The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
Ha! Well, you have a point. In Reg's world, there is a woman named "Ilesa". But I have not been in the pantry with her. Most of the women in Reg's world scare me to death!
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
but I have to admit that my hot-chili tomato oatmeal-with-pickles pasta I made after this was pretty good. (The bottle of cabernet probably helped too).
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
very excellent,, both the music, and the story,one of the things i find so compelling about music is that, it is an art that exists only in the moment, of the beat, the hearing, the heart, i enjoyed this alot thanks for both
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
really nice,, listening to this in headphones i can almost feel/see the bending/vibrating of the drum skin,, your recordings are very rich it's kind of neat because on one hand,, one might think it's just a simple drum,, but as i listen i always hear so many sound textures/timbre from the way different parts of you hands touch/hit to the different parts of the drum being hit , it's a very rich experience, and that's not even mentioning the wonderful rhythms you show us,,,drums are a very sensual sound,,, very nicely done,,i always look forward to hearing from you Richard
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
Second movment,, perhaps a little rough,, comments welcome,,, 6/11 Third mov is now done,,, and very very different from the first two,, scares me a little
Inspired by Tess' little Morwenna and my (getting bigger) Jessica. Writing back and forth with Bethan, I came to realize that a song needed to be written about the significance of the statements that so often come from the mouths of babes…
I cant seem to play this unless I do it live....
That is something new to me...
Used to be the other way around....
This is called "Do or die"...
Do or Die
(words and music by Tharek Mokbul)
Do or die, that’s what Everyone here is…
Made the piano intro up years ago. So every time I sit down at a piano I play it. Hopefully it bolts on nicely to the fat stack riff. The pause at the start is because I had to press record and then dash over to the piano.
I have issues at my house, sometimes they manifest themselves in my tracks. In this case, the bassoon and oboe represent the mouse. The guitar is the peanut-butter.
This is a tune that's been on the back burner for a bit. I was looking to get a dark Ultravox kind of sound. Anyone feel like puttin' on their Midge Ure hat???
Anyway, these aren't the droids your looking for.
Move along..............Move along.
I have issues at my house, sometimes they manifest themselves in my tracks. In this case, the bassoon and oboe represent the mouse. The guitar is the peanut-butter.
Excellent. That mouse had it coming. Let me know when you are inclined to do a track about your bear problem: you'll need some heavier percussion for that one!
As chance had it, I found myself in an acoustically great room, full of cajons! Well, they were unfinished cabinets actually, but they had lovely tones. Since this is the stuff dreams are made of, I had no choice but to seize the opportunity and…
@Richard: Many thanks! The quick rapid tone was created by rapidly striking the mallets on the highest pitched (smallest)cabinet. Thanks for listening!
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Content
Continued Chris Vaisvil radio interview…
Thanks for posting this, Chris. 2 hours of Chicago radio air time - sweet. You did a great job of music selection. Alas, I did miss hearing your personal commentary on the second hour, but it says something that the radio station thought enough of your work to feature it over a 2 week period.
This is my first effort with real bongos. I've been so inspired by Norm's talents, that I had to give it a try. I borrowed a set of bongos from my brother Asa.
http://alonetone.com/asalennon
I had to play 18 holes of golf to get my hands…
Nice work! And way to go on the computer closet... basically a cajon. I use cajon quite a bit: the key to building one is to make the striking face out of very thin ("aviation grade") plywood, if you can get your hands on some. Well done!
I had not touched my keyboard for a long time - couple months? So it was inspiring to play it again. I set it up in the living room of the new house and played pianoteq on my laptop using a Just Intonation tuning (below). Actually I had to improvise…
This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
That bass is simply too cool. I love what you have done with this pattern. Almost has an eastern feel in places...
Having grown up near Winfield, KS (home of Dorothy), I can assure you that they have never heard anything like this before - they'd love it! They'd probably bake you a pie for the opportunity to do a little "scat" vocalization on the mix, and, afterwards, while tending to the livestock, they would ponder about the possibility of there actually being 3 kinds of music: country, Western & JAZZ.
