My improvisation project is getting interesting. The centre of this track is at 2:08, where the drums pick up a guitar phrase that begins at 2:03, and then take over the melodic line, while the guitar shifts position to background the drums. The…
My improvisation project is getting interesting. The centre of this track is at 2:08, where the drums pick up a guitar phrase that begins at 2:03, and then take over the melodic line, while the guitar shifts position to background the drums. The…
"Working on a new style that's been in my mind for ages, learning to record in my kitchen, experimenting with the guitar and the amp ..." this is the kind of thing that Quill gets up to when he's not kept properly busy. Y'all are just lucky he…
The salient lines in this traditional song, for me, are these:
"... and still I hold, / that the time will come / when he and I will be as one ..."
What need is expressed in this "holding"? Against what, does our singer hope? The resistance…
The salient lines in this traditional song, for me, are these:
"... and still I hold, / that the time will come / when he and I will be as one ..."
What need is expressed in this "holding"? Against what, does our singer hope? The resistance…
The salient lines in this traditional song, for me, are these:
"... and still I hold, / that the time will come / when he and I will be as one ..."
What need is expressed in this "holding"? Against what, does our singer hope? The resistance…
the story behind this is amazing...thanks for sharing. Also have to mention how great you played...that kinda goes without saying. Can feel the passion in this one.
Languid be the lineaments of this trio-set meditation upon the lost turret-board brilliance of 1974. The bottles yet burn brightly, and as the fabric of time is folded, Silver comes back to Black. The sparkles in the air about the driving mountain…
(this track's a bit hot, mind it doesn't hurt your ears, please)
So many reasons for sorrow. One sees from within sorrow, and sees only sorrow. But we must look awry at these weeping walls, these streaking-blind windows: they are of our own…
Languid be the lineaments of this trio-set meditation upon the lost turret-board brilliance of 1974. The bottles yet burn brightly, and as the fabric of time is folded, Silver comes back to Black. The sparkles in the air about the driving mountain…
Languid be the lineaments of this trio-set meditation upon the lost turret-board brilliance of 1974. The bottles yet burn brightly, and as the fabric of time is folded, Silver comes back to Black. The sparkles in the air about the driving mountain…
This is 1:30 in the morning, only a few folks left in the dark, smokey little club. The guitar player's half way through his 3rd Jack and Coke - its sitting on top of his old tube amp with part of the cover torn off. Just need to hear the bar tender washing glasses.
A small taste of the '74 Twin Reverb. Blackfaced, master volume removed from circuit, two tubes pulled, old Celestion G12-80s (it wasn't me). Les Paul with excellent PAF-style pickups (A5 neck, A2 bridge), stock pots and caps but good parts nonetheless…
(this track's a bit hot, mind it doesn't hurt your ears, please)
So many reasons for sorrow. One sees from within sorrow, and sees only sorrow. But we must look awry at these weeping walls, these streaking-blind windows: they are of our own…
@Mannequin Races:
All I did here was set up my MacBook in the corner - not quite the corner, sort of one-third along the long wall - amp a bit closer than the kit, hence the imbalance, but it's all right for this track - and use the internal mic. Just kept one eye on the levels as we improvised. Sometimes I set up one cheap, broad-pattern condenser, but even that's just a slight improvement.
(this track's a bit hot, mind it doesn't hurt your ears, please)
So many reasons for sorrow. One sees from within sorrow, and sees only sorrow. But we must look awry at these weeping walls, these streaking-blind windows: they are of our own…
Those drums and guitar sound great! How many mics did you use on the kit? I can hear some bass going with this but that would change the feeling completely.
