This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
I was waiting for you to break out with your annual awesome percussion but this piece just kept on stretching till the end. brilliant!
cool side of you.
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
D'ya know, I think I like this the best so far.
Your tracks are all so precise, but this one has the edge.
Yeah, what about the video, let's see yer dimples
twitching!
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
very cool,, two or three or how many congas? some of it sounds like beats on the out side of the skin and some from the center,, im trying to picture the technique,,, have you ever made a video of your play?? i think it would be fun to watch,,, well hit R
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
You don't need apply for the job Norm it's yours....of course.....i threw this in the cellar earlier and a young Johnny Cash went and jumped all over it
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
So when you are playing this song on the Fender Mustang, you are hearing it in Sorog tuning, right? But the note that you are playing on the guitar is changed to another pitch by the Roland, so you must have the headset plugged into the Roland output, right?
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Vaisvil's response to my question was enlightening: wild stuff!
"well, no actually, it is the Roland GR-20 that gets re-tuned. Performing in many tunings with acoustic instruments is problematic and while I've seen a few attempts none of them I could afford. One could de-fret and re-fret a guitar but not only is it time consuming you then have either many guitars or a commitment to one tuning for a good space of time.
So.. long story short - musical electronics are making microtonal music practical. Of course this is purely from a western perspective - other cultures have been performing microtonal music for millennial. Or, as a Turkish composer told me - the west is the real microtonal music because its the compromise compared to other cultures."
Some more good fun with Brian Bazeley and Jarvis.
I added some drums and some horns to Jarvo's noodling.
There's probably room for vocals if anyone is feeling froggy.
Thanks Brian and Jarvis
Cant sleep....
Thought I'd write a Tune....
Had to be fairly Quiet on this, so as not to wake the Baby...
Hope you Like it.
Lyrics
“It Allâ€
By Tharek Mokbul 2010
I can’t find the,
Place where I kept,
My Love…
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
You've done a great job of really listening to the conga pattern - you picked up the "melody" the drums are playing and duplicated it nicely with your guitars.
Man, when I hear it together, it becomes very clear how off key my drum tuning is, and how a membranophone, by its very multi-tonal nature, is really tough to accompany when it is played in a melodic fashion.
It is very brave of you Brian to even attempt to collaborate with such unconventional drumming – if I expect others to collaborate with my percussion tracks, I would probably be wise to produce patterns that are less melodic… and leave the melody up to my fellow collaborators on the chordophones, aerophones and electrophones.
Well done!
A few of you know I accidentally wiped out one of my SD cards that had all my works in progress on it. I'm just starting to piece it all together again - A slow process. This was supposed to be a reprise to "In My Head", but ended up being in…
This is a microtonal Jazz-ish piece produced with some newly developed techniques.
Norm Harris provides the excellent percussion. I probably could have made it easier on myself by not being so chromatic… but there it is.
The piano, bass…
A song about Rising to new challenges...
Even though you Might not want to really....
Geir Alfsen on Vocals Lyrics and Guitar..
Me on the rest...
Hope you Like it...
I've seen that video before, and always cherish it when I can have dreams like this at night. One of my favs! And listening to this song while watching it adds another dimension! Great voice, mix, orchestral support and over-all production. Well done!
So there I was, trying hard to complete a big production that I've been working on for ages, and I was getting nowhere. In frustration I started composing this little thing, and it quickly evolved into a nice piece of music all of its own. Funny…
Caveat emptor: I did absolutely none of the drumming in this piece.
WORLD PREMIER! FIRST RECORDING OF THIS PATTERN - EVER!
My friend Kokou "Alex" Yemey called me a few days ago with some urgency in his voice: "I must record this before…
@Sha-Pink: Thanks! I have a wide variety of different drums - you can get one view of my studio from the cover of my "collaborations" playlist. Various congas, bongos, djembes, bass drums, bells and effects instruments... but no trap-set.
The first time we played this tune, the drummer and I played it, spontaneously, almost exactly as this recording documents. But we'd never heard it before, had no chart, Kelly was just playing it on the bass and singing a bit, and our parts just…
Yes! In the groove. I love it when that happens... it remains a mystery to me how that works, but I think part of it is really listening to each other.
