*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Axe fx, udu drum and some shakers.
Title is in deference to my sister. This song reminds me of something she might come up with but when it comes to songwriting, I'll always be in her shadow.
Product of noodling around. Lead guitars are a combo of UAD's Nigel plugin and the Fractal Axe Fx. Clean guitars are the Fractal. The outro guitars are my Princeton Recording amp.
I played the piano's through my midi guitar and Axon. You can…
Well, already fave'ed by aliens!
I'm in.
Excellent collaborative effort. Wonderful mix. Love your voice here Reefwalker, even that crunchy part at 2 minutes is cool. More cello!
Yep - you said knee pads.
My first upload.
This is a cover of probably my favourite song of all time, by The Waterboys, who were introduced to me many years ago when the highlight of my week was Thursday night TV, pizza and quaffing Baileys.
Thanks to Sister S for…
Reg had a bit of tiff with the Mrs so he stormed down the cellar to release his anguish with Elvis and turned it into this little beauty .....now he feels a lot better and is making Mrs Reg a nice cup of tea to say sorry....because lets face it…
Excellent work! Welcome back other Reg!
@ Beth: Well, since you had to ask! Yes, the percussion here is very nice: I would classify this not as Bossanova (a Brazilian pattern built upon Samba type rhythms). To my ear, this is afro-cuban and would be in the "Son" (aka Salsa) family, in which the "2" is the primary accent. There are a variety of patterns in this family, differing primarily in tempo:
Bolero; Guajira<104; Danzón = 104-132; Cha-Cha = 108-126; Son = 122-224; Son Montuno = 184-216; Mambo = 224-264.
Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity…
This tune came about by total chance.
I recorded the Backing track during a spare half an hour one night this week ... Just a Noodle...
Met up with Aaron today by total chance and he was up for recording a vocal on it.
He Free-styled the…
I did this one to Norms track Proof....... it's about a disturbing dream...... i hasten to add it was Reg's dream not mine. So blame him................
I'm shipping my canon off so it can have a new career without me.
Its such a happy yet sad occasion to see your instrument leave the nest..... ;-[
so I had to spend just a little more time with it.
Something the Gritter wrote about the Beatle cover i did rang a bell that turned into an alarm and now it's a song Thanks Sandy The best Cowboys do have Chinese eyes that ain"t no lie.....oh and thank you Pete too.......for actually coming up with it
Clint Eastwood has Chinese eyes. I think you are absolutely correct.
Jose Wells: "Are you a bounty hunter?"
Bounty Hunter: "Yep. A man's got to do something for a living."
Jose Wells: "Dying ain't much of a living, boy."
Samples used in this tune from the NY subway this summer. Inspired by Dave Dunseath
3-12, just uploaded a new version of this with guitar- and some other changes
This song is about all the Austin bands that tried to make a living with their original music in the Austin, TX area in 1991. Lots of Austin bands got their start playing at the Black Cat Club on 6th street in Austin playing for the door. This…
Comments on Norm's stuff
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
Love that rhythm Norm! What's the 3 repeated, quiet scraping sounds made by? Sounds a bit like a chicken! Interesting!
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
If I could play drums like this my rhythm tracks would be much better. Enjoy just sitting back and listening to the many tones and varied rhythms.
thanks Norm - I bet Francis would have loved the persistent introspection of this groove! "..illumina le tenebre de lo core mio...
Excellent organic percussion! Solid gold.
Very, very interesting and addictive pattern here Norm.
Thanks Norm!!
thanks for the listen and rating!
I hear that
Very cool! I can explain the beer being gone!!
Oooo, 2.30 ish the little bit of quiver comes in. Nice! And, gets louder. Like it!
"4" does it for me. I like the, "I mean business" beats.
Ive done a collab with Mark , but never Tharek , this is a dream team , your percussion fits like a glove with this amazing song , i love it
I don't understand the Math behind it but I know it sounds Amazing! It is impressive the story you are able to tell with beats bro.
Very cool groovin' man
This is great mate really cool.
Dandy beat...I sort of got lost in it.
I like this just as a rhythm, mellow
Lovely swaying rhythm, O King of Ze Beats!
Comments made by Norm
Wow, Norda Mullen can really work that flute. What a treat to play with her!
Lovely!
Excellent! Love the Udu.
Tasty piece! Adored by aliens too!
Well, already fave'ed by aliens! I'm in. Excellent collaborative effort. Wonderful mix. Love your voice here Reefwalker, even that crunchy part at 2 minutes is cool. More cello! Yep - you said knee pads.
Great song, which I had not heard before. Well done!
Ha! Reefwalker is right... the sounds of anguish strike a real chord for all of us who have done exactly that!
@RW: Count me in too.
Excellent work! Welcome back other Reg! @ Beth: Well, since you had to ask! Yes, the percussion here is very nice: I would classify this not as Bossanova (a Brazilian pattern built upon Samba type rhythms). To my ear, this is afro-cuban and would be in the "Son" (aka Salsa) family, in which the "2" is the primary accent. There are a variety of patterns in this family, differing primarily in tempo: Bolero; Guajira<104; Danzón = 104-132; Cha-Cha = 108-126; Son = 122-224; Son Montuno = 184-216; Mambo = 224-264.
Gorgeous!
The lower frequency work here is outstanding!
Way hip!
Eegads!
Strong work!
Easy on the catnip, Puss!
Excellent!
Great cover Reg.
Clint Eastwood has Chinese eyes. I think you are absolutely correct. Jose Wells: "Are you a bounty hunter?" Bounty Hunter: "Yep. A man's got to do something for a living." Jose Wells: "Dying ain't much of a living, boy."
That's it. I quit.
Sounds like great fun! Nice hats.