This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Out on the lawn there arose such a clatter!
Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
Me and Dave Recorded this to test the levels in the Church when we did some songs in tribute of my Son Ethan the other day.
We Normally record a throw away track before recording something for real.
Improvised, so it gets you in the spirit…
I Can't Seem To Find My Way Home
Featuring Norm on Percussion Track: "Pilón For A New Son"
http://alonetone.com/norm/tracks/piln-for-a-new-son
Lyrics:
Searching for something
I wonder and roam
Hoping the truth
Soon will be shown…
I thought it would be fitting to post this today, on Memorial Day, as a tribute to my friend William Easley, as well as all who have fought and died in wars, American or otherwise.
Sometime back in the 60's William (Billy from here on) heard…
Well, the Unicorn in the glass dust may be the way to you, but Bee's voice is the way to me.
Don't tell Bee, but MY dreams are slightly different: in them I hear her telling me how naughty I am.
Not what I was expecting with a Bee vocal. Cool piece. And, while I can only hope to hear Bee singing when I pass, I hope it is something more along her typical angelic lines.
Rather, it includes Norm's excellent track Pilón For A New Son (http://alonetone.com/norm/tracks/piln-for-a-new-son). Was trying to find out how less I can get away with in rhythms while still having enough flow. Feedback welcomed :)
Whoa! That's awesome Tipu!
A big part of the fun for me at AT is tying my patterns to helium balloons and releasing them onto the interweb - there is no telling where they will ever end up or what (if anything) ever becomes of them.
But sometimes somebody nabs one and sends it back so different, so evolved and so reconsidered that I hardly can recognize it. Heard from a completely different clave (or phase shift) with fresh new perspectives (not to mention wonderful mixing, mashing and effects) for vintage patterns. Heard for the first time again...
Yeah, I wax poetic. But man, I just love that.
Aaron Krister Johnson is the founder of Untwelve and a virtuoso pianist. I was honored to have Aaron perform my piece
“Prelude for Prelude for Centaur Tuned Piano”
at an intimate Untwelve gathering last year on his piano which is tuned to Kraig…
Texas hold em poker, and going for it all. Open mic acoustic with some alt tuning. Percussion by Norm.
The kokiriko? Norms playing in there actually sounds like shuffling cards- particularly loving the glockenspiel addition he did…
Here's a cover of a zep classic...from Reg and Speed Demon Gene....Gene has done all the music and the mixing..thanks Gene ....and i'm responsible for the warbling..... hope you enjoy
Landry/Garn
When I sent this song off to Jim, he sent back tracks for a second rhythm guitar, lead guitar, and drums. Bass soon followed, and Kavin's slide dropped in nicely. Just thought I'd let y'all have a listen to what came back to me…
With a little help from some of the lyrics of the Doors descriptions of the uncertainty of the 60's Reg has decided to do a kind of Punk song from both sides about the trouble in England which seems to be igniting the youth to set light and loot…
Instrumental Acoustic Guitar.
Written in 2010 for the wedding of a very good friend of mine, Jason. It was the processional, playing while the wedding crew walked down the aisle. Played it with montgomeru (who also wrote the recessional…
Comments on Norm's stuff
very nice,, if i could not play the piano (when i grow up) i would like to be a percussionist,, you make it sound soooo good
You make this sound easy. You ole pro you.
@Jarvis: Stick to your ears - musically speaking, nothing else matters. Thanks!
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
I found myself rocking back and forth a little while listening. This is very addictive!
Love It!!!
I like the percussion instrument choices and the way additional instruments are progressively added in waves, clean track
:)
@MTC: Ha! Cross-overs are fun no matter who makes them. But it's cool you get the concept. Thanks.
way to get those rolls in there as well. killer.
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
Another great piece Norm....just love your sense of rhythm
So what happened to Johnny? This is the only thing that remains. Did I miss something?
Still beautiful........
Damn- How did I miss this? Brilliant!
I'm trying to find the words to say why I liked this. The best I can come up with: "it's real".
4/4 bpm...awesome!
Sweet groove
You got the beat man.
the individual samples for propane are stretched (and filtered) but not the composition.
Comments made by Norm
Lovely!
Oh you brought it home alright! Excellent!
Here's to Billy!
All of your stuff is just excellent!
Well, the Unicorn in the glass dust may be the way to you, but Bee's voice is the way to me. Don't tell Bee, but MY dreams are slightly different: in them I hear her telling me how naughty I am.
Great to hear from you again Rick! The surf must have been exceptionally good for quite awhile... Awesome work!
I loved that album.
Not what I was expecting with a Bee vocal. Cool piece. And, while I can only hope to hear Bee singing when I pass, I hope it is something more along her typical angelic lines.
Whoa! That's awesome Tipu! A big part of the fun for me at AT is tying my patterns to helium balloons and releasing them onto the interweb - there is no telling where they will ever end up or what (if anything) ever becomes of them. But sometimes somebody nabs one and sends it back so different, so evolved and so reconsidered that I hardly can recognize it. Heard from a completely different clave (or phase shift) with fresh new perspectives (not to mention wonderful mixing, mashing and effects) for vintage patterns. Heard for the first time again... Yeah, I wax poetic. But man, I just love that.
Wow, has it already been a year?? Are you attending the gathering this year?
They say a cut dog bears no pups, but I've got nothing but a pair of Indians. I'll meet you back at the Winnebago...
Excellent Reg!
Way to work it Daawg!
The drums do work here.
Ha! No, I'm afraid Hank Thompson got it right the first time, regardless of what Kitty Wells sang. Great version!
How did I miss this? LET IT BURN!
Gin. Nice work!
Mandolishous!
3/4 is perfect for a processional!
Boom!