Collaborations
by Norm
- 00. The Sugar-Plum Tree 2:52
- 01. Evening Falls 2:48
- 02. Anything But Me 3:49
- 03. Ally Grace July 2:12
- 04. Piano Sonata 3 movement 4... with Bongos 1:35
- 05. Voice from the Grave 2:25
- 06. Funk_E 2:17
- 07. #92 Curry Sauce 2:51
- 08. only the things that I fear w/ norm 9:25
- 09. Hot Rod Lincoln (Cover) 2:15
- 10. Running on the Edge of Chaos (with Norm Harris) 3:03
- 11. Vaisvil | Slicy Basses 2:35
- 12. Osckilo, Launched | Kidding Myself 3:07
- 13. She's Waiting (w/ Norm Harris) 4:07
- 14. Keeping the Peace in Space 2:08
- 15. Man And Mouse 3:06
- 16. Happy Fathers Day 2:50
- 17. I Don't Know What I Don't Know (With Norm) 2:00
- 18. Itchy | AloneTone Collaboration 2:46
- 19. Fat Bebe Micro (19ET) 3:15
- 20. Chocolate Cake (/w Norm) 3:38
- 21. Border Crossing with Norm 3:11
- 22. Norm's Skin On Skin 3:03
- 23. W/ Norm => (out of the closet) and Off With Her Head 3:53
- 24. 88 Norms 6:34
- 25. Stirring the Lady (wip 2) 2:32
- 26. Tramp Cover with Norm 6:49
- 27. Cabinotes with Norm 2:45
- 28. 01-Cabinetry 2:34
- 29. Preparing Absinthe 3:21
- 30. Home Alone feat. Norm 3:15
- 31. Bitter Dregs (w/ Norm) 2:34
- 32. The Endless Path (w/ Norm & Reefwalker) 3:44
- 33. Pixy Flavored 4:53
- 34. Johnny Stone | Christmas Rock In Oz 2:55
- 35. Barnabas Collins (w/ Norm) 4:22
- 36. Expedition2 3:14
- 37. Old Guitarist (/w Norm) 2:32
- 38. Capt. Gene | FunkManiac 3:44
- 39. Not so Much as One of Them 4:30
- 40. A Foxy Hysteria (With Norm Harris) 6:27
- 41. Walk With Sorrow (Norm, Rick, Chris, Emily) 3:19
- 42. (a reading of) Annabel Lee remaster 3:20
- 43. (w/ norm) and when I was carried 3:46
- 44. Faith Rumbles in the Market Place w/Vaisvil&Norm 5:56
- 45. spmodified-Rick Phillips 2:08
- 46. Fretless Moonlighting 5:38
- 47. Norms Stealing Pumpkins 2:54
- 48. Skin on Skin W: Norm 4:26
- 49. Paradise with Pain (Norm, tworegs) 3:19
- 50. I_dont_know_with_Rick_phillips___Norm 2:00
- 51. AfoxeÌ_Rendition_with_Blocks/He Answered the door/Norm/thetworegs 6:20
- 52. FLY's by with Norm 3:46
- 53. fly under the radar (w/ Norm) 3:09
- 54. Daniel and the Lions w/(Reg and Norm) 4:36
- 55. The2Regs | Dancing On My Own 3:46
- 56. She Was So Wonderful With Norm/Vaisvil 3:42
- 57. Death at Dawn with Norm,Vaisvil 5:43
- 58. Tumbling the Tumbao (w/ Norm) 3:48
- 59. Devil in the Deep Blue Sea 5:02
- 60. Alex Moody | Crossed Swords 3:58
- 61. Summer Song w/Vaisvil & Norm 4:13
- 62. I cried baby cried 3:50
- 63. jjj w/ Bruce and Norm 8:36
- 64. Voice from the Grave w/ Norm 2:25
- 65. Daisy (over the hill and far away) 3:47
- 66. I Rip Off Vaisvil 2:24
- 67. I'm Getting Gone with Norm 3:46
- 68. Mama Tried 2:43
- 69. The Grand Vista (Norm and Chris jam) 3:21
- 70. Norms raft. ( With mystery drummer) 2:54
- 71. Me and You 3:19
- 72. Caroling on the Darkest Night 3:54
- 73. Give me the Sugar 3:58
- 74. I'm sending you all my love tonight W/Norm 3:06
- 75. Stealing Pumpkins w/ Norm (2011) 3:22
- 76. The Monkey Grove for St Francis W/Norm 4:23
- 77. Francesca Grooves for St. Francis 4:24
- 78. Let's Have A Party (W/ Norm) 4:05
- 79. SLKrell | Cuban Chevrolet 3:55
- 80. The Upsetter 3:25
- 81. For a New Sun (with Norm) 3:56
- 82. I C S T F M W H / With Norm 3:19
- 83. All That Jazz w Kavin and Norm 3:05
- 84. Game Passage (with Norm) 3:12
- 85. All That Jazz II 3:05
- 86. What's He Building In There? (Tom Waits Cover) 6:40
- 88. Catch A Train w MTC and Norm 4:10
- 89. Democracy 5:12
- 90. Musical Medication w/Norm 3:55
- 91. Uncharted Waters w/ Norm 5:04
- 92. I Rip Off Kirk Lynch! 2:50
- 93. One More Summer Day 2:35
- 94. Between the Saddle and the Ground 4:52
0:00
2:35
Vaisvil | Slicy Basses
Uploaded .
12
166
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with different meters (i.e., a different numbers of beats/measure) are played at the same tempo: the measures do not line up each time. These rhythms have measures that start at the same point, but do not end at the same point until cycling through a certain number of measures -at which point they “cross-over”. In this example, the bass lines are played in 4/4 and the percussion at 5/4, so they don’t share a common downbeat until cycling through 5 bars of the bass groove. The over-all effect is to give the illusion of a quite complicated percussion, when actually it is just distorted through the lens of an “incorrect” time signature perspective. At the end of the piece, once the bass has faded out, the simplicity of the underlying 5/4 percussion pattern can finally be recognized easily - at which point the abrupt change from 4/4 to 5/4 sort of feels like jumping off of a merry-go-round!
Once again, many thanks to Vaisvil for his totally slicy (and improvised!) bass work!!
“La clave es la llave, la llave es la clave” - The clave is the key, the key is the clave.
“Abrecuto y guiri mambo” - Open your eyes and listen.
180bpm.
Guest
said
How can you have any slicy basses if you don't eat your vaisvil?
Guest
said
I thought I had faved this MF. Sorry, it's faved now boys. Great sounds.
Guest
said
I do like the gutsy bass in there, great percussion keeps us on our toes.
richardlaceves
said
Take me to your Leader.... this is an awasome (however you spell it ) cool piece...
Guest
said
this is very cool. I've been wanting to experiment with poly-rhythms too. Nice stuff Fellas!
Guest
said
Love the description. Very educational as well as entertaining. :) U2 make a good team.
Reefwalker
said
polyrhythms, thanks for explaining that - Tasty percussion. Also, Vaisvil does a great job playing along this groove
Guest
said
Explosive chemistry here, guys! Brilliant work! Love that rhythm, love that raunchy guitar. Sounds like conjuring up mischief on a hot day.