Collaborations
by Norm
- 00. The Sugar-Plum Tree 2:52
- 01. Evening Falls 2:48
- 02. Anything But Me 3:49
- 03. Ally Grace July 2:12
- 04. Piano Sonata 3 movement 4... with Bongos 1:35
- 05. Voice from the Grave 2:25
- 06. Funk_E 2:17
- 07. #92 Curry Sauce 2:51
- 08. only the things that I fear w/ norm 9:25
- 09. Hot Rod Lincoln (Cover) 2:15
- 10. Running on the Edge of Chaos (with Norm Harris) 3:03
- 11. Vaisvil | Slicy Basses 2:35
- 12. Osckilo, Launched | Kidding Myself 3:07
- 13. She's Waiting (w/ Norm Harris) 4:07
- 14. Keeping the Peace in Space 2:08
- 15. Man And Mouse 3:06
- 16. Happy Fathers Day 2:50
- 17. I Don't Know What I Don't Know (With Norm) 2:00
- 18. Itchy | AloneTone Collaboration 2:46
- 19. Fat Bebe Micro (19ET) 3:15
- 20. Chocolate Cake (/w Norm) 3:38
- 21. Border Crossing with Norm 3:11
- 22. Norm's Skin On Skin 3:03
- 23. W/ Norm => (out of the closet) and Off With Her Head 3:53
- 24. 88 Norms 6:34
- 25. Stirring the Lady (wip 2) 2:32
- 26. Tramp Cover with Norm 6:49
- 27. Cabinotes with Norm 2:45
- 28. 01-Cabinetry 2:34
- 29. Preparing Absinthe 3:21
- 30. Home Alone feat. Norm 3:15
- 31. Bitter Dregs (w/ Norm) 2:34
- 32. The Endless Path (w/ Norm & Reefwalker) 3:44
- 33. Pixy Flavored 4:53
- 34. Johnny Stone | Christmas Rock In Oz 2:55
- 35. Barnabas Collins (w/ Norm) 4:22
- 36. Expedition2 3:14
- 37. Old Guitarist (/w Norm) 2:32
- 38. Capt. Gene | FunkManiac 3:44
- 39. Not so Much as One of Them 4:30
- 40. A Foxy Hysteria (With Norm Harris) 6:27
- 41. Walk With Sorrow (Norm, Rick, Chris, Emily) 3:19
- 42. (a reading of) Annabel Lee remaster 3:20
- 43. (w/ norm) and when I was carried 3:46
- 44. Faith Rumbles in the Market Place w/Vaisvil&Norm 5:56
- 45. spmodified-Rick Phillips 2:08
- 46. Fretless Moonlighting 5:38
- 47. Norms Stealing Pumpkins 2:54
- 48. Skin on Skin W: Norm 4:26
- 49. Paradise with Pain (Norm, tworegs) 3:19
- 50. I_dont_know_with_Rick_phillips___Norm 2:00
- 51. AfoxeÌ_Rendition_with_Blocks/He Answered the door/Norm/thetworegs 6:20
- 52. FLY's by with Norm 3:46
- 53. fly under the radar (w/ Norm) 3:09
- 54. Daniel and the Lions w/(Reg and Norm) 4:36
- 55. The2Regs | Dancing On My Own 3:46
- 56. She Was So Wonderful With Norm/Vaisvil 3:42
- 57. Death at Dawn with Norm,Vaisvil 5:43
- 58. Tumbling the Tumbao (w/ Norm) 3:48
- 59. Devil in the Deep Blue Sea 5:02
- 60. Alex Moody | Crossed Swords 3:58
- 61. Summer Song w/Vaisvil & Norm 4:13
- 62. I cried baby cried 3:50
- 63. jjj w/ Bruce and Norm 8:36
- 64. Voice from the Grave w/ Norm 2:25
- 65. Daisy (over the hill and far away) 3:47
- 66. I Rip Off Vaisvil 2:24
- 67. I'm Getting Gone with Norm 3:46
- 68. Mama Tried 2:43
- 69. The Grand Vista (Norm and Chris jam) 3:21
- 70. Norms raft. ( With mystery drummer) 2:54
- 71. Me and You 3:19
- 72. Caroling on the Darkest Night 3:54
- 73. Give me the Sugar 3:58
- 74. I'm sending you all my love tonight W/Norm 3:06
- 75. Stealing Pumpkins w/ Norm (2011) 3:22
- 76. The Monkey Grove for St Francis W/Norm 4:23
- 77. Francesca Grooves for St. Francis 4:24
- 78. Let's Have A Party (W/ Norm) 4:05
- 79. SLKrell | Cuban Chevrolet 3:55
- 80. The Upsetter 3:25
- 81. For a New Sun (with Norm) 3:56
- 82. I C S T F M W H / With Norm 3:19
- 83. All That Jazz w Kavin and Norm 3:05
- 84. Game Passage (with Norm) 3:12
- 85. All That Jazz II 3:05
- 86. What's He Building In There? (Tom Waits Cover) 6:40
- 88. Catch A Train w MTC and Norm 4:10
- 89. Democracy 5:12
- 90. Musical Medication w/Norm 3:55
- 91. Uncharted Waters w/ Norm 5:04
- 92. I Rip Off Kirk Lynch! 2:50
- 93. One More Summer Day 2:35
- 94. Between the Saddle and the Ground 4:52
0:00
6:27
A Foxy Hysteria (With Norm Harris)
Uploaded .
10
114
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps,
inhaled at each momentary recovery, lost finally
in the dark caverns of her throat, bruised by
the ripple of unseen muscles. An elderly waiter
with trembling hands was hurriedly spreading
a pink and white checked cloth over the rusty
green iron table, saying: “If the lady and
gentleman wish to take their tea in the garden,
if the lady and gentleman wish to take their
tea in the garden …” I decided that if the
shaking of her breasts could be stopped, some of
the fragments of the afternoon might be collected,
and I concentrated my attention with careful
subtlety to this end.
“Hysteria” was originally printed in Catholic Anthology, November 1915.
I decided it was about time I went all acoustic just like Norm :-) I abuse his Afoxé Rendition with Blocks
Well, I can’t help the electric bass, but this is the first time I recorded myself playing cornet, flute and harmonica, and also classical (nylon string) guitar plus vocals.
Norm - I hope this is ok with you!!
Guest
said
Careful subtlety! Perfect!
Guest
said
One of my fave ever AT tracks (for what it's worth). This is what this site is all about - a total gem, just given away for the fun, and the joy of it.
Guest
said
Still totally digging this! All elements work perfectly.
Guest
said
*APPLAUSE*
Guest
said
!!! Brilliant! The music slinks along awesomely, but the narration is the kiss of la la la la life!
Reefwalker
said
love the narration, and the echo FX's of the tea in the garden bit. And harp too? excellent.
Guest
said
Cool song and istrumentation
igor
said
Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.
Norm
said
Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,†he begins, “I was aware of becoming involved in her laughter and being part of it.†He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If†the woman’s breasts “could†be stopped, “some†fragments “might†be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.
Movement To Contact
said
Kick ass collab gents. Fine work chris and norm! FAV'D Love the additions to the track! The horns work great.