Comments on Norm's stuff
I was waiting for you to break out with your annual awesome percussion but this piece just kept on stretching till the end. brilliant! cool side of you.
it duz work well.. jus done a turn around the room.. worked it all the way. :)
ace
is mad what can be done messing with sound. hats off.. incredible listening experience
Not enough cowbell. ;) Very effective! Great tension build-up!! Remind me not to play this late at night.
WOW! I may have to get that program. Fascinating sounds!
Very cool use of PS!
Wow!! Thats some space age gong.......excellent.....like a calling of the Gods.........
whoa! The gong sounds HUGE!
great groove , crisp recording too.
D'ya know, I think I like this the best so far. Your tracks are all so precise, but this one has the edge. Yeah, what about the video, let's see yer dimples twitching!
Like where this goes-hypnotic rythm, really hits the chakras. Enjojed Al
this just excellent - the production has great clarity too!
Who needs ice cubes?!
very cool,, two or three or how many congas? some of it sounds like beats on the out side of the skin and some from the center,, im trying to picture the technique,,, have you ever made a video of your play?? i think it would be fun to watch,,, well hit R
awesome Norm!
*Love it!*
Kick a$$!!!! WAHOoo love the flow of it man!! All aboard the fav bus!
You don't need apply for the job Norm it's yours....of course.....i threw this in the cellar earlier and a young Johnny Cash went and jumped all over it
well thats impressive indeed....it made my Irish Red ale even taste better, thats the power of rhythm......
Comments made by Norm
One of my all time favorite songs. Great job!
Awesome, sax man!
Beautiful, once again!
Menacing!
Great set. I really enjoyed it.
So when you are playing this song on the Fender Mustang, you are hearing it in Sorog tuning, right? But the note that you are playing on the guitar is changed to another pitch by the Roland, so you must have the headset plugged into the Roland output, right?
Vaisvil's response to my question was enlightening: wild stuff! "well, no actually, it is the Roland GR-20 that gets re-tuned. Performing in many tunings with acoustic instruments is problematic and while I've seen a few attempts none of them I could afford. One could de-fret and re-fret a guitar but not only is it time consuming you then have either many guitars or a commitment to one tuning for a good space of time. So.. long story short - musical electronics are making microtonal music practical. Of course this is purely from a western perspective - other cultures have been performing microtonal music for millennial. Or, as a Turkish composer told me - the west is the real microtonal music because its the compromise compared to other cultures."
This is brilliant. Perhaps my favorite of your work so far.
Way to collaborate, guys! Bravo!
Great tune/voice. It is interesting how a particular smell or sound can instantly summon the gift of recall.
You actually tune the Fender Mustang to the Sorog tuning, right?
You've done a great job of really listening to the conga pattern - you picked up the "melody" the drums are playing and duplicated it nicely with your guitars. Man, when I hear it together, it becomes very clear how off key my drum tuning is, and how a membranophone, by its very multi-tonal nature, is really tough to accompany when it is played in a melodic fashion. It is very brave of you Brian to even attempt to collaborate with such unconventional drumming – if I expect others to collaborate with my percussion tracks, I would probably be wise to produce patterns that are less melodic… and leave the melody up to my fellow collaborators on the chordophones, aerophones and electrophones. Well done!
The vocal harmony work on this one is right-on!
I still love it.
I've seen that video before, and always cherish it when I can have dreams like this at night. One of my favs! And listening to this song while watching it adds another dimension! Great voice, mix, orchestral support and over-all production. Well done!
Very nice!
Great voice work!
All of your stuff sounds so pro. Well done!
@Sha-Pink: Thanks! I have a wide variety of different drums - you can get one view of my studio from the cover of my "collaborations" playlist. Various congas, bongos, djembes, bass drums, bells and effects instruments... but no trap-set.
Yes! In the groove. I love it when that happens... it remains a mystery to me how that works, but I think part of it is really listening to each other.