nice! Drumming sounds great and the guitar work is excellent.
I didn't realize that this is the only song all 4 created together... one of their best IMHO. Wild video!
This time of year I start to think of stealing pumpkins again... I think I'll have this one playing on my piepod, underneath the black knit dock hat and face paint.
@RW: Ooooh, nice to see that you are in touch with the church calendar. I put it out a day early...
@ Shirt: Thanks! Those sounds are from a matched set of "vibratones". The first sound is from an "ocean drum" (with reverb) and the final drone is from a "spring drum". The click sounds in the groove are a Japanese "Kokiriko" and a steel "Merengue guiro".
Great collab!