Thanks for your recent comment on my music! I know my songs are a bit on the short side! I'm working on that. :)
(this track's a bit hot, mind it doesn't hurt your ears, please)
So many reasons for sorrow. One sees from within sorrow, and sees only sorrow. But we must look awry at these weeping walls, these streaking-blind windows: they are of our own…
(this track's a bit hot, mind it doesn't hurt your ears, please)
So many reasons for sorrow. One sees from within sorrow, and sees only sorrow. But we must look awry at these weeping walls, these streaking-blind windows: they are of our own…
My new trio. This is just us, warming up at the beginning of our last rehearsal before our first gig. Just stupid stuff - you know, foolin' around in E and suchlike - but the guitar sound is wonderful, best sound I've ever had. One mic, corner…
"Working on a new style that's been in my mind for ages, learning to record in my kitchen, experimenting with the guitar and the amp ..." this is the kind of thing that Quill gets up to when he's not kept properly busy. Y'all are just lucky he…
"Working on a new style that's been in my mind for ages, learning to record in my kitchen, experimenting with the guitar and the amp ..." this is the kind of thing that Quill gets up to when he's not kept properly busy. Y'all are just lucky he…
A small taste of the '74 Twin Reverb. Blackfaced, master volume removed from circuit, two tubes pulled, old Celestion G12-80s (it wasn't me). Les Paul with excellent PAF-style pickups (A5 neck, A2 bridge), stock pots and caps but good parts nonetheless…
My new trio. This is just us, warming up at the beginning of our last rehearsal before our first gig. Just stupid stuff - you know, foolin' around in E and suchlike - but the guitar sound is wonderful, best sound I've ever had. One mic, corner…
This one is called "Your Light".
Hope you Like it!
Peace
Tharek
LYRICS
-YOUR LIGHT-
-By Tharek Mokbul-
We’ve heard all the compliments.
All said in a day.
They’ve lost all their meaning now.
Wasted away.
They were there…
Had to do this one on the fly before an open mic night....
Sorry about the quality...
Came up with the song this morning ......
One take... GTR+MIC on one tracks (doubled up), Played live....
Not much time to record music or…
Another coffeehouse I wish I'd been at. I agree with Gary Essex about the size of this song. Wonderful - and I think the recording is beautiful. I feel like it gives me the room I need to listen.
Cool bouncing groove, with interruptions that are so interesting they almost interrupt my breath - slippery punchy syncopated chords - all kinds of melody everywhere - the way the sounds sit in and around each other - really, really fun!
Quick live recording on my buddy Jim's guitar while visiting him in Portland. The song hopefully speaks for itself. Eastern Europe gets me every time...
Oh wow, great voice, from first note on first listen! And I love the guitar playing ...
... but all that is surface. Yes? No? I dunno. This performance is guitaristic, to be sure, but it doesn't sound like the song is stuck in the guitar - I'm sure you know exactly what I mean. The idea is beyond the guitar. Anyway what I'm struggling to say is that the song is really lovely.
Archival stuff from my distant past with former bandmates in Scartaglen. A set of traditional Irish tunes. Rescued from a cassette tape done at a concert back in the early 90's. Myself on Uilleann pipes and whistle. Mike dugger on guitar and fiddle…
... "Which one?" "Look at your list!" Oh, man ... haven't laughed that hard in days. A metonym for a magic moment!
This is so great! Love that you uploaded this. I long to learn what I need to learn so I can one day play some of this music, myself. Sometimes, one forgets what one wants to do, and the rush of an inspiring reminder is the most wonderful feeling.
Thing is ... there's a lot to learn to play this music, as well as this music is played, here in this beautiful track, and I think a lot of it is almost beyond knowing. Unless one can somehow learn to be open to the ineffable ... maybe. Don't know yet!
Had to do this one on the fly before an open mic night....
Sorry about the quality...
Came up with the song this morning ......
One take... GTR+MIC on one tracks (doubled up), Played live....
Not much time to record music or…
Wow. Whatever you do with this song, however you might record it or produce it or refine it, I hope you always have this recording of your song - it's wonderful. I would have enjoyed being at that open house.
so this song is an old one, one of the first tracks i ever made. it has a long and drawn out beginning and i am not too sure what i think about it (what's new...). anyways, i figured i may as well upload it, it is jsut sitting around anyways…
I don't know what it is ... I tend to cringe at birdsong and natural sounds, but ... I really like this, why do I like this ... I think it's somewhere in the way you are working with the loops, the way the spaces between things are linked - "linked", I think that's the word - if it was a drawing it would be about the negative space - and I could say, great use of negative space - also, the way the timbres of the instruments (digital? or otherwise?) are so carefully balanced. The sounds and the shape of the track, all together ... very exciting music.
I'm not sure if I'll keep the song title. Anyway, this song is more about feeling I guess. At times the song feels happy, then creepy, then sad or dissonant. How does this song make you feel?! Thanks for listening!