Comments on Norm's stuff
It blows my mind how much expression you can make with pure drums -- awesome stuff!
I really like your style -- I normally don't go for pure percussion, but you definitely make it work!
Ha! Well, you have a point. In Reg's world, there is a woman named "Ilesa". But I have not been in the pantry with her. Most of the women in Reg's world scare me to death!
That's not the way Reg tells it...
"Ilesa" is a percussion pattern, not a woman! Otherwise I would have not taken the risk of being caught with her in the pantry!!
but I have to admit that my hot-chili tomato oatmeal-with-pickles pasta I made after this was pretty good. (The bottle of cabernet probably helped too).
I meant "Ilesa"! haha
2SS: Domestic? Yes. Barely. Goddess? Uh, no.
Domestic goddess!
this is excellent - and unique!
very excellent,, both the music, and the story,one of the things i find so compelling about music is that, it is an art that exists only in the moment, of the beat, the hearing, the heart, i enjoyed this alot thanks for both
Dooodley doo dodo do da da da......doodeley adoo dodo da da da ......yeh! I've got tune for this one I'm sure excellent beat Norm
Oh yeah!! Bustin' out my D harp and jammin' the high end. Cool stuff Norm. I'm glad you took up the harmonica.
nice. and i like the reverby harmonica :)
Reg - he did do something like that one day - and yes it was great!
Excellent I'm sure you could play a can of peas and record it and it would sound great
really nice,, listening to this in headphones i can almost feel/see the bending/vibrating of the drum skin,, your recordings are very rich it's kind of neat because on one hand,, one might think it's just a simple drum,, but as i listen i always hear so many sound textures/timbre from the way different parts of you hands touch/hit to the different parts of the drum being hit , it's a very rich experience, and that's not even mentioning the wonderful rhythms you show us,,,drums are a very sensual sound,,, very nicely done,,i always look forward to hearing from you Richard
great stuff!
How do you get these things to sing? Great melodic strands in these here (hot) beats.
I ment harmonica.....hahahah harp....I need to learn how to type...
Comments made by Norm
Just lovely. Well done.
Rocks. Nice work.
Stong work.
Great song!
Just beautiful. Nice work, gents!
Nice piano intro - I can tell you have been playing it for years. I think it works well with your Fat Stack riff.
Excellent.
I've got a fever and the only cure is "more mousetrap"!
Outstanding! Another great percussion track, which we have come to expect from you. Thanks for posting this!
Fantastic!
Well done!
Excellent. That mouse had it coming. Let me know when you are inclined to do a track about your bear problem: you'll need some heavier percussion for that one!
@Richard: Many thanks! The quick rapid tone was created by rapidly striking the mallets on the highest pitched (smallest)cabinet. Thanks for listening!
Thanks for posting this, Chris. 2 hours of Chicago radio air time - sweet. You did a great job of music selection. Alas, I did miss hearing your personal commentary on the second hour, but it says something that the radio station thought enough of your work to feature it over a 2 week period.
Nice work! And way to go on the computer closet... basically a cajon. I use cajon quite a bit: the key to building one is to make the striking face out of very thin ("aviation grade") plywood, if you can get your hands on some. Well done!
Excellent! It's great to hear you back on the keys - I've missed it.
That bass is simply too cool. I love what you have done with this pattern. Almost has an eastern feel in places... Having grown up near Winfield, KS (home of Dorothy), I can assure you that they have never heard anything like this before - they'd love it! They'd probably bake you a pie for the opportunity to do a little "scat" vocalization on the mix, and, afterwards, while tending to the livestock, they would ponder about the possibility of there actually being 3 kinds of music: country, Western & JAZZ.
You sound great with it already! I love mandolin.
Folks don't know what they are missing with your stuff. Very tight. I've really enjoyed it. Thanks!
Top notch.