You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it!
Thanks, bro - Perfectly done.
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly.
I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Reg was looking through some old notebooks last night in the cellar and found this one..................Divorce is a terrible thing to experience all the mixed emotions and torment.............
VOICES IN THE NIGHT (Lyrics)
Voices in the…
An experiment in minimalism ala 2004 inspired by the likes of Muslim Gauze. Dumped a Korg ES-1 drum track into Nuendo...cut it up...then added a sample of an ancient Greek song of Mourning...cut that sucker up too...and this is the result. I did…
I decided to take this classic Doors song in a totally different direction to the first one i put up......so here it is hope you enjoy it as much as i did doing it..........
The average person thinks as many as 50,000 thoughts a day. Many of these thoughts are negative and self-destructive. I believe that all of the inner tension in your life is created by your thoughts. Your thoughts make you ill and your thoughts…
Leaves everywhere today. Autumn has come late this year in London it seems.
Reminded me of a song Me Geir and Mark wrote a while back...
Written and recorded in a three hour time period from three places across the world. We just all happened…
Okay...so Godzilla comes to YOUR town and wants to get funky. What does it sound like?
When I first came to Japan, there was a time when I spent three months homeless and living out of a coin-locker at Shibuya station. Eventually, I got out of…
I’ve used Norm’s Groove for all Hallows to create quite a dark track about the Serial Killer Peter William Sutcliffe
(born 2 June 1946) is a British serial killer who was dubbed "The Yorkshire Ripper". In 1981 Sutcliffe was convicted of murdering…
Reg has never really understood Love.......... not in last 20years since first hearing this song .........it's still all a Mystery to him................
I heard shamoozey do this one the other day and enjoyed listening to his version, it got me remembering that I first sang this as a young boy soloist in the Choir for the Christmas carol concert. I recall being scared and thrilled at the same…
Reg has never been to America but he loves the idea of the freedom of such a huge country with so much variation.....so one day he’s going to get himself a ticket and find out for himself.......mean while he’ll have to do with writing songs about…
Bob and Reg got together tonight down the cellar and came up with this one dedicated to Desirea......Reg didn’t realise at the time but Desirea had got her hooks into Bob as well during her time down the cellar....but hey, all's well in love and…
This track was made for collaborative purposes. Looking for a slow build of layers. If you hear anything that you would like to add...feel free to do so, and send it back to me...or post it and let me know that you did. TANKS!
Comments on Norm's stuff
Okay, so this is awesome fellas - you're like some explosive cocktail of cool. Kicking major butt, three times!
Each of you kick ass. Together you three are magical! Excellent work fellas. JR
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it! Thanks, bro - Perfectly done.
wow, what a cool collab. the 3 musicians and instrument sounds mix well. I would crash into this late night show any day of the week
excellent!! I really like this collab! The voice perhaps could be a touch louder other than that this is excellent!
Damn that's a tough count. Super job man. Super.
This is fantastic Norm. Keep bringing me the lessons. I love it. Gotta go try this one now!!!!
I like all your tracks, so excellent sounding.
This is fantastic, seriously.
complex pattern and really good timing. Great percussion track S to F
Hey..call me at st. john Lutheran. we need to talk! I love this sound!
that's sooooo voodoo! technique's great yes, but the vibe is simply excellent! and your timing is just getting better and better O_o
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
LOVE IT!
Excellent!!
Crazy great.
Oh my, sublime, El Norm! Would you be terribly offended if I had a play around with this?
thanks for explaining the count btw - that helps a lot
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly. I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
I don't know how you keep time like this, but it's incredible!
Comments made by Norm
@Bee: *"I would like to hear it sung straight"* Do you think that is a reasonable request to ask of Reg? Personally, I prefer Igor's approach.
Is this stretched? It reminds me of jelly fish too. (You crack me up Bee!)
Awesome drum track! :)
@D: The vision of you dancing with your 4 month old to this delights me!
This is great fun!
Pro track.
This is wonderful.
Excellent work. Go team!
What a story! I agree with Chicken on the excellent base. Ok, uncle. What is the drum track?
Eegads Reg!
Yeah, this is great.
Excellent!
@ Vaisvil: *La clave es la llave, la llave es la clave*.
Ah! Don't look now, but your classical guitar training is showing - this is fantastic!
Dang those Greelies.
Excellent.
Now Reg, there is still a lot of truth in this one. Beautiful job!
America's going to love you Reg. Make sure to swing by the Blue Ridge Mountains when you get here.
Good grief! Reg, stop introducing her to your friends... if Bob gets mixed up with her he will change his tune to "Don't be Happy - Worry!"
I can't wait to hear what becomes of this...