The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
Ha! Well, you have a point. In Reg's world, there is a woman named "Ilesa". But I have not been in the pantry with her. Most of the women in Reg's world scare me to death!
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
but I have to admit that my hot-chili tomato oatmeal-with-pickles pasta I made after this was pretty good. (The bottle of cabernet probably helped too).
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
very excellent,, both the music, and the story,one of the things i find so compelling about music is that, it is an art that exists only in the moment, of the beat, the hearing, the heart, i enjoyed this alot thanks for both
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
really nice,, listening to this in headphones i can almost feel/see the bending/vibrating of the drum skin,, your recordings are very rich it's kind of neat because on one hand,, one might think it's just a simple drum,, but as i listen i always hear so many sound textures/timbre from the way different parts of you hands touch/hit to the different parts of the drum being hit , it's a very rich experience, and that's not even mentioning the wonderful rhythms you show us,,,drums are a very sensual sound,,, very nicely done,,i always look forward to hearing from you Richard
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
I used to be into interviewing folks I knew about anything and everything, just to get "good source" for audio experimentation. I was very much into making pieces using plain spoken voice, and was (and still am) very fascinated with the effects…
This is from years ago, living in santa fe.
I loved driving around in my little 1980s toyota corolla and listening to cassettes. I loved the way they sounded.
So I took a piano song I was working on, recorded it to cassette, dragged mic…
There’s something to be said about dragging a song that has been a bit of a nemesis to you, for over a year, out to *your turf* to give it another listen. To a faithful car that you have known for many years, and inside of whom you have listened to many songs - over a speaker system that you have memorized. I know what you are doing. You aren’t finished with this piece yet, so you just keep looking and looking. It kind of reminds me of gold-mining in a way: if you quit digging you can’t strike the mother lode.
Ha! Yep, you're a kid - you probably love going to the zoo - if for nothing else but to capture more sound samples. Don't ever loose that. Forget the stove.
Time to upload an oldie from February - see the video
Stratocastor copy from a kit with lace pickups x 5 through guitar rig 4 against Norm Harris' Illesa in the Pantry!
Classic Vaisvil! Great mix and video... coupled with some LCPeep guitar work.
The percussion was created on a snowed-in weekend, in which my family pronounced that I was to be “persona non percussionataâ€, fearing that my drums would drive them all crazy. (This is a recurring problem for me at my house, which I have managed to work around in various ways) As usual, I had a powerful jones to drum a bit. So, in the spirit of Cuban slaves, forced to make instruments out of what ever they could find and to Bembe while the Boss was out of ear-shot, I cleverly waited until everyone was napping and constructed a clandestine Illesa pattern, deep in the pantry, utilizing only the dry goods found there. Thanks to powered mics, which pick up even the quietest delicate sounds, it was a perfect crime. Had I been detected, it would have been off with *my* head.
I’ll make my exit on the wind
Nevermore to pretend
That I’m fine
Yeah, I’m good, so good
At doin’ everything I should
To convince you
That I’m okay for today
An’ I won’t crawl out of my skin
I’ll just pretend
Some days…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
Hilarious! Yep, I thought I was looking at a Hubble photo. Great example of the power of suggestion. That Flint lens gets me every time - there's no way the photo used here is for real, right? Looks dangerous to me.
Year: 2010
Album:
bent classics
Artist's description:
I don't know.
Contributors:
an old exercise from piano class
jo guest
the amateurs of alt.binaries.sound.erotica
freesound.org
kontak4
absynth
an evil kitty who made me do it.
a terrier…
Ha! Good one! If I didn't keep my kids out of the studio while I was recording the conga tracks, it would have sounded a lot like this originally. And I want to go to Brian's pub.
Guitars/Keyboards/Pennywhistle: Doug Sparling
Composer: Traditional
Recorded: 2006
An old English/Scottish folk song. It's very well known, but has a great melody and I'm not ashamed to play it...
Pennywhistle, Low Whistle, Bar Stool (w/ drums ticks): Doug Sparling
Bodhran: David Shaughnessy
Composer: Traditional
Recorded: 2005
Set of traditional Irish jigs. Don't ask me the names of them, I don't remember (are you seeing a pattern here…
Guitars/Mandolin: Doug Sparling
Composer: Traditional
Recorded: 2005
A couple of nice reels played on guitar, the first is The Cup of Tea, can't remember the name of the second one. Unfortunately my midi flute scratch track got added in the mix…
My improvisation project is getting interesting. The centre of this track is at 2:08, where the drums pick up a guitar phrase that begins at 2:03, and then take over the melodic line, while the guitar shifts position to background the drums. The…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
@ Alister: Ha! I have a cuica - and I'm always looking for an excuse to play it - but I usually associate it with Brazilian carnival / samba music. But now that you have mentioned it, I'm going to fire that up in the near future. And thank you, but Pedro & Mauricio are legend, and light years ahead the stuff I produce.
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
Yes, an instant classic. (And on this one I think I have actually figured out what the underlying image is behind the "Flint lens" graphic. Well, the title helped a little.)
I picked up on one of Norm's wonderful grooves.
I added some bass, guitar, horns, and a basic drum track. Kicker and snare with a few cymbols. I didn't want to walk on Norm's fine, fine, percussion.
Thanks Norm for allowing me the opportunity…
A second version with the initial lead guitar standing alone...a little cluttered after a few listens and some constructive feedback!
