@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)

Love that rhythm Norm! What's the 3 repeated, quiet scraping sounds made by? Sounds a bit like a chicken! Interesting!

Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective

If I could play drums like this my rhythm tracks would be much better. Enjoy just sitting back and listening to the many tones and varied rhythms.

thanks Norm - I bet Francis would have loved the persistent introspection of this groove! "..illumina le tenebre de lo core mio...

Excellent organic percussion! Solid gold.

Very, very interesting and addictive pattern here Norm.

Thanks Norm!!

thanks for the listen and rating!

I hear that

Very cool! I can explain the beer being gone!!

Oooo, 2.30 ish the little bit of quiver comes in. Nice! And, gets louder. Like it!

"4" does it for me. I like the, "I mean business" beats.

Ive done a collab with Mark , but never Tharek , this is a dream team , your percussion fits like a glove with this amazing song , i love it

I don't understand the Math behind it but I know it sounds Amazing! It is impressive the story you are able to tell with beats bro.

Very cool groovin' man

This is great mate really cool.

Dandy beat...I sort of got lost in it.

I like this just as a rhythm, mellow

Lovely swaying rhythm, O King of Ze Beats!

Yet another side to your amazing voice, Reg. Impressive.

Well, is it microtonal? What do you make of this? As for me, when it is in a tempo range that I can follow (mid range) it sounds like a basic 4vs.3 polyrhythm. This makes sense to me, as all of the drum tones drop back into the their common denominator of 4 or 3 and resound in unison. So, I get the sense of polyrhythm, but not microtonality. It would be interesting to me to repeat this experiment with, for example, piano key tones to see if the results are the same, i.e. is one left with a sense of 4vs.3 polyrhythm or something else. My hypothesis is that the effect will be the same. I do not believe the pitch of the notes relate to this question. And I also think that at this point I do not agree with the premise that "polyrhythms are then Just Intonation": polyrhythms represent a relationship in time, whereas Just Intonation represents a relationship in pitch.

Great recording technique. Naturally, I can't help but think of old Saturday morning cartoons on the television when I hear music like this. Love it!

Fantastic mix.

Wait. Did you actually throw Henwrench into your cellar? Here's my talley of who's down there already with the Regs Deuce: Henwrench Vincent Price Elvis Frederico Louie Armstrong Bon Scott Frank Sinatra Jim Morrison and perhaps Satan.

Yeah, great bass. Love the guitar work. Love the vocals too! Heck, I love the whole thing!

Cool vocal effects.

Solid. Love the bass.

A spectacular vox Reg, although I confess I can no longer tell when you are copping an accent - I suspect you have many convincing voices. Poor big-hearted monkey. You are going to miss him. But at least he's off of your back, if I'm hearing this parable correctly.

Excellent.

Love it!

Excellent!

It's a curious thing. I guess that I like this song... I've started to listen to it several times and I have apparently "faved" it, but I can't remember listening to it for the life of me...

Beautiful. And thanks for pointing out the Super Moon - I spent some time in awe of her Saturday night from the vantage point of a small tent, way out high in the Blue Ridge Mountains...at <30 degrees! Now I know why she appeared so huge!

Sounds like some kind of fun!

Heartaching, yes.

Wild indeed!

Thump me bass man!

Great collaboration team! Wicked vox and waa!

Nice jammin' Rick!