*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
In 2006 we visited a Japanese garden. In September of 2009 I wrote this piano piece in 17 ET and I hear a connection between the two. So I put together a video from pictures and video taken of our visit and married the two. Please visit the song…
Starting out as a simple and awe inspiring invention, progressing to a more chaotic and demanding machine driven future. - people becoming enslaved to these devices. Feeding the machine.
Phone samples were recorded from the output jack of my…
I was working on one of my ethno 2 demos and needed a break so I made an improvisation on a series of major 7ths using only the Ethno 2 package.
All of the pitched instruments use the included Werckmeister temperament tuning.
Ooooh, you guys got it going. I would so LOVE to hook up with musicians along this slant. Talk to me about how the percussion is recorded (ie micing, etc.). Just awesome. AWB/Feat.
This drips with butter! Your keys player should be canonized. And I want to spend the week-end with your drummer, bassist and a case of gin. Great vocals too!
This song always puts you in a weird mood...forcibly sways your emotional state. There’s some kind of weird juju laced in that song that screws with your emotions no matter how you're feeling.
This song uses a lot of layers for bass along with…
This was written while living in the studio. For some reason this song seems like music appropriate for a chase scene. This is all bass and drums...no guitars yet. Vic's working on it.
This was written while living in the studio. For some reason this song seems like music appropriate for a chase scene. This is all bass and drums...no guitars yet. Vic's working on it.
Another older song. It's intentionally short. It makes it's point and moves on. No need to drag it out.
There used to be more. The song started as a minute-thirty idea, but we had the intention of building it later. We put some cool parts…
A Poem about Fear....
-My friend Fear-
By Tharek Mokbul
My friend.... (!?) .....
You have controlled your tone....?!?!
Is this the first time I have truly known you?
The ever present protector....
Moderator of will....
I request that you know…
Bass and Backing Vox from Launched (Mark)
Lead from Geir...
Hope You Like it!
-EASY LONDON-
(By Tharek Mokbul 2010)
We Live in London Town
Moving in Cans in the Underground
You’ll never know
You’ll Never Know, Never Know…
Reworked this one last night...
Crazy where a Song Can Take you...
CROWN OF DUST
Vocals: Owen Bourne
Left rhythm gtr (and Words): Tharek Mokbul
Right rhythm gtr: Geir Alfsen
Lead gtr : Geir Alfsen
Bass: Mark McPherson
Drum programming…
Thanks to Sister Savage for helping us debut our new project. As busy as she is, Sister managed a bit of time and some great Jovian vox for us.
This piece or art is unique, sublime, and psychedelic.
Lyrics:
?
2010 Savigear-Reyes-Lennon
Comments on Norm's stuff
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
Love that rhythm Norm! What's the 3 repeated, quiet scraping sounds made by? Sounds a bit like a chicken! Interesting!
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
If I could play drums like this my rhythm tracks would be much better. Enjoy just sitting back and listening to the many tones and varied rhythms.
thanks Norm - I bet Francis would have loved the persistent introspection of this groove! "..illumina le tenebre de lo core mio...
Excellent organic percussion! Solid gold.
Very, very interesting and addictive pattern here Norm.
Thanks Norm!!
thanks for the listen and rating!
I hear that
Very cool! I can explain the beer being gone!!
Oooo, 2.30 ish the little bit of quiver comes in. Nice! And, gets louder. Like it!
"4" does it for me. I like the, "I mean business" beats.
Ive done a collab with Mark , but never Tharek , this is a dream team , your percussion fits like a glove with this amazing song , i love it
I don't understand the Math behind it but I know it sounds Amazing! It is impressive the story you are able to tell with beats bro.
Very cool groovin' man
This is great mate really cool.
Dandy beat...I sort of got lost in it.
I like this just as a rhythm, mellow
Lovely swaying rhythm, O King of Ze Beats!
Comments made by Norm
Beautiful. I didn't need the video to see the coys lazily gliding around the pond.
Are you still there?? Nice work, Reefwalker!! The thing I love the very most about it is** Oh - gotta go - phone's ringing...
Cool!
The harmonies on this one are simply breath taking! Great song and well done!
Ummmmmm now this is good, good, good.
Ooooh, you guys got it going. I would so LOVE to hook up with musicians along this slant. Talk to me about how the percussion is recorded (ie micing, etc.). Just awesome. AWB/Feat.
I'm still shaking my head...
OK, I'm just going to be quiet from now on, but this is really, really great stuff that you guys are generating.
This drips with butter! Your keys player should be canonized. And I want to spend the week-end with your drummer, bassist and a case of gin. Great vocals too!
I have no idea why noboody is listening to this great stuff!! That shit ain't right. Many thanks!! Just great!
Of your loop intended samples, I like this one best.
It's space alright. I've heard it plenty of times at the Dead concerts. Well done!
Guitars would just ruin this. MORE DRUM AND BASS DUETS!!
Oooh, sweet drumming on this one! Funkytissimo!
Rockin! Great stuff.
One of the freshest new poems I've read in a very long time. Outstanding work!
Dig it! *-Jumps into mosh pit with a big grin on his face-
Now we're talking! This kicks! *Buys a round for the band**
Swampy! Very nice.
Excellent work guys! Thanks!