alonetone radio: Popular
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I've never been to sea on a pirate ship before but if i had i'm sure it would sound like this....
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Sour Milk on your Weetabix. Can you imagine it?
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What would have happened if you had not spoken to her? I dread to think.
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Fusion/funk featuring voicesamples of GW Bush. Actually this is a follow-up of the track Keep The Peace which I uploaded earlier
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First song I wrote using Sonar... really just fooling around with the synths and drums available. Very plasticy.
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I must confess, I enjoy a good game of Team Fortress 2. I wrote this for a server I play on, just for fun. The balance/mixing is all goofy and the lead guitar leaves plenty for desirement, but it was fun nonetheless.
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A song I get about that oily feeling I get watching ads that are all about "you." Really makes me wonder who the marketing folks think I am.
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took Peter Thoegersen's great 10/8 drum improv (from improvFriday) and edited down, then jammed with that.
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Ever woke in a car on a Sunday morning guilty with a sense of impending doom?
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on the day of parting they did not saddle the full-grown reddish-white camels untilthey had mounted the peacocks upon them
peacocks with murderous glances and sovereign power
thugh wouldst fancy that each of them was a bilqis on her throne of…
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from the album "the Hardest Blow" featuring vocals and slide guitar from Gregg Todt
My father says, it’s not enough
This mortal strife, gets too rough
And sinners dance, upon your grave
Waiting for, your bones to bleed
The hardest blow…
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An instrumental I recorded several summers ago on a Taylor 110, using Audacity and a computer mic. in a Purdue dorm room. I originally called it "my love," but it reminds me more of looking at a bright day through a window... so... there you have…
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Another old one on the computer mic. and the 110, this time with an old DAW (can't recall the name) that let me put in a little distortion and reverb (and boy did I ever -_0 ).
An acting class friend of mine was making herself really unhappy…
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first song featuring both chimps since like well, forever ago. just a taste of future calamity in the musicverse
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Now this is how this song should sound like, unlike the other version "Veins of Evil".
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How can anyone love me if i don't love myself again from the Begingings tapes
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Walking into the room for the first time after she has gone again from the Beginings Tapes
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The first cracks in the new relationship start to show from the Beginings Tapes
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A crazy time in an old cold farmhouse with no coal. The Beginings Tapes
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A piano chorale I wrote last year. A little Chopin, a little Granados, a little Dario Marianelli for influences.
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i did two covers of this song this one is tuned very low on a 6 string guitar the other tuned normal on a 12 string (coming soon).
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Oh, my holy noodles. *Another* bloody 12-bar in E, and what's worse, it's a *slow* blues. Every guitar player who deems it appropriate to play a slow blues in E, in this the 21st, should be roasted like a head of garlic, smeared across a toasted…
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a piece that's a bit older, and one of my first attempts at using a music synth
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Recorded in 2006.
ambient, Ambien, muy bien.
*opens window and takes deep breath*
Backwards electric piano through a ring modulator and an echo, then processed to death in WaveLab.
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Recorded in 2008.
Fuzz guitar through an old DDL into a pitch transposer, recorded in one pass with no edits or overdubs.
Just a minute noodle doodle, really, but it's gonna go somewhere.
Honest!
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Recorded in 2005.
The keyboard sound in the second half is a backwards electric piano processed through a triggered filter (kind of like a Mutron III).
Muted the vocals cos I'm not too pleased with the lyrics or performance.
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from the new CD "Orange"
You can feel the sameness, all around
Beat tomorrow, into the ground, a-ha
It's just the weight of sound
You can smell forgiveness, if you try
And hold back sorrow until you cry, a-ha
It's just the weight of sound…
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Recorded in 2006.
Joe Silence - guitars, beats, vocals
Mark Cook - fretless and 12-string basses
Originally written by Russell Cowser.
New arrangement and additional material by Joe Blair.
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Recorded in 2009 for RPM Challenge.
Joe Silence - organ and synth bass
Guitar by Giahni Burik.
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Recorded in 2001.
Tom Higgins - vocals
Joe Silence - guitars
Mark Cook - fretless bass and beats
This track sounds kinda fuzzoid for a reason: It was originally recorded to a Roland VS-880 hard disk recorder, but then mixed to cassette…
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A little bit to dance to on a cold Friday night in november
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A composition in Semimarvelous 17 note dwarf for amplified voice, amplified piano, fretless electric guitar, amplified jazz drum kit and amplified Asian percussion. Words by William Newbold and Visual by Emily.
The dialog by William Newbold…
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There are times, moments, sounds, shadow falls that take us to and bring us back to magical times in our lives,,,Something in this piece by Johnny Mercer & Henry Mancini,, can pull me in so many different ways,,, it's always been a favorite…
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finding meaning in nothing new.
Mon Apr 7, 2008, 1:21 AM
Mood: Lazy
Listening to: "next other" 74:25 min song I wrote
Reading: spacetime bororo of brazil by S. M. Fabian
Watching: tracy like trails into the nite
Playing: Apophysis
Eating: brain…
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like should i mix this one with the last one to see what I get you know in the track for track form :>>
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this track is part of an album i'm writing, rpm-style, for my wife for the winter holidays
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from the album "the Hardest Blow" featuring vocals & samples from Barney of Vivian Circle
I’m just singing for the war, inside me
Four thousand soldiers dead, maybe more, maybe more
It’s hard to read between the lines, so blurry now…
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.. only words will remain when the $h!t hits the fan.
It was a quote from an older song I wrote [Terrestrial Epitaph In Shortwave], and I felt the need to develop it further here.
It amazes me how much free advice there is out there etched…
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I guess I try to write such sketches in order to behold and hold a sense of the Great Goal, ...that which quietly 'visits' us, where we open- where we allow it,...
...all the way from the future Resolution.
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wrote this mid seventies just acoustic guitar. tried my hand at some strings
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this track from the project was just so stand alone good that I am releasing it as is... enjoy the toasty circuit-circus
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Recommended to listen with question "Who I am?" Maybe, answer will come from "inside" with some softly vibrations, or unimagiably familiar mentally focus. If not, dont complain to me more than for that broken english :)
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Felt the need to go back to something more sound driven.
I've been learning a lot of new Jazz chords and wondered what they might sound like as pads. I ended up creating a device chain in Ableton Live featuring Alchemy, Omnisphere, and Absynth…
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