*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
A bit of improv done yesterday with my newly refurbished fretless guitar. Finally got the midi pickup to track almost right! Part of the sounds were gotten by rubbing a teaspoon on the strings.
Didnt mean to have a political slant but had just got denied my large order soft drink in Manhattan.
All thats left are the small sodas with the "NY loves big cans" tee shirts
This is a collab song with MTC. I almost hated adding anything to it cuz the first track he sent me was kickass vintage Jim. It totally changed flavors in the collab process, but still one of my favs
This is the third, maybe forth time I recorded this tune.
I like this one best.
taken by surprise
a fine disguise
they came from across the sea
always moving closer
my eyes could see
then they called in the calvary
First just a…
not even Dan Folgelberg escapes my ruinious covers.
AS THE RAVEN FLIES (D. Fogelberg)
1972
Intro w/ Lead |: Am C F Em :|
Am C D F
I see the raven's made her nest in your eyes
Am…
I've been messing and listening to a lot of Tom Waites i suppose his influence has rubbed of a bit ...well a little anyway...........
I want the love (Lyrics)
Crawling in the gutter trying to stand with phone
To tell you that I love you…
Another with the £16 special.............
My baby, she don't want me (Lyrics)
My baby, she don't want me,
i don't know what to do
i need her,
i believed her
she was hollow and untrue
My baby, she don't want me,
i don't know what to do
i need…
Another with the £16 special.......We know he isn't really i mean he's here with me now in the cellar............
HE’S GONE (lYRICS)
IT WAS A CARELESS LOVE THAT TOOK HIM AWAY
OF COURSE THERE WAS NEVER GONNA BE THE RIGHT KINDA DAY
TO SAY GOODBYE…
Reg went out last night to a bonfire party....Man does he meet some strange women...........so he got his £16 special down from the wall and penned this little ditty in rememberence...........
I felt her Pain (Lyrics)
i was the stranger in town…
drip by drip..
I did the guitar and bass tracks first, then procured my 10 year olds cello for the main bass line :) I also tried my luck playing cello with a bow on this track- which was a new experience.
The trumpet and violin bits are played…
drip by drip..
I did the guitar and bass tracks first, then procured my 10 year olds cello for the main bass line :) I also tried my luck playing cello with a bow on this track- which was a new experience.
The trumpet and violin bits are played…
I had the pleasure of hearing an alternative version of this song. One where the green fairy exploded. It was good. Norm agrees that a) both versions are awesome, and that b) bottle rockets are good. ~Eloise
Comments on Norm's stuff
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
Love that rhythm Norm! What's the 3 repeated, quiet scraping sounds made by? Sounds a bit like a chicken! Interesting!
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
If I could play drums like this my rhythm tracks would be much better. Enjoy just sitting back and listening to the many tones and varied rhythms.
thanks Norm - I bet Francis would have loved the persistent introspection of this groove! "..illumina le tenebre de lo core mio...
Excellent organic percussion! Solid gold.
Very, very interesting and addictive pattern here Norm.
Thanks Norm!!
thanks for the listen and rating!
I hear that
Very cool! I can explain the beer being gone!!
Oooo, 2.30 ish the little bit of quiver comes in. Nice! And, gets louder. Like it!
"4" does it for me. I like the, "I mean business" beats.
Ive done a collab with Mark , but never Tharek , this is a dream team , your percussion fits like a glove with this amazing song , i love it
I don't understand the Math behind it but I know it sounds Amazing! It is impressive the story you are able to tell with beats bro.
Very cool groovin' man
This is great mate really cool.
Dandy beat...I sort of got lost in it.
I like this just as a rhythm, mellow
Lovely swaying rhythm, O King of Ze Beats!
Comments made by Norm
Menacing!
I wish I had been there. With Kirk. First round's on me. Send a double up to the guitar player.
Very clever Reg. I agree.
...a match made in heaven.
Pssst. Hey buddy. Over here. I can hook you up with a 32oz Mountain Dew...
Totally pro.
Go Team!
HOLD THE PHONE!! This is unusually excellent. I really enjoyed this one, on all levels. And listen to your sister... up just a bit with the vocals.
One of your tightest yet!
Yes, this was Dan's best album.
Ok. Now, finally, it is clear who I must vote for.
Ha! fun video. Did you use any effects on that?
"This video is private". Now I REALLY want to see it...
That IS an awesome gong clip.
This smacks of Desiree. Get over it Reg!
@David: Haha! You mean this is not in regard to Michael Jackson??
Far out indeed. Nice work.
did it hurt so good?
What the hell??!!?? Where are the bottle rockets? (Enjoying Absinthe as I write this)
I had the pleasure of hearing an alternative version of this song. One where the green fairy exploded. It was good. Norm agrees that a) both versions are awesome, and that b) bottle rockets are good. ~Eloise