Incredible - had to really think about this, but it didn't take long to identify the feeling. Inside my pleasure at the interesting sounds, I found something else: a feeling of being left out. Strange, no? Left out of what? Nonsense! But, maybe ... of the process of its realization? Another side to that feeling: I want to take it apart, as though it were an interesting machine, and hold each of its components in my fingertips and turn them in the light, and wonder about their material, their origins, and their conception.
Hey, you asked.
This is so beautiful - how wonderful, as I write this, at about four minutes, that it's not yet even half done. But I like long tracks. ;)
Some very interesting harmonic movement in this piece, and the timing of each shift and change is ... just ... exquisite ...
This is really a true story.
No, really...
And our holiday gift to you & your friends. (Feel free to download it and share it with anyone who you think might enjoy it.)
Oh... by the way... acl is finally waking from a very deep slumber…
Great track - but then, these are the best changes. Aren't they? I love these changes. Beautiful, beautiful sound - I mean, to be precise, the playing of the sound, as this is a sound that needs playing. - and as I think about all of it and the player is jumping through the next tracks, wow, I really like your songs and playing, and all the sounds, instrument, voice, are rich and thick and beautiful. Dropped in to say thanks for the kind words and am leaving with more than I came to offer! But that's how it seems to work around here.
(this track's a bit hot, mind it doesn't hurt your ears, please)
So many reasons for sorrow. One sees from within sorrow, and sees only sorrow. But we must look awry at these weeping walls, these streaking-blind windows: they are of our own…
@Mannequin Races:
All I did here was set up my MacBook in the corner - not quite the corner, sort of one-third along the long wall - amp a bit closer than the kit, hence the imbalance, but it's all right for this track - and use the internal mic. Just kept one eye on the levels as we improvised. Sometimes I set up one cheap, broad-pattern condenser, but even that's just a slight improvement.
I think this is the first song that I've posted here under Mannequin Races that actually has a guitar in it. You can't really tell that it's a guitar but it's in there (middle section around the 1:50 mark). The guitar is heavily modulated but…
Inspired by and in collaboration with [My First Dictionary](http://myfirstdictionary.blogspot.com), alonetone's very own [Sudara](http://veryusartists.com/sudara) shares his potty mouth with us about a young BASTAR_ named Matthew.
Visit [veryusartists…
Written and Recorded April 22, 2010
Buddah defined compassion as "a trembling of the heart."
Details: Epiphone Les Paul (DADGAD/DADGAD Capo VII), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity.
Several years ago I had a short lived duo with an oboe and English horn player named Nat. This is a demo from that period. It's an old old chord progression of mine that never really had a melody and Nat improvised this melody in the studio to…
Just messing around with voices and Yottskry. Here I am using it in Live and feeding 3 different vocal clips at a time. It's pretty slow getting going but I think it rewards (for some value of 'reward') listening all the way through.
I was…
This is a far from finished version of a new song. I have lyrics for it, but haven't recorded any vocals yet. I'll repost it when it's a little more completed. For now though, I'm anxious to post it even as it is. Hope you can dig on it.
-Rain
Comments on quill's stuff
I like how you almost go into "Mission Impossible" around 6:00. Great improv! It's good to hear some live trap-set work.
I am really digging this. I think the guitar comes in just a tad "hot" in spots. I'm not expert just a thought. It rocks! Great guitar and drum work.
Sweet playing! Lovely tone!
..yeah, man! :)
Wow this is really well done - extremely emotive.
the story behind this is amazing...thanks for sharing. Also have to mention how great you played...that kinda goes without saying. Can feel the passion in this one.
Brilliant work! w;-)
Full of soooo much soul. You can feel the heart bleeding. w;-)
absolutely stunning guitarwork! sooo much attitude and soul in you rythms and timing sooo good
This is 1:30 in the morning, only a few folks left in the dark, smokey little club. The guitar player's half way through his 3rd Jack and Coke - its sitting on top of his old tube amp with part of the cover torn off. Just need to hear the bar tender washing glasses.
Let the humbucker loose.
@Mannequin Races: All I did here was set up my MacBook in the corner - not quite the corner, sort of one-third along the long wall - amp a bit closer than the kit, hence the imbalance, but it's all right for this track - and use the internal mic. Just kept one eye on the levels as we improvised. Sometimes I set up one cheap, broad-pattern condenser, but even that's just a slight improvement.
