Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Reg's friend, Austin has a crush on this girl Louise who is way out of his reach. He is trying to pluck up the courage to tell her how he feels about her. He writes poetry about her. He goes to the bar where she works so he can see her communicate…
Reg has been sitting in the cellar reading some old notebooks and he has decided it's time to air some of his secret stash of poetry. He knows the word poetry can turn an audience of quicker than a desperate man turns a women off but he is prepared…
Well Elvis couldn't just sit still watching Fredrico and the others having such a good time Jamming, he got up and joined in........i mean the party has only just started...................
She was my Princess, Queen of my highway
She was…
Ok, I can already tell that this is going to have a tragic ending...
Whatever you do, DO NOT allow any females into that basement at this point. Desirea especially!
Reg was just tootling about with the piano and he got possessed by someone and just couldn't stop. He's thinking it must have been the Devil himself because he just couldn't stop......or maybe it was the Moonshine........
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
My version of this classic guitar instrumental. It was cool to learn that radio stations banned this back in the day since they thought it was too raunchy and violent, even though it didn't have any lyrics.
Louis was back in the cellar last night and he was telling Reg how Blue he was and they got to jamming...............This morning i arrived at the cellar to find Bon was passed out in the corner....Dave was right with his guess....He could never…
@ Dave:
Why, Louie Armstrong, of course!
@ Reg:
I don't know brother - your basement is beginning to sound like the bar in Kubrick's "The Shining". I'm beginning to worry about you.
Well, I feel almost human today. Been a rough few days with the flu or something. I'm running on a baked potato - seems I can't each much else yet. It was ironic that I became sick just when I went to pick up a Boss Loop Station I found for half…
Sassy Nation version!
Sister Savage and Mr Sandbags collaborated on the original of this wonderful heartbreaker of a song. I've been playing it on the guitar the last few days and it always seemed to come out with a grittier tone, so i asked…
Who should come down the cellar to see Elvis but Bon Scott. Reg got on with him like a house on fire, i mean they have a lot in common. Reg told him all about his new love. S o they decided to jam and this is what they came up with…
This is wild! Strangely attractive, inspite of the voltage noises you push through my head. A couple of great guitar licks, around 2:30 and love the rhythm guitar riff around 5:45.
Your percussion work is top notch.
Reg was reading the paper today about the Spandex vigilante. Now Reg has got himself sorted becoming a superhero appeals to him. Ummmm about the suit i think it should be Blue to match my eyes with a large TTR motif of some sort on the chest in…
Reg has just had a moment he doesn't mean it, he was in the bar entertaining the leeches his fellow companions on his shadow of a life and he became depressed at his situation and struck out but he doesn't mean he would be lost without his companions…
Reg! You need to work on your intra-personal skills with the establishment's patrons if you want that piano tip jar to get filled up.
Damn that Disirea! She's gotten into your head and now it's messing you up.
Had the blues in Alabama
Had the blues in Texas too
Had the blues all over
Now I 'm givin' em to you
And if you don't want em
You know what you can do
You wont find me I'm goin' ta run and hide away from you
Because I see trouble
Trouble…
Comments on Norm's stuff
My western ear loves this!!
How can you have any slicy basses if you don't eat your vaisvil?
I thought I had faved this MF. Sorry, it's faved now boys. Great sounds.
I do like the gutsy bass in there, great percussion keeps us on our toes.
i can dig brother man ∆∆Libra∆∆
This is badass, guys. I have to keep coming back to it!
SUPERB!!!!! w;-)
Very cool groove! Nice work!
Felt real good. Nice job fellas. :) very interesting. Coll bass riffin' too.
Take me to your Leader.... this is an awasome (however you spell it ) cool piece...
this is very cool. I've been wanting to experiment with poly-rhythms too. Nice stuff Fellas!
Love the description. Very educational as well as entertaining. :) U2 make a good team.
polyrhythms, thanks for explaining that - Tasty percussion. Also, Vaisvil does a great job playing along this groove
This is great top beat dig it.
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
sublime beats and awesome groove what more can anyone ask for?
Enharmonic what? :) This is where it's at, guys! I'm diggin' it to China. Very cool!
Very nice drum and bass/guitar work. Love the complexity and the groove!
y u m m y ! la llave es la clave, si!
Explosive chemistry here, guys! Brilliant work! Love that rhythm, love that raunchy guitar. Sounds like conjuring up mischief on a hot day.
Comments made by Norm
Reg, show Austin a few of your dance moves and help him write a love song to her. That will do the trick.
Well done!
Ok, I can already tell that this is going to have a tragic ending... Whatever you do, DO NOT allow any females into that basement at this point. Desirea especially!
Chillin' at the casa...
Technically speaking, it would no longer be Hell with you at the piano, Reg.
7/8 = awesome pick for this song.
Excellent! Percussion is top notch!
Excellent cover. Great history too - I didn't know that.
@ Dave: Why, Louie Armstrong, of course! @ Reg: I don't know brother - your basement is beginning to sound like the bar in Kubrick's "The Shining". I'm beginning to worry about you.
Nuthin' unsteady about those hands. Great work! And what WAS that stuck to the eave?
There are lots of reasons to love this. I'd list them, but it's already obvious to all, and I'm too busy listening to this gem...
Great song.
You are hanging out with some fairly hard-core partiers Reg. Be careful!
Very clever!
Very clever.
Your production velocity is outrageous!
This is wild! Strangely attractive, inspite of the voltage noises you push through my head. A couple of great guitar licks, around 2:30 and love the rhythm guitar riff around 5:45. Your percussion work is top notch.
"Don't make me take out my spandex." (LOL - Mr. DGAS deals with the creeps with your PIN number on their fist.)
Reg! You need to work on your intra-personal skills with the establishment's patrons if you want that piano tip jar to get filled up. Damn that Disirea! She's gotten into your head and now it's messing you up.
Awesome stuff!