Norm's Groove for St Monica inspired this one. Thanks Norm!
Lead Guitar, bass guitar and acoustic guitar…
Whoa! Way to bring Saint Monica across the border! And while she probably doesn't have a current visa, I'm certain she has a smile on here face upon hearing this provocative guitar work. Well done!
A long over due changing of the acoustic strings led to this epic production. 40 tracks and 34 plug-ins. Good Gravy that's a boat load of tracks. All kinds of stuff happening.
Enjoy!
you spend your days and your night times
bustin' ass…
Comments on Norm's stuff
It blows my mind how much expression you can make with pure drums -- awesome stuff!
I really like your style -- I normally don't go for pure percussion, but you definitely make it work!
Ha! Well, you have a point. In Reg's world, there is a woman named "Ilesa". But I have not been in the pantry with her. Most of the women in Reg's world scare me to death!
That's not the way Reg tells it...
"Ilesa" is a percussion pattern, not a woman! Otherwise I would have not taken the risk of being caught with her in the pantry!!
but I have to admit that my hot-chili tomato oatmeal-with-pickles pasta I made after this was pretty good. (The bottle of cabernet probably helped too).
I meant "Ilesa"! haha
2SS: Domestic? Yes. Barely. Goddess? Uh, no.
Domestic goddess!
this is excellent - and unique!
very excellent,, both the music, and the story,one of the things i find so compelling about music is that, it is an art that exists only in the moment, of the beat, the hearing, the heart, i enjoyed this alot thanks for both
Dooodley doo dodo do da da da......doodeley adoo dodo da da da ......yeh! I've got tune for this one I'm sure excellent beat Norm
Oh yeah!! Bustin' out my D harp and jammin' the high end. Cool stuff Norm. I'm glad you took up the harmonica.
nice. and i like the reverby harmonica :)
Reg - he did do something like that one day - and yes it was great!
Excellent I'm sure you could play a can of peas and record it and it would sound great
really nice,, listening to this in headphones i can almost feel/see the bending/vibrating of the drum skin,, your recordings are very rich it's kind of neat because on one hand,, one might think it's just a simple drum,, but as i listen i always hear so many sound textures/timbre from the way different parts of you hands touch/hit to the different parts of the drum being hit , it's a very rich experience, and that's not even mentioning the wonderful rhythms you show us,,,drums are a very sensual sound,,, very nicely done,,i always look forward to hearing from you Richard
great stuff!
How do you get these things to sing? Great melodic strands in these here (hot) beats.
I ment harmonica.....hahahah harp....I need to learn how to type...
Comments made by Norm
I was glad to finally comprehend what he was saying...
YES! Fantastic!
There’s something to be said about dragging a song that has been a bit of a nemesis to you, for over a year, out to *your turf* to give it another listen. To a faithful car that you have known for many years, and inside of whom you have listened to many songs - over a speaker system that you have memorized. I know what you are doing. You aren’t finished with this piece yet, so you just keep looking and looking. It kind of reminds me of gold-mining in a way: if you quit digging you can’t strike the mother lode.
I always love hearing you sing. Well done!
Ha! Yep, you're a kid - you probably love going to the zoo - if for nothing else but to capture more sound samples. Don't ever loose that. Forget the stove.
Classic Vaisvil! Great mix and video... coupled with some LCPeep guitar work. The percussion was created on a snowed-in weekend, in which my family pronounced that I was to be “persona non percussionataâ€, fearing that my drums would drive them all crazy. (This is a recurring problem for me at my house, which I have managed to work around in various ways) As usual, I had a powerful jones to drum a bit. So, in the spirit of Cuban slaves, forced to make instruments out of what ever they could find and to Bembe while the Boss was out of ear-shot, I cleverly waited until everyone was napping and constructed a clandestine Illesa pattern, deep in the pantry, utilizing only the dry goods found there. Thanks to powered mics, which pick up even the quietest delicate sounds, it was a perfect crime. Had I been detected, it would have been off with *my* head.
Great voice.
Thank you, Alister.
Hilarious! Yep, I thought I was looking at a Hubble photo. Great example of the power of suggestion. That Flint lens gets me every time - there's no way the photo used here is for real, right? Looks dangerous to me.
Perhaps while you are slow over the next couple months, I could borrow your absynth, whip... and the evil kitty??
Ha! Good one! If I didn't keep my kids out of the studio while I was recording the conga tracks, it would have sounded a lot like this originally. And I want to go to Brian's pub.
Perfect.
Superb (and great job on the bar stool, as well!)
Nice, indeed.
I like how you almost go into "Mission Impossible" around 6:00. Great improv! It's good to hear some live trap-set work.
@ Alister: Ha! I have a cuica - and I'm always looking for an excuse to play it - but I usually associate it with Brazilian carnival / samba music. But now that you have mentioned it, I'm going to fire that up in the near future. And thank you, but Pedro & Mauricio are legend, and light years ahead the stuff I produce.
Yes, an instant classic. (And on this one I think I have actually figured out what the underlying image is behind the "Flint lens" graphic. Well, the title helped a little.)
I just love your bass work here. What a treat!
Whoa! Way to bring Saint Monica across the border! And while she probably doesn't have a current visa, I'm certain she has a smile on here face upon hearing this provocative guitar work. Well done!
Humpin'! Great work!