Those drums and guitar sound great! How many mics did you use on the kit? I can hear some bass going with this but that would change the feeling completely. Thanks for your recent comment on my music! I know my songs are a bit on the short side! I'm working on that. :)
Nice one mate very cool. And not to short, thanks for your comment. Cheers.
Powerful stuff...especially combining the music with your write-up. Mournful guitar, certainly.
The guitar does sound great. Nice jam.
Awesome Nice playing
Sweet!
cool
I love it
Comments made by quill
Oh wow this is just fantastic! I love it - the video, too.
Another coffeehouse I wish I'd been at. I agree with Gary Essex about the size of this song. Wonderful - and I think the recording is beautiful. I feel like it gives me the room I need to listen.
Cool bouncing groove, with interruptions that are so interesting they almost interrupt my breath - slippery punchy syncopated chords - all kinds of melody everywhere - the way the sounds sit in and around each other - really, really fun!
Oh wow, great voice, from first note on first listen! And I love the guitar playing ... ... but all that is surface. Yes? No? I dunno. This performance is guitaristic, to be sure, but it doesn't sound like the song is stuck in the guitar - I'm sure you know exactly what I mean. The idea is beyond the guitar. Anyway what I'm struggling to say is that the song is really lovely.
... "Which one?" "Look at your list!" Oh, man ... haven't laughed that hard in days. A metonym for a magic moment! This is so great! Love that you uploaded this. I long to learn what I need to learn so I can one day play some of this music, myself. Sometimes, one forgets what one wants to do, and the rush of an inspiring reminder is the most wonderful feeling. Thing is ... there's a lot to learn to play this music, as well as this music is played, here in this beautiful track, and I think a lot of it is almost beyond knowing. Unless one can somehow learn to be open to the ineffable ... maybe. Don't know yet!
Wow. Whatever you do with this song, however you might record it or produce it or refine it, I hope you always have this recording of your song - it's wonderful. I would have enjoyed being at that open house.
I don't know what it is ... I tend to cringe at birdsong and natural sounds, but ... I really like this, why do I like this ... I think it's somewhere in the way you are working with the loops, the way the spaces between things are linked - "linked", I think that's the word - if it was a drawing it would be about the negative space - and I could say, great use of negative space - also, the way the timbres of the instruments (digital? or otherwise?) are so carefully balanced. The sounds and the shape of the track, all together ... very exciting music.
Incredible - had to really think about this, but it didn't take long to identify the feeling. Inside my pleasure at the interesting sounds, I found something else: a feeling of being left out. Strange, no? Left out of what? Nonsense! But, maybe ... of the process of its realization? Another side to that feeling: I want to take it apart, as though it were an interesting machine, and hold each of its components in my fingertips and turn them in the light, and wonder about their material, their origins, and their conception. Hey, you asked.
This is so beautiful - how wonderful, as I write this, at about four minutes, that it's not yet even half done. But I like long tracks. ;) Some very interesting harmonic movement in this piece, and the timing of each shift and change is ... just ... exquisite ...
Today, this is the tune that turns rotten days right around. This one, right here. Thank you!
Great track - but then, these are the best changes. Aren't they? I love these changes. Beautiful, beautiful sound - I mean, to be precise, the playing of the sound, as this is a sound that needs playing. - and as I think about all of it and the player is jumping through the next tracks, wow, I really like your songs and playing, and all the sounds, instrument, voice, are rich and thick and beautiful. Dropped in to say thanks for the kind words and am leaving with more than I came to offer! But that's how it seems to work around here.
I think this track is really beautiful.
@Mannequin Races: All I did here was set up my MacBook in the corner - not quite the corner, sort of one-third along the long wall - amp a bit closer than the kit, hence the imbalance, but it's all right for this track - and use the internal mic. Just kept one eye on the levels as we improvised. Sometimes I set up one cheap, broad-pattern condenser, but even that's just a slight improvement.
Wow, those sounds are just beautiful. Really interesting and dense, with a fascinating structure and great movement. Maybe a bit short ;-)
Ah, that's great!
beautiful
Gosh I just love the sounds of those instruments. Very nice harmony, a sweet melody, and a nice balance of sounds.
Beautiful. I love the sense of texture, and what sit in my ear as illusions of different physical spaces, of varying shape and size - wonderful.
I like the way your group is using space here a lot. I love this tempo, and the sounds, and the way it seems to ebb and flow.